Black-and-white photography poses unique challenges; without color to guide the eye, contrast, lighting, and composition take on even more importance. In Creative Black and White, 2nd Edition, renowned photographer Harold Davis explains these elements and demonstrates the basic rules of black and white photography, as well as when and how to break them. He breaks through the complexity of this photographic medium, explores opportunities for black-and-white imagery, and shows how to capitalize on each and every one of them. This new, revised, and expanded edition brings the tools up to date with extended sections on monochrome in Lightroom, Photoshop, and related plugins.

TABLE OF CONTENTS

THE MONOCHROMATIC VISION

Past, Present, and Future

Thinking in Black and White

Contrast

Color Implied

The Tonal Landscape

Visual Implication

Seeing in Black and White

Pre-Visualization Techniques

Black and White Composition

Framing

Patterns and Lines

Shape and Form

High Key

Low Key

Shades of Gray

Finding Monochromatic Subjects

Black and White at Night

Photographing People

Portraiture in Black and White

BLACK AND WHITE IN THE DIGITAL ERA

Digital Black and White Roadmap

The RAW Advantage

Black and White in Adobe Camera RAW

Black and White in Lightroom

Grayscale Conversion Using Presets

HSL Conversion

Exposure Gradients and Adjustments

Exporting Virtual Copies into Photoshop as Layers

Multiple Layers and Masking in Photoshop

Multi-RAW Processing in Photoshop

Black and White in Photoshop

Blending with Black

Using the Channel Mixer

Black & White Adjustment Layers

Silver Efex Pro

Topaz B&W Effects

OnOne Perfect B&W

The Digital Analog to the Analog Zone System

Combining Conversions in Photoshop

CREATIVE BLACK AND WHITE OPPORTUNITIES

Lighting and Monochromatic Photos

Creating High-Key Effects

Creating Low-Key Effects

HDR in Black and White

Shooting for HDR

Using HDR Software

Toning and Tinting

Tinting with a Black & White Adjustment Layer

Split Toning

The Ansel Adams Effect

Selective Color

Hand Coloring

Using LAB Color

Inverting the L Channel

Equalizing LAB Channels

Swapping Tonalities

Using Blending Modes

LAB Inversions

Soft Focus

Adding Soft Focus

Pinhole Effect

Solarization

Using Curves to Solarize an Image

Simulating the Blossfeldt Effect

Duotone and Tritone Effects

Adding and Reducing Noise

Film Effects

Infrared Camera Conversions

Infrared Conversion without an IR Camera

Creating X-Ray Images

MOBILE BLACK AND WHITE

Black and White using a Cell Phone Camera

Working with Snapseed

Toward a Monochromatic Mobile Workflow

Notes and Resources

Glossary

Index

Learn how breaking photographic rules can result in stunning black-and-white photos Black-and-white photography poses unique challenges; without color to guide the eye, contrast, lighting, and composition take on even more importance. Renowned photographer Harold Davis explains these elements and demonstrates the basic rules of black and white photography as well as when and how to break them. He breaks through the complexity of this photographic medium, explores opportunities for black-and-white imagery, and shows how to capitalize on every one. Richly illustrated with the author's own images, this beautiful guide presents the skills needed for great black-and-white photos while encouraging your confidence and creativity. Goes beyond basics to teach photographers how to conquer the challenges posed by black-and-white photography Appeals to professionals and serious amateurs who are interested in exploring creative black-and-white imagery Presents photography fundamentals and shows how black and white requires some of the rules to be bent Encourages creative thinking and confidence Lavishly illustrated with Harold Davis's outstanding monochromatic photos Whether you're a professional just venturing into black and white or a serious amateur, Creative Black & White will both educate and inspire you.

An inspiring, beautiful, and irresistible doodle and sketch book for creative souls of all ages We all love to doodle--in meetings, on the train, when brainstorming, or simply whenever we have a pen and some paper at hand. This utterly original and exquisitely produced book is the ultimate starting-point for creative drawing, painting, sketching, coloring, and doodling. Quirky and fun, fine art or naive, whatever your style, there is inspiration here for artists, painters, and idle doodlers alike. There are pages to complete and keep, along with postcard quality pages to cut out and send to friends, loved ones, and fellow creatives. Wonderfully witty and irresistible, this is a must-have as well as the perfect gift.

