Distinguished scholars analyze the plays, poetry, and prose of Wole Smoyinka, winner of the Nobel Prize for literature in 1986. Essays trace his career and place his work in the general context of African literature.

First Published in 2004. Naguib Mahfouz is one of the most important Arabic fiction writers of this century. Born in 1911, his long and prolific writing career represents the evolution of a novel genre in Arabic literature. His books are a record of the tragic tensions attendant on a nations's quest for freedom and modernity. In 1988 he won the Nobel Prize for Literature. This book provides a comprehensive study of Mahfouz's achievement. Rasheed El-Enany presents a systemic evaluation of the author's life and environment; local and foreign influences on him; elements of his thought and technique and the evolution of his craft. While each work is discussed individually, emphasis is laid throughout on elements of continuity in his work, whether thematic or aesthetic. In particular, Dr El-Enany challenges the traditional classification of Mahfouz's work into four chronological phases - historical, realist, modernist and indigenous or traditional. It is demonstrated that elements of these forms recur throughout Mahfouz's varied and experimental writings. This book is the story of Mahfouz's struggle to free his novels from the prevalent, predominantly Western moulds and to express his own socio-political thought.

The most comprehensive reference work on African literature to date, this book contains over 600 entries that cover criticism and theory, its development as a field of scholarship, and studies of established and lesser-known writers.

In this collection of essays, biographies and Nobel lectures, tenNobel Laureates from five continents give various and startlingperspectives on current questions about modernity and tradition, unityand diversity, integration, identity, integrity, gender and sexualroles in a multicultural world of change. It is also a book onself-confidence and presents different ways to self-knowledge andcultural individuality. Published in print for the first time, thesestudies and penetrating observations on topical issues, written byleading authors and intellectuals from many distant countries, make upone of the most intriguing and engaging avowals of our time.

In this collection of essays, biographies and Nobel lectures, ten Nobel Laureates from five continents give various and startling perspectives on current questions about modernity and tradition, unity and diversity, integration, identity, integrity, gender and sexual roles in a multicultural world of change. It is also a book on self-confidence and presents different ways to self-knowledge and cultural individuality. Published in print for the first time, these studies and penetrating observations on topical issues, written by leading authors and intellectuals from many distant countries, make up one of the most intriguing and engaging avowals of our time.The Nobel Laureates are:Sir V S Naipaul (United Kingdom, born in Trinidad)Nadine Gordimer (South Africa)Derek Walcott (St Lucia)Naguib Mahfouz (Egypt)Patrick White (Australia)Ernest Hemingway (USA)Grazia Deledda (Sardinia, Italy)Amartya Sen (United Kingdom and the USA, born in India)Rabindranath Tagore (India)Nelson Mandela (South Africa)

What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

The first book offering an extensive analysis of literary and cinematic narratives dealing with the 1919 anti-colonial revolution in Egypt.