An informative book with an extensively illustrated introduction that explains all the basics, from link formation to soldering and polishing. It features 20 exquisite projects such as the Geometric Chain and the Spine design as well as a gallery of beautiful contemporary chains to provide inspiration. Silver chains are the backbone of any jewellery collection and these distinctive designs have special handmade touches that machine-made jewellery just can't match.

Beginners can start with a simple trace design. Switch from round to square wire, adapt the chain to a pendant, or use small oval links for a sophisticated look. Transform trace chains into flat-lying curb chains by twisting each link. Or, try distinctively round loop-in-loop pieces. This range of chains really sparkles and shines. “Highly recommended.”—Library Journal.

ThiS is not only a book of instruction in chainmaking but it is also a work celebrating man's continuous creativity over thousands of years. At times something that man creates has far-reach ing effects; an example that quickly comes to mind is the wheel, which has enabled many devel opments, from pottery to computers. At this point it is important to note that these same wheels could not have been made without metal tools. From early Neolithic times on gold was a favorite choice in the making of jewelry. During the Neolithic period these "shining stones," probably alluvial, were prized. Actually gold was cold worked as if it were a stone. There is a surviving example of cold-worked gold from Catahuyuk (present day Turkey) estimated to have been made in 6500 B. C. There were only four metals on the earth's surface that were found in sufficient quantity to be used: gold, copper, silver, and meteoric iron. An understanding of the malleability of gold, and of the annealing effect of fire, changed jewelry making; new forms were found. Gold was no longer a piece of stone but a material that could be flattened and made very thin. Sheet and foil are the oldest forms of worked gold. The smiths' tools were stone, wood, and horn.

While metal chains can be stunningly simple, they offer endless design options with tremendous variations in styles and forms. This book celebrates the chain as an eye-catching piece of jewelry in and of itself that takes the spotlight without any pendants, bangles, or charms.

Step-by-step instructions for over 70 beautiful pieces.

The latest book from Kimberly Sciaraffa Berlin teaches jewelry makers how to make 22 wirework pieces from start to finish. Jewelry makers are treated to Kimberly’s freeform style of wirework as she wraps and weaves around beads and cabochons to make showcase pendants. She then explains how to make many styles of chains and clasps, so every part of the piece can be handmade. After mastering the component techniques, jewelry makers will find the resulting components are completely interchangeable for thousands of looks!

Laura Poplin’s clever chain mail jewelry brings an updated look to this ancient technique. Poplin treats chain mail not just as the focal point of jewelry, but also as an unexpected accent to pearls, metals, and even leather. A technique tutorial begins each project-filled chapter and covers five basic weaves: Euro 4-in-1, Byzantine; Unbalanced Euro 1-in-1; Japanese 12-in-2; and Chrysanthemum. A substantial tools and materials section covers everything from wire gauges and making jump rings to texturing metal and working with leather.

Create stunning jewelry with this unique book. The creative process offers experienced wire enthusiasts tips and tricks for improving their designs.

Use simple techniques to create silver wire jewellery with sinuous forms and graceful lines. Irene Petersen's book begins with the basics of coil construction and plying wires, leading on to more advanced techniques.