This is an updated and newly revised edition of the classic book The Art of Photography: An Approach to Personal Expression. Originally published in 1994 and first revised in 2010, The Art of Photography has sold well over 100,000 copies and has firmly established itself as the most readable, understandable, and complete textbook on photography. Featuring nearly 200 beautiful photographs in both black-and-white and color, as well as numerous charts, graphs, and tables, this book presents the world of photography to beginner, intermediate, and advanced photographers who seek to make a personal statement through the medium of photography. Without talking down to anyone or talking over anyone's head, renowned photographer, teacher, and author Bruce Barnbaum presents how-to techniques for both traditional and digital approaches. In this newest edition of the book, Barnbaum has included many new images and has completely revised the text, with particular focus on two crucial chapters covering digital photography: he revised a chapter covering the digital zone system, and includes a brand-new chapter on image adjustments using digital tools. There is also a new chapter discussing the concepts of “art versus technique” and “traditional versus digital” approaches to photography. Throughout the book, Barnbaum goes well beyond the technical, as he delves deeply into the philosophical, expressive, and creative aspects of photography so often avoided in other books. Barnbaum is recognized as one of the world's finest landscape and architectural photographers, and for decades has been considered one of the best instructors in the field of photography. This latest incarnation of his textbook—which has evolved, grown, and been refined over the past 45 years—will prove to be an ongoing, invaluable photographic reference for years to come. It is truly the resource of choice for the thinking photographer. Topics include: • Elements of Composition • Visualization • Light and Color • Filters • Black-and-White • The Digital Zone System • The Zone System for Film • Printing and Presentation • Exploding Photographic Myths • Artistic Integrity • Realism, Abstraction, and Art • Creativity and Intuition • A Personal Philosophy • And much, much more…

Since its publication in 1977 to acclaim as a pioneering work, this has remained the first and only book to detail all aspects of a unique era in the history of motion pictures--the only time in the U.S. when films featuring an all-Black cast, produced and directed by Blacks, were shown primarily to Black audiences, in theatres many of which were owned and managed by Blacks. Sampson traces the history of the Black film industry from its beginnings around 1910 to its demise in 1950, chronicling the activities of pioneer Black filmmakers and performers who have been virtually ignored by film historians. Significantly more information on Oscar Micheaux and other Black producers of the period and descriptions of many more Black films are included in the second edition. A new chapter discusses the first black images in American film as portrayed by Whites in blackface. The list of film titles from both the sound and the silent periods, including members of the cast, has been greatly expanded. With an extensive list of Black musical "soundies;" full index; and many new and rare photographs.

Rich with case material and artwork samples, this volume demonstrates a range of creative approaches for facilitating children's emotional reparation and recovery from trauma. Contributors include experienced practitioners of play, art, music, movement and drama therapies, bibliotherapy, and integrative therapies, who describe step-by-step strategies for working with individual children, families, and groups. The case-based format makes the book especially practical and user-friendly. Specific types of stressful experiences addressed include parental loss, child abuse, accidents, family violence, bullying, and mass trauma. Broader approaches to promoting resilience and preventing posttraumatic problems in children at risk are also presented.

There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully. In this book, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from more than 40 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping-stones that will lead you to your own heightened ability to see and be creative. Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce's method of teaching photography, which he has used in workshops for the past 41 years. Included in the book are in-depth discussions on the following topics: Defining your own unique rhythm and approach as a photographer How to translate the scene in front of you to the final photograph The differences and similarities between how an amateur and a professional approach photography The differences between realism and abstraction, and the possibilities and limitations of each Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers Why the rules of composition should be ignored How to follow your passion When to listen to the critics and when to ignore them The book is richly illustrated with over 90 photographs taken by Bruce as well as other photographers.Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels-from beginners to seasoned professionals-to think deeply about the issues involved in creating successful photographs.

