Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.

Crime and punishment fascinate. Overwhelming in their media dominance, they present us with our most popular television programs, films, novels, art works, video games, podcasts, social media streams and hashtags. This work offers a foundational space for understanding the cultural life and imaginative force and power of crime and punishment. Across five areas foundational to the study of crime and media, leading scholars from five continents engage cutting edge scholarship in order to provide definitive overviews of over 120 topics.

Welsh's sizzling new novel is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness, in this shocking story about the corruption and abuse of the human soul and the possibilities of redemption.

"Crime and Media Studies concisely and efficiently pulls the curtain back on the reality of crime and punishment and the role media has played in the United States becoming the world's leader in incarceration. By addressing literacy rates that have remained virtually unchanged since 1935, the stark ramifications of the communication disconnect between those who study key issues and the ordinary citizen is explored. Crime and Media Studies calls for the dismantling of ideological divides between qualitative and quantitative researchers in favor of a united multidisciplinary front to create an informed citizenry. Divided into the key parts of the criminal justice system (crime, law enforcement, courts, corrections, etc.), the text explores prominent issues (drugs, domestic violence, race, gender, etc.) facing the criminal justice system. Each section contains crime and media research articles that analyze a variety of media (print news, broadcast news, movies, court TV, crime dramas, comic books, hip-hop, etc.) using quantitative, qualitative, and mixed methodologies. In the tradition of Gregg Barak's ""News Making Criminology,"" each section contains discussion questions (designed for traditional and online classrooms), writing assignments (blog posts, press releases), literacy level exercises, brownbag sessions, and community engagement projects to help students understand the importance of being able to effectively communicate both with the press and the public. Crime and Media Studies is well suited for undergraduate and graduate courses in the social sciences that seek to address the role of media in policy and legal issues. The text, its test questions, discussion sessions, and writing assignments are designed to be used in both traditional and online classrooms. Franklin T. Wilson is an associate professor in the Department of Criminology and Criminal Justice at Indiana State University. He received his Ph.D. from the College of Criminal Justice at Sam Houston State University and has taught crime and media studies courses for over a decade. Dr. Wilson is the founding and current chair of the Annual International Crime, Media, and Popular Culture Studies Conference and is the editor of the Journal of Criminal Justice and Popular Culture. He is also a member of the Board of Directors for CRIMCAST. His research has been published in such noted journals as The Prison Journal, Journal of Criminal Justice and Popular Culture, Race & Justice, and Women & Criminal Justice. Dr. Wilson's research has also been featured in a variety of media outlets including the New York Times, Pittsburgh Post-Gazette, Houston Chronicle, and Texas Tribune. "

This book brings together the theory and practice of local TV news, considering the coverage of crime, for students in journalism, mass comm, media and society, and other areas.

#1 NEW YORK TIMES BESTSELLER • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES • “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly John Grisham’s first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry. In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa. In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you. Don’t miss Framed, John Grisham’s first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.

In eleven original studies by social scientists, this is the first volume to focus on television reality crime programming as a genre. Contributors address such questions as: why do these programs exist; what larger cultural meaning do they have; what effect do they have on audiences; and what do they indicate about crime and justice in the late twentieth century? Adaptable at both undergraduate and graduate levels, Entertaining Crime will contribute to discussions of crime and the media, as well as crime in relation to other issues, such as gender, race/ethnicity, and fear of crime.

Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.