Phenomenology, the philosophical method that seeks to uncover the taken-for-granted presuppositions, habits, and norms that structure everyday experience, is increasingly framed by ethical and political concerns. Critical phenomenology foregrounds experiences of marginalization, oppression, and power in order to identify and transform common experiences of injustice that render “the familiar” a site of oppression for many. In Fifty Concepts for a Critical Phenomenology, leading scholars present fresh readings of classic phenomenological topics and introduce newer concepts developed by feminist theorists, critical race theorists, disability theorists, and queer and trans theorists that capture aspects of lived experience that have traditionally been neglected. By centering historically marginalized perspectives, the chapters in this book breathe new life into the phenomenological tradition and reveal its ethical, social, and political promise. This volume will be an invaluable resource for teaching and research in continental philosophy; feminist, gender, and sexuality studies; critical race theory; disability studies; cultural studies; and critical theory more generally.

Drawing on classical Husserlian resources as well as existentialist and hermeneutical approaches, this book argues that critique is largely a question of method. It demonstrates that phenomenological discussions of acute social and political problems draw from a rich tradition of radically critical investigations in epistemology, social ontology, political theory, and ethics. The contributions show that contemporary phenomenological investigations of various forms of oppression and domination develop new critical-analytical tools that complement those of competing theoretical approaches, such as analytics of power, critical theory, and liberal philosophy of justice. More specifically, the chapters pay close attention to the following methodological themes: the conditions for the possibility of phenomenology as critique; critique as radical reflection and free thinking; eidetic analysis and reflection of transcendental facticity and contingency of the self, of others, of the world; phenomenology and immanent critique; the self-reflective dimensions of phenomenology; and phenomenological analysis and self-transfermation and world transformation. All in all, the book explicates the multiple critical resources phenomenology has to offer, precisely in virtue of its distinctive methods and methodological commitments, and thus shows its power in tackling timely issues of social injustice. Phenomenology as Critique: Why Method Matters will appeal to researchers and advanced students working in phenomenology, Continental philosophy, and critical theory.

This book draws together some of the most important recent work in the areas of semiotics, critical theory, epistemology, and psychology. It contains a new essay by Karl-Otto Apel on the possibility of transcendental semiotics, as well as essays on the relationship between hermeneutics and critical theory, the nature of dialectical phenomenology, analyses of epistemic foundations, the hermeneutics of people and places, and there is a critique of contemporary cognitive psychology.

This set reprints the essential scholarship published in the field. It includes a general introduction by the editors, as well as individual volume introductions, exploring and contextualising the main themes of the comprehensively covered tradition. This is a key point of reference for anyone researching the phenomenological tradition.

One of the greatest and oldest of images for expressing living change is that of the movement of waters. Rivers particularly, in their relentless motion, in the constant searching direction of their travel, in the confluence of tributaries and the division into channels by which identity is constituted and dispersed and once more reestablished, have stood as metaphors for movements in a variety of realms-politics, religion, literature, thought. Among philosophic movements, phenomenology and existential ism are discernible as one such movement of ideas analogous in configuration to the flow of a river in its channel or network of channels. The course taken by the stream of phenomenology and existential philosophy in North America is easily seen from the contents of the six volumes of collected papers from the annual meetings of the Society for Phenomenology and Existential Philo sophy that have preceded the present selection. What soon becomes clear in general, and is evident as well in the present volume, is that phenomenological and existential philosophies are far from being homogeneous, are far from showing an identity as to the sources from which they derive their energy, or the themes that they carry forward toward clarification. And yet there is a con fluence, a convergence of orientation, sympathy, and conceptuality, INTRODUCTION 4 SO that problematics harmonize and complement and mutually enrich.

This book outlines the most important points of intersection between early phenomenology and critical theory. It develops extensive analyses’ of specific instruments of the phenomenological method such as eidetic intuition and the procedures of genetic phenomenology. These procedures were both criticized and reappropriated by some of the most notable early critical theorists such as Adorno, Benjamin, Kracauer and Marcuse. As such, the book offers the first extensive account of the important phenomenological heritage of critical theory. This book also attests to the versatility of the phenomenological method, which can be shown to have influenced a wide array of approaches within the critical tradition. The chapters focus on these early critical theorists and also discuss the applications of their methods within the treatment of numerous media-theory issues. In so doing, the book shows how fertile a critically reappropriated phenomenology may prove for tackling contemporary media phenomena such as television, film and advertising. This volume appeals to students and researchers working in the crosshairs of phenomenology, critical theory, and media studies.

