Examines unusual animal facial features and how they help the animals survive.

Updated to include the most movie mega-hits, this sci-fi, fantasy, and horror movie guide has it all--the shockers, schlockers, blockbusters, bombs, cult faves, rare gems, classics, groundbreakers, gorefests, space operas, sorcery, Euro-splatter, and everything in between.

"Topics are dragons, dinosaurs, and prehistoric or mythological giants from 1953's The Beast from 20,000 Fathoms; "big bug" flicks, with 1954's Them; ordinary animals grown to improbable proportions in 1955's It Came from Beneath the Sea; animals that threaten mankind including 1963's The Birds; blobs and other beasts such as 1958's The Blob"--Provided by publisher.

Each page in this book is bursting with unusual creatures from the time of dinosaurs, all united by a common characteristic. From wonderful wings to terrific teeth, from tyrannosaurs to ancient turtles, this eclectic collection celebrates the diversity and similarities of the dinosaurs and other prehistoric creatures. Guaranteed to fascinate budding paleontologists.

Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.

This utterly absurd, wacky and weird compilation of the first three books in the Wiley & Grampa's Creature Features series is packed with monsters, mayhem, and pictures on every page! In the rip-roaring adventures, Wiley and goofy Grampa get mixed up with everything from vampires to zombies to a legendary sea monster and always manage to land in deep doodoo. Luckly, they have no-nonsense Gramma and a troop of neighborhood friends to swoop in and save the day! At over three hundred pages, this volume includes fan favorites Dracula vs. Grampa at the Monster Truck Spectacular, Grampa's Zombie BBQ, and Monster Fish Frenzy.

Clues are provided to help reader guess what each creature is.

Art Adams' Creature Features

Jonathan Drake often wonders what it would have been like to see his favorite old horror movies on the big drive-in screen. He and his friends visit the Starlight Drive-In often. They wander around the dark, overgrown field remembering their favorite scenes from horror movies and reciting lines by heart.