This Prestwick House Literary Touchstone Edition? includes a glossary and reader's notes to help the modern reader nderstand the turbulent and dynamic world of Dostoevsky's St. Petersburg. When Raskolnikov, a young student, is driven to murder by desperate poverty and a belief in his own superiority, he is plunged into a dark hell of guilt and delirium. Set in the gloomy slums of St. Petersburg in the 1860s, this stark and gripping psychological tale describes a man's search for redemption in the face of suffering and a society's search for meaning in the chaos of a changing world.Shortly after returning from a decade-long exile in Siberia, Dostoevsky fled creditors only to end up living in destitution in Austria. Staying in a hotel he couldn't afford, with barely enough money for tea, he composed this masterfully modern examination of a murderer's mind.

This Prestwick House Literary Touchstone Classic? includes a glossary and notes to help the modern reader appreciate Stoker?s allusions, rich vocabulary, and Victorian setting.An apparently routine business venture becomes a battle for a young man?s very soul. Almost too late, Jonathan Harker realizes that the charismatic and seductive Count Dracula of Transylvania has come to England with a purpose much more sinister than merely to purchase an English estate. Will the Count succeed in his quest to create a race of blood-lusting creatures of the night?Which will prove the stronger?superstition or science?Defiantly challenging Victorian conventions, Bram Stoker?s Dracula examines the nature of evil and arrives at the horrific conclusion that the forces which would destroy humanity are not lurking in the shadows of the night, but within the human soul.Modern readers still find that their own most-cherished nightmares are evoked by Lucy's and Mina's battle against succumbing to the seductive enticements of the soulless vampire.

On four voyages, an Englishman becomes shipwrecked in various lands.

A rich and idle man confronts his dead mistress's husband in this psychological novel of duality. Powerful and accessible, it offers a captivating and revealing exploration of love, guilt, and hatred.

A brilliant examination of the enigmatic Russian revolutionary about whom Winston Churchill said "few men tried more, gave more, dared more and suffered more for the Russian people," and who remains a legendary and controversial figure in his homeland today. Although now largely forgotten outside Russia, Boris Savinkov was famous, and notorious, both at home and abroad during his lifetime, which spans the end of the Russian Empire and the establishment of the Soviet Union. A complex and conflicted individual, he was a paradoxically moral revolutionary terrorist, a scandalous novelist, a friend of epoch-defining artists like Modigliani and Diego Rivera, a government minister, a tireless fighter against Lenin and the Bolsheviks, and an advisor to Churchill. At the end of his life, Savinkov conspired to be captured by the Soviet secret police, and as the country’s most prized political prisoner made headlines around the world when he claimed that he accepted the Bolshevik state. But as this book argues, this was Savinkov’s final play as a gambler and he had staked his life on a secret plan to strike one last blow against the tyrannical regime. Neither a "Red" nor a "White," Savinkov lived an epic life that challenges many popular myths about the Russian Revolution, which was arguably the most important catalyst of twentieth-century world history. All of Savinkov’s efforts were directed at transforming his homeland into a uniquely democratic, humane and enlightened state. There are aspects of his violent legacy that will, and should, remain frozen in the past as part of the historical record. But the support he received from many of his countrymen suggests that the paths Russia took during the twentieth and twenty-first centuries--the tyranny of communism, the authoritarianism of Putin’s regime--were not the only ones written in her historical destiny. Savinkov's goals remain a poignant reminder of how things in Russia could have been, and how, perhaps, they may still become someday. Written with novelistic verve and filled with the triumphs, disasters, dramatic twists and contradictions that defined Savinkov's life, this book shines a light on an extraordinary man who tried to change Russian and world history.

Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time, Crime and Punishment, and Anna Karenina, Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies

This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

Throughout the nineteenth century the idyllic island of Fernando de Noronha, which lies two hundred miles off Brazil's northeastern coast, was home to Brazil's largest forced labor penal colony. In Punishment in Paradise Peter M. Beattie uses Noronha as a case study to understand nineteenth-century Brazil's varied social and cultural values, especially in relation to justice, class, color, civil condition, human rights and labor. As Brazil’s slave population declined after 1850, the use of colonial-era disciplinary practices at Noronha—such as flogging and forced labor—stoked anxieties about human rights and Brazil’s international image. Beattie contends that the treatment of slaves, convicts, and other social categories subject to coercive labor extraction were interconnected and that reforms that benefitted one of these categories made them harder to deny to others. In detailing Noronha's history and the end of slavery as part of an international expansion of human rights, Beattie places Brazil firmly in the purview of Atlantic history.