A provocatively argued call for shifting the emphasis of critical theory from Habermasian "critique," restricted to normative clarification, to "disclosure," a possibility-enhancing approach that draws on and reinterprets ideas of Heidegger. In Critique and Disclosure, Nikolas Kompridis argues provocatively for a richer and more time-responsive critical theory. He calls for a shift in the normative and critical emphasis of critical theory from the narrow concern with rules and procedures of Jürgen Habermas's model to a change-enabling disclosure of possibility and the enlargement of meaning. Kompridis contrasts two visions of critical theory's role and purpose in the world: one that restricts itself to the normative clarification of the procedures by which moral and political questions should be settled and an alternative rendering that conceives of itself as a possibility-disclosing practice. At the center of this resituation of critical theory is a normatively reformulated interpretation of Martin Heidegger's idea of "disclosure" or "world disclosure." In this regard Kompridis reconnects critical theory to its normative and conceptual sources in the German philosophical tradition and sets it within a romantic tradition of philosophical critique. Drawing not only on his sustained critical engagement with the thought of Habermas and Heidegger but also on the work of other philosophers including Wittgenstein, Cavell, Gadamer, and Benjamin, Kompridis argues that critical theory must, in light of modernity's time-consciousness, understand itself as fully situated in its time—in an ever-shifting and open-ended horizon of possibilities, to which it must respond by disclosing alternative ways of thinking and acting. His innovative and original argument will serve to move the debate over the future of critical studies forward—beyond simple antinomies to a consideration of, as he puts it, "what critical theory should be if it is to have a future worthy of its past."

Hegel's "highway of despair," introduced in his Phenomenology of Spirit, is the tortured path traveled by "natural consciousness" on its way to freedom. Despair, the passionate residue of Hegelian critique, also indicates fugitive opportunities for freedom and preserves the principle of hope against all hope. Analyzing the works of an eclectic cast of thinkers, Robyn Marasco considers the dynamism of despair as a critical passion, reckoning with the forms of historical life forged along Hegel's highway. The Highway of Despair follows Theodor Adorno, Georges Bataille, and Frantz Fanon as they each read, resist, and reconfigure a strand of thought in Hegel's Phenomenology of Spirit. Confronting the twentieth-century collapse of a certain revolutionary dialectic, these thinkers struggle to revalue critical philosophy and recast Left Hegelianism within the contexts of genocidal racism, world war, and colonial domination. Each thinker also re-centers the role of passion in critique. Arguing against more recent trends in critical theory that promise an escape from despair, Marasco shows how passion frustrates the resolutions of reason and faith. Embracing the extremism of what Marx, in the spirit of Hegel, called the "ruthless critique of everything existing," she affirms the contemporary purchase of radical critical theory, resulting in a passionate approach to political thought.

In this now classic textbook, Richard Kearney surveys the work of nineteen of this century’s most influential European thinkers. The second edition has a new chapter devoted to Julia Kristeva, whose work in the fields of semiotics and psychoanalytic theory has made a significant contribution to recent continental thought.

Fred Dallmayr’s work is innovative in its rethinking of some of the central concepts of modern political philosophy, challenging the hegemony of a modern “subjectivity” at the heart of Western liberalism, individualism and rationalism, and articulating alternative voices, claims and ideas. His writings productively confound the logocentrism of Western modernity, while providing alternative conceptions of political community that are post-individualist, post-anthropocentric and relational. The editor has focused on work in three key areas: Critical phenomenology and the study of politics The first selections focus on the philosophical roots of Dallmayr’s work in two of the most innovative intellectual trends of the twentieth century: phenomenology and critical theory. These chapters outline some of the main arguments advanced by practitioners of phenomenology, particularly “existential phenomenology,” as well the guiding ideas of critical theory and critical Marxism, while tracing Dallmayr’s debt to thinkers such as Heidegger, Gadamer, Habermas, Adorno and Merleau-Ponty. Cross-cultural theory These readings illustrate Dallmayr’s explorations beyond the confines of Western culture, as this phase of his thinking turns toward what is now called cross-cultural or “comparative” political theory. In an approach that maintains its linkage with critical phenomenology, Dallmayr asserts that Western (or European-American) political theory can no longer claim undisputed hegemony; rather it must allow itself to be contested, amplified and corrected through a comparison with non-Western theoretical traditions and initiatives. Cosmopolitanism These selections explore the final phase of Dallmayr’s work, in which he applies his insights on cross-cultural studies to the context of global politics, rebutting Samuel Huntington’s “clash of civilizations” thesis, and instead arguing for a cosmopolitanism that takes a middle path between both global universalism and restrictive particularism, advocating sustained dialogue and respectful mutual learning between countries and civilizations.