In Creek Indian Medicine Ways, Jordan traces the written accounts of Mvskoke religion from the eighteenth century to the present in order to historically contextualize Lewis's story and knowledge. This book is a collaboration between anthropologist and medicine man that provides a rare glimpse of a living religious tradition and its origins.

Weaving together a wide array of historical sources with oral accounts gathered from fieldwork, this classic study provides a valuable overview of traditional Creek (Muskogee) religion and medicine. John R. Swanton visited the Creek Nation in the early twentieth century and learned about many important aspects of Creek religious life and medicine. Subjects covered in this book include Creek conceptions of the cosmos; religious stories; death and the afterlife; spiritual forces and beings; various rituals, including the Busk ceremony; prohibitions; the power and skills of different religious practitioners; the cultural force of witchcraft; and herbal and spiritual remedies. Many of these beliefs and practices have been present throughout Creek history and persist today. Creek Religion and Medicine showcases the vibrant culture of an enduring southeastern Native people.

Pulitzer Prize-winner Richard Kluger brings to life a bloody clash between Native Americans and white settlers in the 1850s Pacific Northwest. After he was appointed the first governor of the state of Washington, Isaac Ingalls Stevens had one goal: to persuade the Indians of the Puget Sound region to leave their ancestral lands for inhospitable reservations. But Stevens's program--marked by threat and misrepresentation--outraged the Nisqually tribe and its chief, Leschi, sparking the native resistance movement. Tragically, Leschi's resistance unwittingly turned his tribe and himself into victims of the governor's relentless wrath. The Bitter Waters of Medicine Creek is a riveting chronicle of how violence and rebellion grew out of frontier oppression and injustice.

In Native cultures, health is often expressed as a balance between body, mind, and spirit or soul. At a philosophical level, physical wellness is related to cultural, political, and economic well-being. This is a philosophy that is frequently ignored, however, in theoretical perspectives and applied programs that attempt to address Native American health problems. This collection of essays examines the ways people from many indigenous communities think about and practice health care within historical and sociocultural contexts. Chapters explore solutions to the prevalence of medically identified diseases, such as cancer and diabetes, as well as Native-identified problems, such as forced evacuation, assimilation, and poverty. Annotation copyrighted by Book News Inc., Portland, OR

This book is a must for beginners and serious students of herbs and of Native American ways. This set of herbal teachings, which draws strongly from the Muscogee tradition, presents an understanding of the healing nature of plants for the first time in book form. In a time of expanding awareness of the potential of herbs, this work shines and beckons. Tis Mal examines common wild plants and in a clear and authoritative style explains how to identify, honor, select, and prepare them for use. Illustrated and indexed by plant name and medical topic.

As the world becomes more perilous and our modern ways of life prove to be at times unsustainable or unsatisfying; people in the US and all over the world are increasingly turning to the wisdom of our indigenous people and their traditions for peace, harmony, environmental stewardship, and cultivating a more meaningful spiritual connection to the earth. The Bear Is My Father is a legacy book that shares the profound medicine of a renowned multi-tribal Muscogee Creek medicine man, Bear Heart, one of the last traditionally trained medicine persons of the Muscogee Creek Nation. While it is traditional among Native American medicine that a healer takes on an apprentice to learn their medicine ways, and then pass them on, Bear Heart's medicine was so various that it could not simply be passed along to any one person. Thus, over the course of his life of service, Bear Heart passed along pieces of his indigenous wisdom to different people, depending on who could use it. However, The Bear Is My Father is more than a book about a fascinating Muscogee Creek healer. It is a book authored in part by Bear Heart himself, with guidance as to how one should live life, the changes needed in our global society, integrative medicine, and spirituality. It contains the voices of people who knew and grew from knowing Bear Heart; most particularly, it is co-authored by Reginah WaterSpirit, Bear Heart's medicine helper and late-life spouse of 23 years, whose intimate and insightful stories and reflections give it the added dimension of a biography within an autobiographical book of philosophy and wisdom. The deeply personal portrayal of Bear Heart in The Bear Is My Father flows not only through his own words, nor Reginah's, but also through the recountings of a variety of people who were taught and touched by his wisdom. Together they provide the reader with a multi-faceted and highly intimate understanding of Bear Heart. In short, this book is another way-and because he has passed-perhaps his final way, to share his medicine with the world.

"Nellie M. Thompson has thrived even before she learned to read at the age of 88. A descendent of Chief Pushmataha ... her powerful memoir tells of growing up as a Choctaw Indian in the small-town Midwest of Oklahoma, Arkansas, Texas, and eventually California in the late 1940s. Her faith in God was shaped after she was healed of polio by an Indian medicine man at the age of eight-- this experience dictated her personal commitment to a lifetime of service. She herself became an Indian Medicine woman treating human ailments with herbs and Indian techniques. This inspiring account of a Choctaw Indian woman, whose courage and faith in God move her through many difficult trials, weaves memorable anecdotes into a fresh, first-hand perspective of her history and culture."--Provided by publisher.

Walking in the Sacred Manner is an exploration of the myths and culture of the Plains Indians, for whom the everyday and the spiritual are intertwined, and women play a strong and important role in the spiritual and religious life of the community. Based on extensive first-person interviews by an established expert on Plains Indian women, Walking in the Sacred Manner is a singular and authentic record of the participation of women in the sacred traditions of Northern Plains tribes, including Lakota, Cheyenne, Crow, and Assiniboine. Through interviews with holy women and the families of women healers, Mark St. Pierre and Tilda Long Soldier paint a rich and varied portrait of a society and its traditions. Stereotypical images of the Native American drop away as the voices, dreams, and experiences of these women (both healers and healed) present insight into a culture about which little is known. It is a journey into the past, an exploration of the present, and a view full of hope for the future.

"A long-needed study of the creation stories and legends of the Creek Indian people and their neighbors...including the influential Yuchi legends and Choctaw myths as well as those of the Hitchiti, Alabama, and Muskogee." -Charles R. McNeil, Msueum of Florida History, Tallahassee The creation stories, myths, and migration legends of the Creek Indians who once populated southeastern North America are centuries--if not millennia--old. For the first time, an extensive collection of all known versions of these stories has been compiled from the reports of early ethnographers, sociologists, and missionaries, obscure academic journals, travelers' accounts, and from Creek and Yuchi people living today. The Creek Confederacy originated as a political alliance of people from multiple cultural backgrounds, and many of the traditions, rituals, beliefs, and myths of the culturally differing social groups became communal property. Bill Grantham explores the unique mythological and religious contributions of each subgroup to the social entity that historically became known as the Creek Indians. Within each topical chapter, the stories are organized by language group following Swanton's classification of southeastern tribes: Uchean (Yuchi), Hitchiti, Alabama, Muskogee, and Choctaw--a format that allows the reader to compare the myths and legends and to retrieve information from them easily. A final chapter on contemporary Creek myths and legends includes previously unpublished modern versions. A glossary and phonetic guide to the pronunciation of native words and a historical and biographical account of the collectors of the stories and their sources are provided. Bill Grantham, associate professor of anthropology at Troy State University in Alabama, is anthropological consultant to the Florida Tribe of Eastern Creeks. He has contributed chapters to several books, including The Symbolic Role of Animals in Archaeology.

From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In Medicine Bundle, Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot.