Cricket is an Indian game accidentally invented by the English, it has famously been said. Today, the Indian cricket team is a powerful national symbol, a unifying force in a country riven by conflicts. But India was represented by a cricket team long before it became an independent nation. Drawing on an unparalleled range of original archival sources, Cricket Country is the story of the first All India cricket tour of Great Britain and Ireland. It is also the extraordinary tale of how the idea of India took shape on the cricket field in the high noon of empire. Conceived by an unlikely coalition of colonial and local elites, it took twelve years and three failed attempts before an Indian cricket team made its debut on the playing fields of imperial Britain. This historic tour, which took place against the backdrop of revolutionary politics in the Edwardian era, featured an improbable cast of characters. The teams young captain was the newly enthroned ruler of a powerful Sikh state. The other cricketers were chosen on the basis of their religious identity. Remarkably, for the day, two of the players were Dalits. Over the course of the blazing Coronation summer of 1911, these Indians participated in a collective enterprise that epitomizes the way in which sport and above all cricket helped fashion the imagined communities of both empire and nation.

The extraordinary story of the first 'All India' national cricket tour of Great Britain and Ireland - and how the idea of India as a nation took shape on the cricket pitch.

On a Bangalore night in April 2008, cricket and India changed forever. It was the first night of the Indian Premier League – cricket, but not as we knew it. It involved big money, glitz, prancing girls and Bollywood stars. It was not so much sport as tamasha: a great entertainment. The Great Tamasha examines how a game and a country, both regarded as synonymous with infinite patience, managed to produce such an event. James Astill explains how India's economic surge and cricketing obsession made it the dominant power in world cricket, off the field if rarely on it. He tells how cricket has become the central focus of the world's second-biggest nation: the place where power and money and celebrity and corruption all meet, to the rapt attention of a billion eyeballs. Astill crosses the subcontinent and, over endless cups of tea, meets the people who make up modern India – from faded princes to back-street bookmakers, slum kids to squillionaires – and sees how cricket shapes their lives and that of their country. Finally, in London he meets Indian cricket's fallen star, Lalit Modi, whose driving energy helped build this new form of cricket before he was dismissed in disgrace: a story that says much about modern India. The Great Tamasha is a fascinating examination of the most important development in cricket today. A brilliant evocation of an endlessly beguiling country, it is also essential reading for anyone who wants to understand the workings of modern India.

Cricket is an enduring paradox. On the one hand, it symbolises much that is outmoded: imperialism; a leisured elite; a rural, aristocratic Englishness. On the other, it endures as a global game and does so by skilful adaptation, trading partly on its mythic past and partly on its capacity to repackage itself. This ambitious new history recounts the politics of cricket around the world since the Second World War, examining key cultural and political themes, including decolonisation, racism, gender, globalisation, corruption and commercialisation. Part One looks at the transformation of cricket cultures in the ten territories of the former British Empire in the years immediately after 1945, a time when decolonisation and the search for national identity touched every cricket playing region in the world. Part Two focuses on globalisation and the game’s evolution as an international sport, analysing: social change and the Ashes; the campaigns for new cricket formats; the development of the women’s game; the new breed of coach; the limits to the game’s global expansion; and the rise of India as the world’s leading cricket power. Cricket: A Political History of the Global Game, 1945-2017 is fascinating reading for anybody interested in the contemporary history of sport.

Few other team sports can equal the global reach of cricket. Rich in history and tradition, it is both quintessentially English and expansively international, a game that has evolved and changed dramatically in recent times. Demonstrating how the history of cricket and its international popularity is entwined with British imperial expansion, this book examines the social and political impact of the game in a variety of cultural sites: the West Indies, India, Pakistan, Sri Lanka, South Africa, Australia and New Zealand. An international team of contributors explores the enduring influence of cricket on English identity, examines why cricket has seized the imagination of so many literary figures and provides profiles of iconic players including Bradman, Lara and Tendulkar. Presenting a global panoramic view of cricket's complicated development, its unique adaptability and its political and sporting controversies, the book provides a rich insight into a unique sporting and cultural heritage.

