The Christian life demands both action and speech. Christians must, in the words of St. James, "live by the word, not content merely to listen to it." And St. Peter exhorts: "If anyone asks you to give an account of the hope which you cherish, be ready at all times to answer for it." The "Slow Motion" collections of Monsignor Ronald Knox take up these admonitions and provide indispensable assistance for the proper fulfillment of these Christian duties. Whereas The Mass in Slow Motion endows its readers with a clear vision of the liturgy and their necessary role therein, this volume, The Creed in Slow Motion, equips its readers to confidently articulate their faith. In the opening sermon, Knox links the Credo to the Confiteor to emphasize the fundamentally personal nature of faith. "It is always Confiteor we say, not Confitemur, even when we are saying it together. Why? Because my sins are my sins, and your sins are your sins; each of us is individually responsible. So it is with the Credo; each of us, in lonely isolation, makes himself or herself responsible for that tremendous statement, I believe in God." As a consequence, the one worthy of the grace to say Credo is also responsible for being ready to say it with proper understanding. Preached with the full homage of Knox's wit and intelligence, The Creed in Slow Motion is a certain aid for achieving that readiness.

I believe in one God, the Father almighty, maker of heaven and earth... The Creed is the bones of our faith. In all our different ways, it makes us who we are. But when we stand up and recite the Creed in unison, we have no time to contemplate what it is that we are committing ourselves to. The words rush past, their meaning blurred by familiarity. If we could only slow them down and hear them properly, they would have the power to change worlds. That is what The Creed in Slow Motion aims to do. This is a book for people who like to think things through from first principles. It will not tell you what to believe. (It is for you to engage your mind and discover that for yourself. And for unbelievers to learn what exactly they disbelieve, and why.) In forty short chapters, with clarity and wit, The Creed in Slow Motion draws examples from real-life stories, history and even science to uncover the core claims of Christianity. By turns it is deep, heartening, startling, revolutionary and even, by the world's standards, outrageous.

A series of sermons on the Apostles' Creed, written primarily for children.

Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.

In response to the events following September 11, a number of leading cultural studies and interpretive qualitative researchers write from their own experiences and hearts. Their essays—by noted scholars Kellner, Fine, McLaren, Richardson, Denzin, Giroux and others—are collected in this volume, and were written in crisis within days and weeks of September 11. The immediacy of their writing is refreshing, and reflects the varied emotional and critical responses that bring meaning to this cataclysmal event. From the poetic to the personal, the theoretical to the historical, these contributions represent intelligent and reflective responses to crises like 9/11. This unique collection of essays represents a selfless act of sharing by poets and professors who tell us how they made sense of these tragic events, and predicts what the place of the humanities and the social sciences might hold in an age of terror. Lachrymal and elegiac, their words will stay with us for years to come. The articles were originally published in the journals Qualitative Inquiry and Cultural Studies/Critical Methodologies.

THE STORY: As described by New York critic Clive Barnes: Superficially the play is about the painter--famous, rich and lost--and his wife, who find themselves in a Tokyo hotel. The wife, wildly promiscuous, tries to seduce the Japanese barman in the

THE STORY: It is September 12th, 2001; the setting is the Minneapolis apartment of Waverly, a young advertising executive. Soon to venture on a blind date amidst the television news coverage of the September 11th attacks, Waverly becomes preoccupie