From the mind of prodigy cartoonist Zao Dao comes Cuisine Chinoise: Five Tales of Life and Food, featured here in English for the first time! From insects looking for a meal made of ghosts, to a man named Yuzi who's passion for cooking is the only hope of maintaining a family legacy, these wonderfully illustrated stories explore the rich and humorous lives of the characters within. This volume showcases the wonderful relationship between Chinese folklore and culture to food!

Award-winning foreign correspondent’s cerebral spy novel-cum-love story exposes humanity’s tenuous hold on a vast and relentless world.

Declan Thomas is an ex-inmate of an insane asylum that was destroyed in a fire, he has the strange ability to step inside a person's madness—and sometimes cure it. He hopes to one day cure his own, but time is running out, as a demonic predator pursues him. Collects the five-issue miniseries. * From the Eisner nominated writer of Bandette. "Ferreyra has superstar written all over him and the words are written in blood. Visually, this book is leaps and bounds above 99% of the other books on the stands." — IGN

The ‘battle for Beijing’ is universally – and quite wrongly – believed to have been about opium. This book argues that it was about freedom to trade, Britain’s demands for diplomatic equality, and French demands for religious freedom in China. Both countries agreed that their armies, which repeatedly prevailed over Chinese ones that were numerically superior, would stay out of Beijing itself, but were infuriated by China’s imprisonment, torture and death of British, French and Indian negotiators. At the same time, the British and French also helped the empire to battle rebels and to pocket port and harbour dues. They steered carefully between their political and trading demands, and navigated the danger that undue stress would make China’s fragile government and empire fall apart. If it did, there would be no one to make any kind of agreement with; much of East Asia would be in chaos and Russian power would soon expand. Battle for Beijing, 1858–1860 offers fresh insights into the reasons behind the actions and strategies of British authorities, both at home and in China, and the British and French military commanders. It goes against the widely accepted views surrounding the Franco-British conflict, proposing a bold new argument and perspective.

The seventeenth century is generally acknowledged as one of the most politically tumultuous but culturally creative periods of late imperial Chinese history. Scholars have noted the profound effect on, and literary responses to, the fall of the Ming on the male literati elite. Also of great interest is the remarkable emergence beginning in the late Ming of educated women as readers and, more importantly, writers. Only recently beginning to be explored, however, are such seventeenth-century religious phenomena as "the reinvention" of Chan Buddhism—a concerted effort to revive what were believed to be the traditional teachings, texts, and practices of "classical" Chan. And, until now, the role played by women in these religious developments has hardly been noted at all. Eminent Nuns is an innovative interdisciplinary work that brings together several of these important seventeenth-century trends. Although Buddhist nuns have been a continuous presence in Chinese culture since early medieval times and the subject of numerous scholarly studies, this book is one of the first not only to provide a detailed view of their activities at one particular moment in time, but also to be based largely on the writings and self-representations of Buddhist nuns themselves. This perspective is made possible by the preservation of collections of "discourse records" (yulu) of seven officially designated female Chan masters in a seventeenth-century printing of the Chinese Buddhist Canon rarely used in English-language scholarship. The collections contain records of religious sermons and exchanges, letters, prose pieces, and poems, as well as biographical and autobiographical accounts of various kinds. Supplemental sources by Chan monks and male literati from the same region and period make a detailed re-creation of the lives of these eminent nuns possible. Beata Grant brings to her study background in Chinese literature, Chinese Buddhism, and Chinese women’s studies. She is able to place the seven women, all of whom were active in Jiangnan, in their historical, religious, and cultural contexts, while allowing them, through her skillful translations, to speak in their own voices. Together these women offer an important, but until now virtually unexplored, perspective on seventeenth-century China, the history of female monasticism in China, and the contributionof Buddhist nuns to the history of Chinese women’s writing.

The Japanese believe that until the age of three, children, whether Japanese or not, are gods, each one an okosama, or "lord child." On their third birthday they fall from grace and join the rest of the human race. In Amelie Nothomb's new novel, The Character of Rain, we learn that divinity is a difficult thing from which to recover, particularly if, like the child in this story, you have spent the first tow and a half years of life in a nearly vegetative state. "I remember everything that happened to me after the age of two and one-half," the narrator tells us. She means this literally. Once jolted out of her plant-like , tube-like trance (to the ecstatic relief of her concerned parents), the child bursts into existence, absorbing everything that Japan, where her father works as a diplomat, has to offer. Life is an unfolding pageant of delight and danger, a ceaseless exploration of pleasure and the limits of power. Most wondrous of all is the discovery of water: oceans, seas, pools, puddles, streams, ponds, and, perhaps most of all, rain-one meaning of the Japanese character for her name. Hers is an amphibious life. The Character of Rain evokes the hilarity, terror, and sanctity of childhood. As she did in the award-winning, international bestesller Fear and Trembling, Nothomb grounds the novel in the outlines of her experiences in Japan, but the self-portrait that emerges from these pages is hauntingly universal. Amelie Nothomb's novels are unforgettable immersion experiences, leaving you both holding your breath with admiration, your lungs aching, and longing for more.

The Tale of Tea presents a comprehensive history of tea from prehistoric times to the present day in a single volume, covering the fascinating social history of tea and the origins, botany and biochemistry of this singularly important cultigen.

This timely tale of an endless war between humans and nature follows young orphan Gert, whose land is shrouded in a thick fog hiding ferocious, fantastical animals that besiege her village. Gert sets out to make sure no one else suffers what she has as a result of the war, but to do this she'll have to do what is forbidden of young women like her: become a warrior. Unfazed, Gert sneaks into the initiation test, beginning an adventure that will prove to be about much more than revenge. Gert's journey will teach her to accept hard truths, rethink the glorification of war and violence, and prove if she can be the unlikely hero to reimagine her people's future. From the acclaimed Italian comics team of Marco Rocchi and Francesca Caritá comes an insightful story of conflict, reconciliation, and the unique power of young people to change their world for the better. "We wanted to create a multi-faceted and well-rounded female character who could mirror the strengths and weakness of both girls and boys. Although it's a fantasy setting, there are many implicit references to real life and to our way of seeing the world. Many will recognize themselves in the protagonist's will to forge and affirm her own unique identity despite the adversities of social customs or hostile environments, and in her awareness that she must learn more, experience more, and grow by taking responsibility for her choices before she can change the world." -- Marco Rocchi and Francesca Carità