Departing from more conscribed definitions, this book argues for an expansion of the concept of ‘Creolization’ in terms of duration, temporality, population, and importantly, in regional scope, which also impact climate and the practices of slavery that are typically included and excluded from consideration. Eschewing the normative focus on language and music, the authors instead center art and visual, and material cultures, as both outcomes and practices, in their explorations to consider the ways that cultural production in the period of slavery and its aftermath was irrevocably impacted by the collision of races and cultures in the Americas. The chapters probe how creolization unfolded for differently constituted individuals and populations, as well as how it came to be articulated both in the historical moments of its enactment and its retroactive cultural representations and production. In so doing, they seek to both expand the terrain (literally and figuratively) of the definition of creolization and to turn towards an examination of its relevance for art and visual, and material cultures of the Transatlantic world. The chapters in this book were originally published in African and Black Diaspora: An International Journal.

Anthropological inquiry developed around the study of the exotic. Now that we live in a world that seems increasingly familiar, putatively marked by a spreading sameness, anthropology must re-envision itself. The emergence of diverse national traditions in the discipline offers one intriguing path. This volume, the product of a novel encounter of American anthropologists of France and French anthropologists of the United States, explores the possibilities of that path through an experiment in the reciprocal production of knowledge. Simultaneously native subjects, foreign experts, and colleagues, these scholars offer novel insights into each other’s societies, juxtaposing glimpses of ourselves and a familiar “others” to productively unsettle and enrich our understanding of both.

This book examines, in Andean national contexts, the impacts of the 'Latin American multicultural turn' of the past two decades on Afro Andean cultural politics, emphasizing both transformations and continuities.

This book emerges from, and performs, an ongoing debate about transatlantic approaches in the fields of Iberian, Latin American, African, and Luso-Brazilian studies. In thirty-five short essays, leading scholars reframe the intertwined cultural histories of the transnational spaces encompassed by the former Spanish and Portuguese empires.

In Light of Africa explores how the idea of Africa as a real place, an imagined homeland, and a metaphor for Black identity is used in the cultural politics of the Brazilian state of Bahia. In the book, Allan Charles Dawson argues that Africa, as both a symbol and a geographical and historical place, is vital to understanding the wide range of identities and ideas about racial consciousness that exist in Bahia’s Afro-Brazilian communities. In his ethnographic research Dawson follows the idea of “Africa” from the city of Salvador to the West African coast and back to the hinterlands of the Bahian interior. Along the way, he encounters West African entrepreneurs, Afrobeat musicians, devotees of the Afro-Brazilian religion Candomblé, professors of the Yoruba language, and hardscrabble farmers and ranchers, each of whom engages with the “idea of Africa” in their own personal way.

In the world of web design, if one wants to create a successful web site, one needs an effective content strategy. Return on Engagement shows web designers and developers how to implement an effective content strategy and how to stay ahead in the rapidly changing industry of web design. It presents best practices in terms of web design through a marketing function: content strategy, SEO, social media marketing, and success measurement to help web designers implement a strategy that ensures success for the site they are building. Return on Engagement shows web designers and developers how to not just design an aesthetically pleasing, functional website. This book shows those professionals how to implement marketing strategies and analysis into their website, thus ensuring its success. Nearly 3 years since the previous edition published, new best practices have been formed. Tools in which web developers use to analyze website metrics have advanced. New social media networks and communities have cropped up. New research in how audiences read and receive content has been done, subsequently refining best digital marketing practices. Return on Engagement features a step-by-step breakdown of how to use new tools, techniques, and technologies. The new edition also includes updated case studies of industry leaders who implement best practices on projects. Return on Engagement also features a regularly updated companion site that offers readers sample content, easy sharing tools, and web-based resources to help measure marketing viability of web properties.

How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.

Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject. The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art Takes an important step in assembling black aesthetics as an object of philosophical study Unites two areas of scholarship for the first time – philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture Brings a wide range of fields into conversation with one another– from visual culture studies and art history to analytic philosophy to musicology – producing mutually illuminating approaches that challenge some of the basic suppositions of each Well-balanced, up-to-date, and beautifully written as well as inventive and insightful Winner of The American Society of Aesthetics Outstanding Monograph Prize 2017

Felipe Smith is an associate professor of English at Tulane University and the author of American Body Politics: Race, Gender, and Black Literary Renaissance. "--Book jacket.