This book invites readers into Tolkien’s world through the lens of a variety of philosophers, all of whom owe a rich debt to the Neoplatonic philosophical tradition. It places Tolkien’s mythology against a wider backdrop of Catholic philosophy and asks serious questions about the nature of creation, the nature of God, what it means to be good, and the problem of evil. Halsall sets Tolkien alongside both his contemporaries and ancient authors, revealing his careful use of literary devices inspired by them to craft his own “mythology for England.”

In this book, Lisa Coutras explores the structure and complexity of J.R.R. Tolkien’s narrative theology, synthesizing his Christian worldview with his creative imagination. She illustrates how, within the framework of a theological aesthetics, transcendental beauty is the unifying principle that integrates all aspects of Tolkien’s writing, from pagan despair to Christian joy. J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian worldview. Tolkien’s Theology of Beauty examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his creative imagination.

This book hopes to invite readers into Tolkien's world through the lens of a variety of philosophers, of all of whom owe a rich debt to the Neoplatonic philosophical tradition. It places Tolkien's mythology against a wider backdrop of catholic philosophy and asks serious questions as to the nature of creation alongside the nature of God, what it means to be good, and concerning the problem of evil. This book attempts to set Tolkien alongside both his contemporaries and ancient authors, and how he used similar literary devices in order to express his desire to create a "mythology for England."

Readers have repeatedly called The Lord of the Rings the most important book of our age--absorbing all 1,500 of its pages with an almost fanatical interest and seeing the Peter Jackson movies in unprecedented numbers. Readers from ages 8 to 80 keep turning to Tolkien because here, in this magical kingdom, they are immersed in depth after depth of significance and meaning--perceiving the Hope that can be found amidst despair, the Charity that overcomes vengeance, and the Faith that springs from the strange power of weakness. The Gospel According to Tolkien examines biblical and Christian themes that are found in the works of J. R. R. Tolkien. Follow Ralph Wood as he takes us through the theological depths of Tolkien's literary legacy.

One of Tolkien's great appeals to readers is that he offers a world replete with meaning at every level. To read and reread Tolkien is to share his sense of wonder and holiness, to be invited into the presence of a "beauty beyond the circles of the world." It is to fall in love with a universe that has a beginning and an end, where good and bad are not subjective choices, but objective realities; a created order full of grace, though damaged by sin, in which friendship is the seedbed of the virtues, and where the greatest warriors finally become the greatest healers. A correspondent once told J. R. R. Tolkien that his work seemed illumined "by an invisible lamp." That lamp is the Church, and its light is the imaginative sensibility that we live in a sacramental world. This new book by the author of The Trial of Man examines in depth the influence of Catholic sacramentality on the thought and work of Tolkien, with major emphasis on The Lord of the Rings, but including his literary essays, epistolary poem "Mythopoeia," short story "Leaf by Niggle," and The Silmarillion. Here is a signal contribution to a deeper understanding of Tolkien, whose mythological world is meant to "recover" the meaning of our own as a grace-filled place, pointing toward its Creator.

At the heart of Tolkienian fantasy is "recovery," a "cleaning of the windows" of our perception that we may learn to see the world again in all its strange and bewildering beauty. And, for Tolkien, to recover the world anew is to recover a sense of the world as a meaningful act of creation by a living and loving Creator. How does Tolkien accomplish this? Through "sub-creation" or mythopoeia, the "fashioning of myth." For it is in creating an imaginary world ourselves through poetry, fairy-story and myth that we come to "see" our "primary world" as itself an act of creation. In short, mythopoetic creation, far from being "lies breathed through silver," uncovers for us the truth of our world as a story of creation. This book is the first sustained attempt to show not only the centrality of recovery to Tolkien's fantasy but the way in which his fantasy affects that primal recovery in every reader. In doing so, this book not only reveals the marvelous philosophical and theological riches that underlie Tolkien's fantasy but shows how his mythopoetic fiction allows the recovery and enactment of these riches in our own lives. In these pages we learn how Tolkien's fantasy addresses fundamental problems such as the relation of language to reality, the nature of evil, the distinction between time and eternity and its relation to death and immortality, the paradox of necessity and free will in human action and the grounds for providential hope in a "happy ending." Indeed, The Fantasy of J.R.R. Tolkien shows how for Tolkien fantasy has within itself a healing power through which intellectual, moral and existential paradoxes are resolved and our intellectual and perceptual faculties are made whole again so that they may participate with renewed vigor in the life-giving work of creation of every sort.

