This book presents an account of masculinity in eighteenth century Britain. In particular it is concerned with the impact of an emergent polite society on notions of manliness and the gentleman. From the 1660s a new type of social behaviour, politeness, was promoted by diverse writers. Based on continental ideas of refinement, it stressed the merits of genuine and generous sociability as befitted a progressive and tolerant nation. Early eighteenth century writers encouraged men to acquire the characteristics of politeness by becoming urbane town gentlemen. Later commentators promoted an alternative culture of sensibility typified by the man of feeling. Central to both was the need to spend more time with women, now seen as key agents of refinement. The relationship demanded a reworking of what it meant to be manly. Being manly and polite was a difficult balancing act. Refined manliness presented new problems for eighteenth century men. What was the relationship between politeness and duplicity? Were feminine actions such as tears and physical delicacy acceptable or not? Critics believed polite society led to effeminacy, not manliness, and condemned this failure of male identity with reference to the fop. This book reveals the significance of social over sexual conduct for eighteenth century definitions of masculinity. It shows how features traditionally associated with nineteenth century models were well established in the earlier figure of the polite town-dweller or sentimental man of feeling. Using personal stories and diverse public statements drawn from conduct books, magazines, sermons and novels, this is a vivid account of the changing status of men and masculinity as Britain moved into the modern period.

The abolition of the Scottish and Irish Parliaments in 1707 and 1800 created a United Kingdom centred upon the Westminster legislature. This text discusses what this meant for the four nations involved, and how conceptions of English, Irish, Scottish and Welsh identities were affected.

This book, first published in 1995, demonstrates the central role of 'people', the empire, and the citizen in eighteenth-century English popular politics. It shows how the wide-ranging political culture of English towns attuned ordinary men and women to the issues of state power and thus enabled them to stake their own claims in national and imperial affairs.

The social, political and cultural factors determining conformity and obedience as well as dissidence and revolt are traced in sixteenth and early seventeenth century England.

Writing and Society is a stunning exploration of the relationship between the growth in popular literacy and the development of new readerships and the authors addressing them. It is the first single volume to provide a year-by-year chronology of political events in relation to cultural production. This overview of debates in literary critical theory and historiography includes facsimile pages with commentary from the most influential books of the period. The author describes and analyses: * the development of literacy by status, gender and region in Britain * structures of patronage and censorship * the fundamental role of the publishing industry * the relation between elite literary and popular cultures * and the remarkable growth of female literacy and publication.

This collection of essays is arranged around the central issue raised by a raft of new empirical research - the relationship between social identity, or the 'vision of the self', and the ways in which this can explain historical agency. If identities in early modern society were multiple, complex, and dependent on context, rather than homogenous, consistent, or easily determined, then it is difficult to make simple causal links to behaviour. This collection aims to make innovative new research on the structures of English society available to the wider scholarly audience. The essays use a number of detailed contextual case studies to explore the twin themes of the nature of identities in early modern society, and their role in influencing historical agency. They examine the variety of identities available to individuals in early modern England, and the ways in which these were invoked and employed.

Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.

Gender and Power in Britain is an original and exciting history of Britain from the early modern period to the present focusing on the interaction of gender and power in political, social, cultural and economic life. Using a chronological framework, the book examines: * the roles, responsibilities and identities of men and women * how power relationships were established within various gender systems * how women and men reacted to the institutions, laws, customs, beliefs and practices that constituted their various worlds * class, racial and ethnic considerations * the role of empire in the development of British institutions and identities * the civil war * twentieth century suffrage * the world wars * industrialisation * Victorian morality.