Gods, deities, symbolism, deposition, cosmology and intentionality are all features of the study of early ritual and cult. Archaeology has great difficulties in providing satisfactory interpretation or recognition of these elusive but important parts of ancient society, and methodologies are often poorly equipped to explore the evidence. This collection of papers explores a wide range of prehistoric and early historic archaeological contexts from Britain, Europe and beyond, where monuments, architectural structures, megaliths, art, caves, ritual activity and symbolic remains offer exciting glimpses into ancient belief systems and cult behaviour. Different theoretical and practical approaches are demonstrated, offering both new directions and considered conclusions to the many problems of studying the archaeology of cult and ritual. Central to the volume is an exploration of early Malta and its intriguing Temple Culture, set in a broad perspective by the discussion and theoretical approaches presented in different geographical and chronological contexts.

Summary: This study throws new light on the Roman impact on Italic religious structures in the last four centuries BC and, more generally, on the complex processes of change and accommodation set in motion by the Roman expansion in Italy. Cult places had a pivotal function among the various 'Italic' tribes known to us from the ancient sources, which had been gradually conquered and subsequently controlled by Rome. Through an analysis of archaeological, literary and epigraphic evidence from rural cult places in Central and Southern Italy including a case study on the Samnite temple of San Giovanni in Galdo, the authors investigate the fluctuating function of cult places in among the non-Roman Italic communities, before and after the establishment of Roman rule.

Princess Liễu Hạnh, often called the Mother of the Vietnamese people by her followers, is one of the most prominent goddesses in Vietnamese popular religion. First emerging some four centuries ago as a local sect appealing to women, the princess’ cult has since transcended its geographical and gender boundaries and remains vibrant today. Who was this revered deity? Was she a virtuous woman or a prostitute? Why did people begin worshiping her and why have they continued? Cult, Culture, and Authority traces Liễu Hạnh’s cult from its ostensible appearance in the sixteenth century to its present-day prominence in North Vietnam and considers it from a broad range of perspectives, as religion and literature and in the context of politics and society. Over time, Liễu Hạnh’s personality and cult became the subject of numerous literary accounts, and these historical texts are a major source for this book. Author Olga Dror explores the authorship and historical context of each text considered, treating her subject in an interdisciplinary way. Her interest lies in how these accounts reflect the various political agendas of successive generations of intellectuals and officials. The same cult was called into service for a variety of ideological ends: feminism, nationalism, Buddhism, or Daoism.

The culmination of years of fieldwork in southern Malawi, River of Blood reconstructs the beginnings of the Mbona martyr cult, follows its history to the present day, and reveals the fascinating intersections of an indigenous belief system with European Christianity. In the cult of Mbona, the central African mythology of the snake that is beheaded to make the rains come has been combined with a more spiritual interpretation: the snake has been transformed into a human martyr and redeemer. According to the cult, the rainmaker Mbona was tracked down by his enemies; they cut off his head, and his blood formed the River of Blood. Mbona returned as a storm wind and asked that a shrine be dedicated in his name. J. Matthew Schoffeleers recounts how the Portuguese presence in Zambezia in the period 1590-1622 led to more than three decades of internecine warfare and caused the people of southern Malawi tremendous suffering. In response to this political oppression and social upheaval, Schoffeleers shows, the people looked to Mbona, their "black Jesus," for redemption. Beyond reconstructing the cult's genesis, Schoffeleers traces its recent history, particularly in political context. He provides texts of seven cult myths from different historical periods in both Chimang'anja and English. His analysis presents the Mbona myth as a continuous social construction and deconstruction. Emphasizing the impact of political and spiritual oppression on the cult, he distinguishes between the differing versions of the myth preserved by the aristocracy and by the commonalty and demonstrates how these disparate views unite to preserve historical information. In so doing, he shows that cults serve as valuable repositories for historical information.

Twenty-four experts from the fields of Ancient History, Semitic philology, Assyriology, Classical Archaeology, and Classical Philology come together in this volume to explore the role of textiles in ancient religion in Greece, Italy, The Levant and the Near East. Recent scholarship has illustrated how textiles played a large and very important role in the ancient Mediterranean sanctuaries. In Greece, the so-called temple inventories testify to the use of textiles as votive offerings, in particular to female divinities. Furthermore, in several cults, textiles were used to dress the images of different deities. Textiles played an important role in the dress of priests and priestesses, who often wore specific garments designated by particular colours. Clothing regulations in order to enter or participate in certain rituals from several Greek sanctuaries also testify to the importance of dress of ordinary visitors. Textiles were used for the furnishings of the temples, for example in the form of curtains, draperies, wall-hangings, sun-shields, and carpets. This illustrates how the sanctuaries were potential major consumers of textiles; nevertheless, this particular topic has so far not received much attention in modern scholarship. Furthermore, our knowledge of where the textiles consumed in the sanctuaries came from, where they were produced, and by who is extremely limited. Textiles and Cult in the Ancient Mediterranean examines the topics of textile production in sanctuaries, the use of textiles as votive offerings and ritual dress using epigraphy, literary sources, iconography and the archaeological material itself.