The Lord of the Rings and other works of J.R.R. Tolkien have had a far-reaching impact on culture in the late twentieth and early twenty-first centuries. In print and on film, Tolkien’s works seem to be incredible epics, but religious aspects are less obvious. Yet Tolkien himself stated in his letters that the chief conflicts of his epic works were “about God, and His sole right to divine Honour,” and whether Sauron can wrest and destroy all that is good in Middle-earth. It is from this that readers awaken to the theological truths that imbue Tolkien’s works. In Theology and Tolkien: Constructive Theology, an international group of scholars consider how Tolkien’s works (and Jackson’s interpretations) can help us build better theologies for use in our world today. From essays on the music of creation in the Ainulindalë, to angels, demons, and Balrogs, to Tolkien’s theology of God, providence, evil, and love, to the eschatology of the Final Chord of the Great Music, this book invites the reader to journey through Middle-earth as the contributors engage the theology of Tolkien’s works and its impact on the world.

Tolkien, Race, and Racism in Middle-earth is the first systematic examination of how Tolkien understood racial issues, how race manifests in his oeuvre, and how race in Middle-earth, his imaginary realm, has been understood, criticized, and appropriated by others. This book presents an analysis of Tolkien’s works for conceptions of race, both racist and anti-racist. It begins by demonstrating that Tolkien was a racialist, in that his mythology is established on the basis of different races with different characteristics, and then poses the key question “Was Tolkien racist?” Robert Stuart engages the discourse and research associated with the ways in which racism and anti-racism relate Tolkien to his fascist and imperialist contemporaries and to twenty-first-century neo-Nazis and White Supremacists—including White Supremacy, genocide, blood-and-soil philology, anti-Semitism, and aristocratic racism. Addressing a major gap in the field of Tolkien studies, Stuart focuses on race, racisms and the Tolkien legendarium.

While nothing can equal or replace the adventure in reading ; Tolkienಙs masterwork, The Lord of the ; Rings, Peter Kreeft says that the journey into its ; underlying philosophy can be another exhilarating ; adventure. Thus, Kreeft takes the reader on a voyage ; of discovery into the philosophical bones of Middle earth. ; He organizes the philosophical themes in The Lord of the ; Rings into 50 categories, accompanied by over 1,000 ; references to the text of Lord.Since many of the great ; questions of philosophy are included in the 50-theme ; outline, this book can also be read as an engaging ; introduction to philosophy. For each of the philosophical ; topics in Lord, Kreeft presents tools by which they can be ; understood. Illustrated.

Anyone who has read The Hobbit and The Lord of the Rings can gather that their author hated tyranny, but few know that the novelist who once described himself as a hobbit Òin all but sizeÓ wasÑeven by hobbit standardsÑa zealous proponent of economic freedom and small government. There is a growing concern among many that the West is sliding into political, economic, and moral bankruptcy. In his beloved novels of Middle-Earth, J.R.R. Tolkien has drawn us a map to freedom. Scholar Joseph Pearce, who himself has written articles and chapters on the political significance of TolkienÕs work, testified in his book Literary Giants, Literary Catholics, ÒIf much has been written on the religious significance of The Lord of the Rings, less has been written on its political significanceÑand the little that has been written is often erroneous in its conclusions and ignorant of TolkienÕs intentionsÉ. Much more work is needed in this area, not least because Tolkien stated, implicitly at least, that the political significance of the work was second only to the religious in its importance.Ó Several books ably explore how TolkienÕs Catholic faith informed his fiction. None until now have centered on how his passion for liberty and limited government also shaped his work, or how this passion grew directly from his theological vision of man and creation. The Hobbit Party fills this void. The few existing pieces that do focus on the subject are mostly written by scholars with little or no formal training in literary analysis, and even less training in political economy. Witt and Richards bring to The Hobbit Party a combined expertise in literary studies, political theory, economics, philosophy, and theology.