Eighteen-year-old Ava Perry leaves the safety of her foster care home and joins a troupe of vampire-hunting magicians, believing that she finally has her chance to discover the truth behind her mother's death.

'The perfect sinisterly magical escape' Stephanie Garber Caraval meets Buffy the Vampire Slayer in this deliciously dark young adult fantasy about a girl who makes a deal with a magical secret society to enter a potentially deadly competition for the chance to avenge her mother's death. Ever since a vampire murdered her mother, Ava has been determined to get revenge. This all-encompassing drive has given her the fuel she needed to survive foster home after foster home. But it's been ten years since anyone's seen a vampire, and Ava has lost hope that she'll ever find one . . . until she stumbles across a hidden magic show where she witnesses impossible illusions. The magicians may not be the bloodsuckers she's hunting, but Ava is convinced something supernatural is at play, so she sneaks backstage and catches them in acts they can't explain. But they've been waiting for her. The magicians reveal they're part of an ancient secret society with true magic, and Ava has the same power in her blood that they do. If she joins them, they promise to teach her the skills she needs to hunt vampires and avenge her mother. But there's a catch: if she wants to keep the power they offer, she needs to prove she's worthy of it. And to do so, she must put on the performance of her life in a sinister and dangerous competition where illusion and reality blur, and the stakes are deadly.

This twentieth-century history of Guatemala begins with an analysis of the Grand Tikal Futura, a postmodern shopping mall with a faux-Mayan facade that is surrounded by a landscape of gated subdivisions, evangelical churches, motels, Kaqchikel-speaking villages, and some of the most poverty-stricken ghettos in the hemisphere.

Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.

Downton Abbey meets Cassandra Clare in this lush, romantic fantasy from Kiersten White, #1 New York Times bestselling author of And I Darken. “Illusions of Fate is an absolute delight—a magical, sparkling, dangerous world with witty repartee and a romance that will light your heart on fire. Kiersten White’s best yet.”—Stephanie Perkins, New York Times bestselling author of Anna and the French Kiss Jessamin has been an outcast since she moved from her island home of Melei to the dreary country of Albion. Everything changes when she meets the gorgeous, enigmatic Finn, who introduces her to the secret world of Albion's nobility. It’s a world that has everything Jessamin doesn't—power, money, status . . . and magic. But Finn has secrets of his own, and the vicious Lord Downpike will do anything to possess them. Unless Jessamin, armed only with her wits, can stop him. Readers who love Libba Bray, Cassanda Clare, or Susanna Clarke’s Jonathan Strange & Mr Norrell won’t want to miss this captivating stand-alone novel.

The son of a carpenter, Julian Sorel is inspired by the writings of Napoleon to conquer the heights of society. His initial plan to work his way up through the church is, however, thwarted when he is forced to accept employment as a tutor--and this rash social entrepreneur certainly has not considered the dangers of falling in love. Stendhal's novel is an amusing and piquant study of hypocrisy and free will in post-Napoleonic France.

An ALA Morris Award Finalist​! In this “equal parts heartbreaking and joyful” (School Library Journal) debut YA novel that’s The Coldest Girl in Coldtown meets They Both Die at the End, a teen girl takes a trip to New Orleans with her estranged best friend to find a vampire to save her dying father. Victoria and her dad have shared a love of the undead since the first vampire revealed his existence on live TV. Public fear soon drove the vampires back into hiding, yet Victoria and her father still dream about finding a vampire together. But when her dad is diagnosed with terminal cancer, it’s clear that’s not going to happen. Instead, Victoria vows to find a vampire herself—so that she can become one and then save her father. Armed with research, speculations, and desperation—and helped by her estranged best friend, Henry—Victoria travels to New Orleans in search of a miracle. There she meets Nicholas, a mysterious young man who might give her what she desires. But first, he needs Victoria to prove she loves life enough to live forever. She agrees to complete a series of challenges, from scarfing sugar-drenched beignets to singing with a jazz band, all to show she has what it takes to be immortal. But truly living while her father is dying feels like a betrayal. Victoria must figure out how to experience joy and grief at once, trusting all the while that Nicholas will hold up his end of the bargain…because the alternative is too impossible to imagine.