This collection of Cuban legends aims to bring readers the best of a time-honoured tradition of storytelling in Cuba. The tales are retold by a diverse group of Cuban literary figures, their stories embracing a broad spectrum of Cuban history from the remote past to the modern era.

Greedy Sun refuses to share the sky with Moon in this Cuban legend that explains why solar eclipses occur.

The histories of sugarcane and its ethereal descendant-authentic Cuban rum-are closely associated with the legends of the Cuban nation, with its countryside, its culture, its music and its spirit. In this book you will discover the true roots of Cuban rum: from its relationships with people from explorer Christopher Columbus to author Ernest Hemingway; with places from the aging cellars at the distilleries to the legendary bars of Havana; and with its multi-cultural influences that they transformed into a distinctive Cuban identity; and with the embodiment of that persona in art, in literature, in music, in spirituality and in life itself. This is a tale of passion and imagery, in which kings and conquistadors, pirates and planters, master rum blenders and bartenders, international movie stars and industrial magnates, revolutionaries and romanticists each play a significant role.

A morally profound chamber piece, A Legend of the Future is a critique of morality. It takes place inside a spaceship after a crash takes place during a failed mission to Titan, one of the Saturn moons. The journey home forces the crew to face its innermost fears while coexisting with each other in a state of desperation. This mesmerizing novel, recalling Arthur C. Clarke’s 2001: Space Odyssey, is a roman a clef about the intense pressures—economic, ideological, psychological—inside Socialist Cuba. Praise for A Legend of the Future "The best science fiction writer in Cuba; the only possible debate is which of his works is the best.... His trilogy of Spiral, A Legend of the Future, and Year 200 is still the best of Cuban science fiction.... With a very refined style and well-established scientific-social background, Agustín’s work surprises through its humanistic content. His concerns surrounding the meaning of life and the evolution of human beings put him in a privileged place among national writers.” —Cuenta Regresiva "The best and most popular novelist of this genre that the Island has ever given.... He is considered one of the principal exponents of Cuban science fiction, and he was undoubtedly the one who knew how to best combine solid scientific formation as plots and attractive characters with a confidence well-based in humanity’s socialist future.” —Yoss "One of the best science fiction writers in Cuba—and, until [his death], one of the best Cuban story tellers alive.... Today Agustín de Rojas’ work, from Spiral through Catharsis and Society, is admired by cult readers, pro-government thinkers, and elitists alike." —Félix Luis Viera, Cubaencuentro "The most elevated figure in Cuban science fiction." —Axxón Agustín de Rojas (1949-2011) is the patron saint of Cuban science fiction. A professor of the history of theater at the Escuela de Instructores de Arte in Villa Clara, he is the author of a canonical trilogy of novels: Espiral (Spiral, 1982), for which he was awarded the David Prize; La leyenda del futuro (The Legend of the Future, 1985) and El año 200 (The Year 200, 1990), all scheduled for publication in English translation by Restless Books. While influenced by Ray Bradbury and a translator of Isaac Asimov into Spanish, he aligned himself with the Soviet line of socialist realism defined by the brothers Arkady and Boris Strugatsky as well as by Ivan Antonovich Yefremov, author of The Andromeda Nebula, made into a movie directed by Yevgeni Sherstobitov and admired by de Rojas. In Cuban literature, he is said to have begun writing after reading Miguel Collazo’s El viaje (The Journey). After the fall of the Soviet Union, de Rojas stopped writing science fiction and embraced other themes such as Christianity, about which he wrote a novel called El publican (1997), about the disciples of Jesus Christ, that was awarded the Dulce María Loynaz Prize. He spent his last years persuaded—and persuading others—that Fidel Castro did not exist. Nick Caistor is a British journalist, non-fiction author, and translator of Spanish and Portuguese literature. He has translated Cesar Aira, Paulo Coelho, Eduardo Mendoza, Juan Marsé, and Manuel Vázquez Montalban, and he has twice won the Valle-Inclán Prize for translation. He regularly contributes to Radio 4, the BBC World Service, the Times Literary Supplement, and the Guardian. He lives in Norwich, England.

A basic overview of the history, geography, climate, and culture of Cuba.

When did Cuba become an independent nation? What do Cubans call 'little buzzer'? Why does Cuba have two forms of currency? This high-interest, lavishly illustrated series offers comprehensive coverage of countries around the globe. Discover a vibrant and diverse range of landscapes, peoples and cultures. Explore the landmarks and food of different regions, follow the current affairs and personalities shaping nations, and learn about the wildlife, environmental issues and work of young people to protect our planet.

A new, sweeping narrative history of American news media that puts race at the center of the story From the earliest colonial newspapers to the Internet age, America’s racial divisions have played a central role in the creation of the country’s media system, just as the media has contributed to—and every so often, combated—racial oppression. News for All the People reveals how racial segregation distorted the information Americans received from the mainstream media. It unearths numerous examples of how publishers and broadcasters actually fomented racial violence and discrimination through their coverage. And it chronicles the influence federal media policies exerted in such conflicts. It depicts the struggle of Black, Latino, Asian, and Native American journalists who fought to create a vibrant yet little-known alternative, democratic press, and then, beginning in the 1970s, forced open the doors of the major media companies. Written in an exciting, story-driven style and replete with memorable portraits of journalists, both famous and obscure, News for All the People weaves back and forth between the corporate and government leaders who built our segregated media system—such as Herbert Hoover, whose Federal Radio Commission eagerly awarded a license to a notorious Ku Klux Klan organization in the nation’s capital—and those who rebelled against that system. Based on years of original archival research and up-to-the-minute reporting and written by two veteran journalists and leading advocates for a more inclusive and democratic media system, News for All the People should become the standard history of American media.

Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.

Told through profiles of the men who have made it a reality, this is the complex story of the triumphs achieved by—and challenges faced by—Latinos who have risen to the heights of Major League Baseball. Latino Baseball Legends: An Encyclopedia offers the most comprehensive, go-to source for everything relating to Latin American baseball stars, tracing the history of Latinos in baseball through the stories of those who have excelled at the game. Colorfully written 3,000-word entries explore the lives and careers of 25 dominant players, from legends such as Roberto Clemente to deserving, but comparatively unknown superstars such as Martin Dihigo. Shorter listings note another 75 Latinos who have figured prominently in the sport. The entries document the importance of baseball in Latin American culture and the way it has evolved in the players' home countries, but the encyclopedia does more than that. Its profiles also expose the difficulties faced by Latino players who are forced to overcome both a language barrier and the discrimination they face because of their skin color. And they demonstrate how proficiency with a bat and ball has become a great engine that can lift families out of poverty and provide hope for indigent youths.