Critical Miscellanies (Vol 2 of 3) Essay 1: Vauvenargues by John Morley One of the most important phases of French thought in the great century of its illumination is only thoroughly intelligible, on condition that in studying it we keep constantly in mind the eloquence, force, and genius of Pascal. He was the greatest and most influential representative of that way of viewing human nature and its circumstances, which it was one of the characteristic glories of the eighteenth century to have rebelled against and rejected. More than a hundred years after the publication of the Pensées, Condorcet thought it worth while to prepare a new edition of them, with annotations, protesting, not without a certain unwonted deference of tone, against Pascal's doctrine of the base and desperate estate of man. Voltaire also had them reprinted with notes of his own, written in the same spirit of vivacious deprecation, which we may be sure would have been even more vivacious, if Voltaire had not remembered that he was speaking of the mightiest of all the enemies of the Jesuits. Apart from formal and specific dissents like these, all the writers who had drunk most deeply of the spirit of the eighteenth century, lived in a constant ferment of revolt against the clear-witted and vigorous thinker of the century before, who had clothed mere theological mysteries with the force and importance of strongly entrenched propositions in a consistent philosophy. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.