Between the late 1920s and the early 1950s, one of the most persuasive personality cults of all times saturated Soviet public space with images of Stalin. A torrent of portraits, posters, statues, films, plays, songs, and poems galvanized the Soviet population and inspired leftist activists around the world. In the first book to examine the cultural products and production methods of the Stalin cult, Jan Plamper reconstructs a hidden history linking artists, party patrons, state functionaries, and ultimately Stalin himself in the alchemical project that transformed a pock-marked Georgian into the embodiment of global communism. Departing from interpretations of the Stalin cult as an outgrowth of Russian mysticism or Stalin's psychopathology, Plamper establishes the cult's context within a broader international history of modern personality cults constructed around Napoleon III, Mussolini, Hitler, and Mao. Drawing upon evidence from previously inaccessible Russian archives, Plamper's lavishly illustrated and accessibly written study will appeal to anyone interested in twentieth-century history, visual studies, the politics of representation, dictator biography, socialist realism, and real socialism.

The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.

The arrival of Alexander the Great in the southern Levant ushered in many changes, and the subsequent period saw many more upheavals, including the Roman conquest, the Jewish revolts, and the gradual Christianization of the Holy Land. Throughout this period, many local 'pagan', Jewish, and Christian cults and cultic places dotted the local landscape of the southern Levant, which today covers the area of Israel, Jordan, and parts of Lebanon and southern Syria. These cults underwent processes of profound change, but also preserved much of their older identities while still interacting with each other. This volume seeks to present these processes both synchronically and diachronically, along three different axes - cultic places, personnel, and objects. The common denominator shared by these three axes is the people whose beliefs and practices shaped religious behaviour in the Greco-Roman southern Levant. The 18 articles in this volume investigate whether cultic practices formed a coherent cultural system. They consider the co-existence and competition of the different religious systems, analyzing them in terms of continuity, discontinuity, and change over an extended period of time, roughly from the arrival of Alexander the Great to the Imperial integration of Christianity (ca. late fourth century BCE - early fifth century CE). The approaches presented in the volume are varied and interdisciplinary, combining archaeological, philological, historical, and art-historical analyses of multiple bodies of evidence.

“A powerful challenge to the prevailing constitutional orthodoxy of the right and the left . . . A deeply troubling and absolutely vital book” (Mark Joseph Stern, Slate). In this provocative book, Mary Anne Franks examines the thin line between constitutional fidelity and constitutional fundamentalism. The Cult of the Constitution reveals how deep fundamentalist strains in both conservative and liberal American thought keep the Constitution in the service of white male supremacy. Franks demonstrates how constitutional fundamentalists read the Constitution selectively and self-servingly, thus undermining the integrity of the document as a whole. She goes on to argue that economic and civil libertarianism have merged to produce a deregulatory, “free-market” approach to constitutional rights that achieves fullest expression in the idealization of the Internet. The fetishization of the first and second amendments has blurred the boundaries between conduct and speech and between veneration and violence. But the Constitution itself contains the antidote to fundamentalism. The Cult of the Constitution lays bare the dark, antidemocratic consequences of constitutional fundamentalism and urges readers to take the Constitution seriously, not selectively.

Heaven's Gate, a secretive group of celibate "monks" awaiting pickup by a UFO, captured intense public attention in 1997 when its members committed collective suicide. As a way of understanding such perplexing events, many have seen those who join cults as needy, lost souls, unable to think for themselves. This book, a compelling look at the cult phenomenon written for a wide audience, dispels such simple formulations by explaining how normal, intelligent people can give up years of their lives—and sometimes their very lives—to groups and beliefs that appear bizarre and irrational. Looking closely at Heaven's Gate and at the Democratic Workers Party, a radical political group of the 1970s and 1980s, Janja Lalich gives us a rare insider's look at these two cults and advances a new theoretical framework that will reshape our understanding of those who join such groups. Lalich's fascinating discussion includes her in-depth interviews with cult devotees as well as reflections gained from her own experience as a high-ranking member of the Democratic Workers Party. Incorporating classical sociological concepts such as "charisma" and "commitment" with more recent work on the social psychology of influence and control, she develops a new approach for understanding how charismatic cult leaders are able to dominate their devotees. She shows how members are led into a state of "bounded choice," in which they make seemingly irrational decisions within a context that makes perfect sense to them and is, in fact, consistent with their highest aspirations. In addition to illuminating the cult phenomenon in the United States and around the world, this important book also addresses our pressing need to know more about the mentality of those true believers who take extreme or violent measures in the name of a cause.