Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980 explores the rich history of queer art, activism and culture in Los Angeles through artworks, documents, and archival items culled entirely from the collections at ONE National Gay & Lesbian Archives, the largest LGBTQ archive in the United States. Cruising the Archive includes essays by Ann Cvetkovich, Vaginal Davis, Jennifer Doyle, Judith "Jack" Halberstam, Catherine Lord, Richard Meyer, Ulrike Muller, and Dean Spade that examine various topics related to queer art, aesthetics, politics, and the archive. This publication also includes information on artworks and archival materials from ONE Archives, reprints from early queer publications from Los Angeles including ONE Magazine, an introduction by the exhibition's co-curators David Frantz and Mia Locks, and a map of historical sites referenced in the publication compiled by Zemula Barr. Artist Onya Hogan-Finlay has produced a limited edition poster that functions as a book jacket, featuring a photograph of friends of ONE Archives.

Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session

A Vintage Shorts “Short Story Month” Selection The ride to the tiny village in Mexico where he’s due to film has not been easy. The actor has to first put up with Gunther, a maniac German driver in a tuxedo, the Narcos who insist on excavating the contents of their car, the customs official in Mexico who sends him back across the border, and an embittered woman in the Mexican consulate for whom he must play Spencer Tracy. From the Pulitzer Prize-winner, “the greatest playwright of our generation,” director, prose-stylist, musician, and actor Sam Shepard—"Spencer Tracy Is not Dead," selected from Cruising Paradise, is a gleaming testament to Shepard's mastery and a tender portrait of American masculinity on the road. An ebook short.

The Transreal: Political Aesthetics of Crossing Realities explores the use of multiple simultaneous realities as a medium in contemporary art, including mixed reality, augmented reality and alternate reality approaches. Building on the notion of "trans" from transgender, signifying the crossing of boundaries, the book proposes that transreal aesthetics cross the boundaries created by a proliferation of conceptions of reality that occurred as a result of postmodern theory and emerging technologies.

The powerful work of queer Chicano artists in Los Angeles is explored in this exciting and thoughtful book. Working between the 1960s and early 1990s, the artists profiled in this compendium represent a broad cross section of L.A.'s art scene. With nearly 400 illustrations and ten essays, this volume presents histories of artistic experimentation and reveals networks of collaboration and exchange that resulted in some of the most intriguing art of late 20th-century America. From "mail art" to the rise of Chicano, gay, and feminist print media; the formation of alternative spaces to punk music and performance; fashion culture to the AIDS crisis—the artists and works featured here comprise a boundary-pushing network of voices and talents.

Cruising the Library offers a highly innovative analysis of the history of sexuality and categories of sexual perversion through a critical examination of the Library of Congress and its cataloging practices. Taking the publication of Eve Kosofsky Sedgwick’s Epistemologies of the Closet as emblematic of the Library’s inability to account for sexual difference, Melissa Adler embarks upon a detailed critique of how cataloging systems have delimited and proscribed expressions of gender, sexuality, ethnicity, and race in a manner that mirrors psychiatric and sociological attempts to pathologize non-normative sexual practices and civil subjects. Taking up a parallel analysis, Adler utilizes Roderick A. Ferguson’s Aberrations in Black as another example of how the Library of Congress fails to account for, and thereby “buries,” difference. She examines the physical space of the Library as one that encourages forms of governmentality as theorized by Michel Foucault while also allowing for its utopian possibilities. Finally, she offers a brief but highly illuminating history of the Delta Collection. Likely established before the turn of the twentieth century and active until its gradual dissolution in the 1960s, the Delta Collection was a secret archive within the Library of Congress that housed materials confiscated by the United States Post Office and other federal agencies. These were materials deemed too obscene for public dissemination or general access. Adler reveals how the Delta Collection was used to regulate difference and squelch dissent in the McCarthy era while also linking it to evolving understandings of so-called perversion in the scientific study of sexual difference. Sophisticated, engrossing, and highly readable, Cruising the Library provides us with a critical understanding of library science, an alternative view of discourses around the history of sexuality, and an analysis of the relationship between governmentality and the cataloging of research and information—as well as categories of difference—in American culture.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: The New York Times * NPR * Vogue * Gay Times * Artforum * “Gay Bar is an absolute tour de force.” –Maggie Nelson "Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book Review As gay bars continue to close at an alarming rate, a writer looks back to find out what’s being lost in this indispensable, intimate, and stylish celebration of queer history. Strobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression—whatever your scene, whoever you’re seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it? In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today’s fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out—and a chance encounter one restless night that would change his life forever. The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity—a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.

Explores the uses of the abandoned Hudson River docks in New York City by artists and a newly emerging gay subculture between 1971 and 1983.

World Cruising Handbook is a companion volume to Jimmy Cornell's internationally best-selling World Cruising Routes and contains invaluable practical information on all aspects of cruising worldwide. The third edition of World Cruising Handbook has been thoroughly revised to bring it in line with the enormous changes brought about by the Internet revolution. Entries for all 185 maritime nations of the world have been thoroughly revised in order to gather together in a single volume all the practical information anyone would need when planning to sail anywhere in the world.Section I cover matters of general interest such as cruising formalities, health precautions, and radio and satellite communications.Section II describes the history, economy, political situation, culture, climate, language and religion of 185 countries and dependencies, as well as giving an insight into the cruising attractions of each country. Detailed information is provided on: Ports of entry Customs, health and immigration requirements Clearance procedures, cruising permits and bonds Ports, marinas and technical facilities Local time, currency, business hours, public holidays, electricity, etc. Section III contains information on IALA buoyage, U.S. and British chart agents worldwide and a glossary of useful terms in several languages.World Cruising Handbook is the indispensable reference guide for long distance sailors.The information in this book is continuously updated on www.noonsite.com, Jimmy Cornell's website for cruising sailors.