Western movies are full of images of swaggering outlaws brought to justice by valiant lawmen shooting them down in daring gunfights before riding off into the sunset. In reality it would not have happened that way. Real lawmen did not simply walk away from a gunfight--they had to face the legal system and justify shooting a civilian in the line of duty. Providing a more realistic view of criminal justice in the Old West, this history focuses on how criminals came into conflict with the law and how the law responded. The process is described in detail, from the common crimes of the day--such as train robbery and cattle theft--to the methods of apprehending criminals to their adjudication and punishment by incarceration, flogging or hanging.

Prohibition was imposed by eager temperance movements organizers who sought to shape public behavior through alcoholic beverage control in the 19th and early 20th centuries. The success of reformers' efforts resulted in National Prohibition in America from 1920 to 1933, but it also resulted in a thriving illegal business in the manufacture and distribution of illegal liquor. The history of Prohibition and the resulting illegal drinking is frequently told through the lens of crime and violence in Chicago and other major East Coast cities. Often neglected are the effects of Prohibition on the Western part of the United States and how Westerners rose to the challenge of avoiding the consequences of illegal drinking. Illegal liquor was imported from abroad, made in stills using strange ingredients that were sometimes poisonous to the unlucky drinker. This history includes stories ranging from serious to quirky, and provides an entertaining account of how misguided efforts resulted in numerous unintended consequences.

Sensationalistic stories have attracted readers for as long as reading has been a popular form of entertainment. Readers have been frightened, revolted, yet fascinated by stories of death, thievery, kidnapping, murder, rape, scandal, love triangles, and colorful miscreants. Starting in the 1830s this morbid interest in lurid stories fueled the unprecedented growth of sensationalist newspapers that titillated and shocked their many readers. This study of sensationalism describes how newspapers added lurid details to their coverage of news events in an effort to attract as many readers as they could. Employing hyperbole and exaggerated details, they meant to grab the attention of the reader and keep him or her reading. For the next hundred years this form of journalism continued, later spilling over into radio and television news. Along the way, the "yellow journalism" wars of the 1880s and 1890s produced bold headlines, eye-catching illustrations, exaggeration of news events, and even false quotes and misleading information. Sensational reporting continued with muckraking reporting in the early 1900s as journalistic crusaders worked to expose municipal corruption, corporate greed, and misconduct in American business.

Fugitives occupy a unique place in the American criminal justice system. They can run and they can hide, but eventually each chase ends. And, in many cases, history is made along the way. John Dillinger’s capture obsessed J. Edgar Hoover and helped create the modern FBI. Violent student radicals who went on the lam in the 1960s reflected the turbulence of the era. The sixteen-year disappearance and sudden arrest of gangster James “Whitey” Bulger in 2011 captivated the nation. Fugitives have become iconic characters in American culture even as they have threatened public safety and the smooth operation of the justice system. They are always on the run, always trying to stay out of reach of the long arm of the law. Also prominent are the men and women who chase fugitives: FBI agents, federal marshals and their deputies, police officers, and bounty hunters. A significant element of the justice system is dedicated to finding those on the run, and the most-wanted posters and true-crime television shows have made fugitives seemingly ubiquitous figures of fear and fascination for the public. In On the Lam, Jerry Clark and Ed Palattella trace the history of fugitives in the United States by looking at the characters – real and fictional – who have played the roles of the hunter and the hunted. They also examine the origins of the bail system and other legal tools, such as most-wanted programs, that are designed to guard against flight.

Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. Some see him as a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman. Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild West, present in A Wyatt Earp Anthology an authoritative account of his life, successes, and failures. The editors have curated an anthology of the very best work on Earp—more than sixty articles and excerpts from books—from a wide array of authors, selecting only the best written and factually documented pieces and omitting those full of suppositions or false material. Earp’s life is presented in chronological fashion, from his early years to Dodge City, Kansas; triumph and tragedy in Tombstone; and his later years throughout the West. Important figures in Earp’s life, such as Bat Masterson, the Clantons, the McLaurys, Doc Holliday, and John Ringo, are also covered. Wyatt Earp’s image in film and the myths surrounding his life, as well as controversies over interpretations and presentations of his life by various writers, also receive their due. Finally, an extensive epilogue by Gary L. Roberts explores Earp and frontier violence.

"Linked accounts of frontier crimes and trials from 1885 to 1929 across West Texas, Indian and New Mexico Territories, and Montana trace the evolution of criminal justice in the American West"--Provided by publisher.

"Deadwood Gold...is a graphic well written story of the doings of people in the early days of Deadwood and the Black Hills...Stokes was a pioneer of Deadwood, was a miner." -The Daily Deadwood Pioneer-Times, August 24, 1922 "Stokes was a pioneer in the Black Hills coming from Denver...in the winter of '75...mined for a time in Palmer gulch...his narrative brings an understanding of the methods of prospecting and mining and the conditions under which the pioneers labored." -Rapid City Journal, October 11, 1922 "Deadwood Gold is the first-person account of Stokes's activities as a Deadwood prospector, merchant, and news reporter." -Deadwood: The Golden Years (1981) "Deadwood pioneer merchant George Stokes said that a six-gun takes the place of courts, judges, and jury." -Crime, Justice, and Retribution in the American West, 1850-1900 (2017) In 1926, prospector and miner George W. Stokes would publish a narrative of his time as a Black Hills and Deadwood pioneer in his book titled "Deadwood Gold: A Story of the Black Hills." While Stokes was working as a young man in old Denver, the call of the Black Hills came to him. Slipping round the soldier guard, with other adventurous young American companions, he was among the first to get to the new gold diggings. The stirring days he spent in the Black Hills were kept in vivid recollection during all his later years. His book covers the Black Hills, Deadwood Gold Rush, noted characters of Deadwood and past times, Homestake mine, mining trade tricks, the burning of old Deadwood, and much more of the exciting early days of Deadwood.

From deserts to ghost towns, from national forests to California bungalows, many of the features of the western American landscape are well known to residents and travelers alike. But in How to Read the American West, William Wyckoff introduces readers anew to these familiar landscapes. A geographer and an accomplished photographer, Wyckoff offers a fresh perspective on the natural and human history of the American West and encourages readers to discover that history has shaped the places where people live, work, and visit. This innovative field guide includes stories, photographs, maps, and diagrams on a hundred landscape features across the American West. Features are grouped according to type, such as natural landscapes, farms and ranches, places of special cultural identity, and cities and suburbs. Unlike the geographic organization of a traditional guidebook, Wyckoff's field guide draws attention to the connections and the differences between and among places. Emphasizing features that recur from one part of the region to another, the guide takes readers on an exploration of the eleven western states with trips into their natural and cultural character. How to Read the American West is an ideal traveling companion on the main roads and byways in the West, providing unexpected insights into the landscapes you see out your car window. It is also a wonderful source for armchair travelers and people who live in the West who want to learn more about the modern West, how it came to be, and how it may change in the years to come. Showcasing the everyday alongside the exceptional, Wyckoff demonstrates how asking new questions about the landscapes of the West can let us see our surroundings more clearly, helping us make informed and thoughtful decisions about their stewardship in the twenty-first century. Watch the trailer: http://www.youtube.com/watch?v=aYSmp5gZ4-I