"The University of Alabama football team won its 15th national title in the program's storied history by defeating Notre Dame in the 2013 BCS National Championship Game. Leading the Crimson Tide to their second consecutive national title, and three of the last four BCS championships, were a dozen seniors who accomplished more in their collegiate careers than any other players in the history of this game. Producing in collaboration with the Alabama Athletics Department, and written by UA insiders Tommy Ford and Mark Mayfield, this full illustrated book reflects back on the careers of these standout seniors, the roles they played, and how "The Process" preached by coach Nick Saban turned them into champions. What is "The Process" and how does it work? You will find out in the pages of this book - a "must have" for every Tide fan!"--Provided by publisher.

Set in a post-American 2110 dystopian country named Earthia, Jamison June, the Chief of the Literary Department of Justice, struggles against the law: show any emotions other than happiness and certain punishment will follow. Despite his reputation and renounced name, Jamison has grown exhausted of this oppressive and mundane form of living, a cycle yet to be broken. That is until he meets Leronica Trout, a woman he is unsure about, but must take a risk with in order to finally dismantle the destructive and parasitic systems of Earthia.

"In what must be ranked as a foremost classic of twentieth-century political philosophy, George Santayana, in the preface to his last major work prior to his death, makes plain the limits as well as the aims of Dominations and Powers: ""All that it professes to contain is glimpses of tragedy and comedy played unawares by governments; and a continual intuitive reduction of political maxims and institutions to the intimate spiritual fruits that they are capable of bearing.""This astonishing volume shows how the potential beauty latent in all sorts of worldly artifacts and events are rooted in differing forms of power and dominion. The work is divided into three major parts: the generative order of society, which covers growth in the jungle, economic arts, and the liberal arts; the militant order of society, which examines factions and enterprise; and the rational order of society, which contains one of the most sustained critiques of democratic systems and liberal ideologies extant.Written at a midpoint in the century, but at the close of his career, Santayana's volume offers an ominous account of the weakness of the West and its similarities in substance, if not always in form, with totalitarian systems of the East. Few analyses of concepts, such as government by the people, the price of peace and the suppression of warfare, the nature of elites and limits of egalitarianism, and the nature of authority in free societies, are more comprehensive or compelling. This is a carefully rendered statement on tasks of leadership for free societies that take on added meaning after the fall of communism.The author of a definitive biography of Santayana, John McCormick provides the sort of deep background that makes possible an assessment of Dominations and Powers. He permits us to better appreciate the place of this work at the start no less than conclusion of Santayana's long career. For the author of The Life of Reason himself ad"

Study of the plays of Eugene O'Neill, 1888-1953, American playwright.

Taking time away from the cam shows, Sandy helps her new fiancé Connie pack up and move in with her. Then, the two lovers take an early trip to the Domination Farm in advance of Sandy’s participation in the build-a-dong workshop. After a mutual breeding party in the waiting room, they were led on a sex-filled tour where they got a glimpse into the life they would be living for at least the next few months.

A thrilling action and adventure series set in futuristic Hong Kong with an awesome female hero.

The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.