After spending nearly a quarter of a lifetime watching popular and independent films, Matthew King, RN, makes a point to criticize the Christian church for its lack of engagement with films. He believes that the lack of engagement and the strong denunciation of films only because of their sexual or violent content has lost an entire generation because of the inability to speak the millennial language of popular Hollywood films. With searing prose and biting confrontation, King attempts to engage films through the lens of theology, philosophy, and political analysis to assist the church in identifying positive as well as negative examples of the topics within to better engage an entire generation. Through this investigation, Christians and non-Christians alike will be both enlightened and surprised at what popular films have unconsciously taught them from a young age.

To some, the concept of having faith in a higher power or a set of religious beliefs is nonsensical. Indeed, many view religion in general, and Christianity in particular, as unfounded and unreasonable. Norman Geisler and Frank Turek argue, however, that Christianity is not only more reasonable than all other belief systems, but is indeed more rational than unbelief itself. With conviction and clear thinking, Geisler and Turek guide readers through some of the traditional, tested arguments for the existence of a creator God. They move into an examination of the source of morality and the reliability of the New Testament accounts concerning Jesus. The final section of the book deals with a detailed investigation of the claims of Christ. This volume will be an interesting read for those skeptical about Christianity, as well as a helpful resource for Christians seeking to articulate a more sophisticated defense of their faith.

"This important collection reprints influential works in the early history of moving pictures in the UK. Ranging from the period of invention in the early 1890s to the First World War, the pieces include the seminal 1917 report to the Cinema Commission of Enquiry The Cinema--Its Present Position and Future Possibilities; Colin Bennett's 1913 Handbook of Kinematography; articles from trade journals published during the 1910s; and more."--Publisher description.

Volume 3 of A History of Early Film examines critical responses to early cinema, including the impassioned thoughts of one of the first film critics, the American poet Vachel Lindsay and considers some contemporary judgements of the social aspects of moving pictures. The volume also includes the 1917 report The Cinema: Its Present Position and Future Possibilities...which provides a unique record of the attitudes towards the cinema by its British audiences exhibitors, producers, guardians of morality and those responsible for licensing.

To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).

The Cross-Examination Handbook teaches students the skills and strategies behind planning and conducting a persuasive cross-examination. This book offers step-by-step instruction and outstanding examples from illustrative trials. Two criminal and two civil case files, along with role-play assignments, give students practice actually planning and executing a cross-examination.

A concise and comprehensive introduction to the law of evidence, Criminal Evidence takes an active learning approach to help readers apply evidence law to real-life cases. Bestselling author Matthew Lippman, a professor of criminal law and criminal procedure for over 25 years, creates an engaging and accessible experience for students from a public policy perspective through a multitude of contemporary examples and factual case scenarios that illustrate the application of the law of evidence. Highlighting the theme of a balancing of interests in the law of evidence, readers are asked to apply a more critical examination of the use of evidence in the judicial system. The structure of the criminal justice system and coverage of the criminal investigative process is also introduced to readers.

Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war.