Black and white photography has always been one of the most popular areas for amateur photographers. In this book, Toby Worobiec and Ray Spence show traditionalists how to use digital techniques without abandoning black and white photography as well as showing them how to produce high quality 'fine art' prints.

Make great photos of flowers, gardens, landscapes and the beautiful world around us

Gardens are everywhere, all around us. In this long-awaited guide to garden photography, noted botanical photographer and author Harold Davis tackles the subject of garden photography with an expansive brush. In this book, you’ll find techniques for photographing extreme macro subjects while becoming a better landscape photographer. From tiny flowers to vast landscapes, your photography can be enhanced using the techniques you will discover in Creative Garden Photography.

What is a garden? The topic of garden photography encompasses a huge range of photographic styles and techniques that can be applied to almost any kind of photography. Learn to use this toolset from one of the acknowledged modern masters of photography.

• Explore gardens, types of gardens, and how best to photograph them

• Create stunning floral macros and high-key imagery

• Learn techniques for adding impressionism to your photos

• Use light and creative exposures to enhance your imagery

• Master close-up focusing, depth-of-field, and focus stacking

• Create your own custom field studio “in a bucket”

• Complete exposure data and the story behind every photo

“My goal as a photography teacher and writer about photography is to inspire and to help you become the best and most creative photographer and image-maker that you can be.”
—Harold Davis

“Harold Davis’s etherial floral arrangements have a purity and translucence that borders on the spiritual.”
—Popular Photo Magazine

“Davis is a pioneer and a new art form—part photographer, part digital illusionist.”
—Rangefinder Magazine

“Harold Davis’s Creative Photography series is a great way to start a photography library.”
—PhotoFidelity

TABLE OF CONTENTS

INTRODUCTION

ENTERING THE GARDEN
Understanding Gardens
Garden Styles and Purposes
Different Kinds of Garden Photography
Garden Purpose and Design Informs Photography

OF LIGHT AND GARDEN
Sunrise, Sunset, Blue Hours, Golden Hour

ON LOCATION: THE ROMANTIC GARDEN, SCHWETZINGEN AT SUNRISE, GERMANY

ON THE IPHONE: SNAPSEED

USING A TRIPOD
Using a Tripod for More Creative Options
Tripods for Garden Photography: Materials, Legs, Types of Heads
Tripod Tips and Tricks

BLENDING EXPOSURES TO EXTEND RANGE

BLACK AND WHITE IN THE GARDEN
Photographing the Zen Garden

ON LOCATION: IMPERIAL GARDENS OF OLD NARA, JAPAN

CONVERTING TO BLACK AND WHITE

IMPRESSIONISTIC PHOTOGRAPHY
Camera in Motion
Subject in Motion with Camera Stationary
Creative Exposures
In-Camera Multiple Exposures
Post-Production

ON LOCATION: PHOTOGRAPHING MONET'S GIVERNY, FRANCE

ON THE IPHONE: WATERLOGUE

FOCUSING ON REPETITION
Compositions with Repeating Garden Elements and Patterned Spaces
Best Practices in Focus
Depth of Field

ON LOCATION: THE PARC DE SCEAUX, FRANCE

FOCUS STACKING

DRAGONFLIES, BEES, AND WASPS
Stopping Motion
Getting Close
Dealing with Those that Sting
Auxiliary Lighting: Reflectors, Macro Strobes, LED Lighting

WATER DROPS AND SPIDER WEBS
Refractions in Close-Up Photography
Spider-Web Studio

MACRO PHOTOGRAPHY GEAR

GARDENS OF THE MIND

PRINTING GARDEN PHOTOS

NOTES & RESOURCES
Off-Beat Garden Photography Tools
Places to Practice Garden Photography
Recommended iPhone Apps for Garden Photography
iPhone Workflow
ImageBlender

NOTES AND RESOURCES
GLOSSARY
INDEX

Provides instructions for blending traditional drawing and painting skills with technological advances to create digital art.