Cricket has changed dramatically in recent years and now can claim to be a truly global game, thanks in large part to new media technologies which bring a global audience for World Cups and other major competitions. However, the globalization of cricket has not followed a pattern familiar in other sports: concentrations of wealth, media, and marketing leading to the domination of Western countries over the rest, and this fact alone makes it interesting for scholars of the globalization of sport. Cricket has followed a very different global path; the non-Western countries (former British colonies) have begun to dominate and have taken control of the economics and politics of the game. In short, cricket has been “Indianized”. The globalization of cricket has received a massive boost from the popularity of the newest form of the game (Twenty20) which is helping promote cricket as a mass TV sport. The rise of Twenty20, particularly the Indian Premier League (IPL), is transforming the way cricket is organized, played, and watched all over the world. This development both reinforces the globalization of cricket and also underlines that the “movers and shakers” within cricket are no longer the traditional elites in metropolitan centres but the businessmen of India and the media entrepreneurs world-wide who seek to shape new audiences for the game and create new marketing opportunities on a global scale.

In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980s. Examining newspaper accounts, instructional books, fiction, poetry, and the work of editors, anthologists, and historians, Bateman elaborates the ways in which a long tradition of literary discourse produced cricket's cultural status and meaning. His critique of writing about cricket leads to the rediscovery of little-known texts and the reinterpretation of well-known works by authors as diverse as Neville Cardus, James Joyce, the Great War poets, and C.L.R. James. Beginning with mid-eighteenth century accounts of cricket that provide essential background, Bateman examines the literary evolution of cricket writing against the backdrop of key historical moments such as the Great War, the 1926 General Strike, and the rise of Communism. Several case studies show that cricket simultaneously asserted English ideals and created anxiety about imperialism, while cricket's distinctively colonial aesthetic is highlighted through Bateman's examination of the discourse surrounding colonial cricket tours and cricketers like Prince Kumar Shri Ranjitsinhji of India and Sir Learie Constantine of Trinidad. Featuring an extensive bibliography, Bateman's book shows that, while the discourse surrounding cricket was key to its status as a symbol of nation and empire, the embodied practice of the sport served to destabilise its established cultural meaning in the colonial and postcolonial contexts.

Ever since different communities began processes of global migration, sport has been an integral feature in how we conceptualise and experience the notion of being part of a diaspora. Sport provides diasporic communities with a powerful means for creating transnational ties, but also shapes ideas of their ethnic and racial identities. In spite of this, theories of diaspora have been applied sparingly to sporting discourses. Despite W.G. Grace’s claim that cricket advances civilisation by promoting a common bond, binding together peoples of vastly different backgrounds, to this day cricket operates strict symbolic boundaries; defining those who do, and equally, do not belong. C.L.R. James’ now famous metaphor of looking ‘beyond the boundary’ captures the belief that, to fully understand the significance of cricket, and the sport’s roles in changing and shaping society, one must consider the wider social and political contexts within which the game is played. Contributions to this volume do just that. Cricket acts as their point of departure, but the way in which ideas of power, representation and inequality are ‘played out’ is unique in each. This book was published as a special issue of Identities.

It is the driest, flattest, hottest, most desiccated, infertile and climatically aggressive of all the inhabited continents and still Australia teems with life – a large portion of it quite deadly. In fact, Australia has more things that can kill you in a very nasty way than anywhere else. Ignoring such dangers – and yet curiously obsessed by them – Bill Bryson journeyed to Australia and promptly fell in love with the country. And who can blame him? The people are cheerful, extrovert, quick-witted and unfailingly obliging: their cities are safe and clean and nearly always built on water; the food is excellent; the beer is cold and the sun nearly always shines. Life doesn’t get much better than this...