A selection of critical essays by Joyce, Tolstoy, Kafka, Pound and others.

A selection of critical essays by Joyce, Tolstoy, Kafka, Pound and others.

Critical essays about Homer, the "Iliad", and the "Odyssey".

Presents a collection of eight critical essays on the works of Homer.

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.

A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers—Erich Auerbach, François Fénelon, and W. G. Sebald—and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself: Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul; François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for a hundred years—resulted in his banishment; and the German novelist W.G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggle to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.

The Homeric Iliad and Odyssey are among the world's foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing? These uncertainties have been known as The Homeric Question, and many scholars, including Gregory Nagy, have sought to solve it. In Homeric Responses, Nagy presents a series of essays that further elaborate his theories regarding the oral composition and evolution of the Homeric epics. Building on his previous work in Homeric Questions and Poetry as Performance: Homer and Beyond and responding to some of his critics, he examines such issues as the importance of performance and the interaction between audience and poet in shaping the poetry; the role of the rhapsode (the performer of the poems) in the composition and transmission of the poetry; the "irreversible mistakes" and cross-references in the Iliad and Odyssey as evidences of artistic creativity; and the Iliadic description of the shield of Achilles as a pointer to the world outside the poem, the polis of the audience.

Christian theology shaped and is shaping many places in the world, but it was the Greeks who originally gave a philosophic language to Christianity. John Mark Reynolds's book When Athens Met Jerusalem provides students a well-informed introduction to the intellectual underpinnings (Greek, Roman and Christian) of Western civilization and highlights how certain current intellectual trends are now eroding those very foundations. This work makes a powerful contribution to the ongoing faith versus reason debate, showing that these two dimensions of human knowing are not diametrically opposed, but work together under the direction of revelation.

The tenth book of the Iliad has been doubted, ignored, and even scorned in Homeric scholarship. Using established methods for interpreting oral traditional poetry, however, Due and Ebbott illuminate many of the interpretive questions that strictly literary approaches find unsolvable, and they demonstrate how the episode shares in the oral traditional nature of the whole epic, even though its poetics are specific to its nocturnal ambush plot. True to their multitextual approach to the text, Due and Ebbott have included a series of critical texts of Iliad 10, including the tenth-century Venetus A manuscript and select papyri, and discuss these individual witnesses and the variations they offer. The essays and commentary explore Iliad 10 within the larger contexts of Homeric epic and the epic tradition. --Book Jacket.