This is the untold story of the very first electronic social network in America: The CB Radio. Citizen's Band Radio grew from to a small number of hobby users to a cultural phenomenon in the 1970s. The adoption by millions of Americans forced the FCC to give up nearly all regulation. CB life created it's own "slanguage, "music and values. What started with mostly truckers grew during Arab Oil Crisis and eventually went widespread. Users adapted CB's to their own economic and social uses. This adaptation changed the character of the radio use eventually making the radios truly the Citizen's Band. And then they disappeared... The book culminates 23 years of research with 296 pages, 44 illustrations and more than 200 sources. Interviews include Hairl Hensley of WSM, Bob Cole of aka the "Midnight Rider" from KIKK (now in Austin) and Bill Fries aka C.W. McCall the "Rubber Duck."

Max Reynolds failed as a writer. Yet Max Reynolds continues to write. He must write every day or he will sink into an almost catatonic depression. This is Max Reynolds' story, told mainly through samples of his writing.

(Piano/Vocal/Guitar Songbook). 30 songs sure to be crowd favorites in country bars across the country. Includes: All My Ex's Live in Texas * Coal Miner's Daughter * El Paso * Folsom Prison Blues * Hey, Good Lookin' * Jolene * King of the Road * Mama Tried * On the Road Again * Take This Job and Shove It * White Lightning * and more.

Barry and Maureen are delighted when they are approved as tenants by the Association, an exclusive gated community, until they discover the draconian punishments that could result from any infraction of the rules.

I was almost as hard headed as it gets while repeatedly insisting on missing and ignoring the entire point that Mom and a few others tried to get me to realize. "GET YOUR EDUCATION!!!" I still had some great times here and there every now and then, and I can only imagine how beautiful-my-life-would-have-been if I would have followed the "The Golden Rules." Some wonderful things have happened to me even though I still feel that I truly did not deserve or even know how to sincerely enjoy thoroughly, but on the other hand, some not so wonderful things have happened to me that I basically brought on myself as a direct result of not following "The Golden Rules." EDUCATION IS A MUST!!! I know my family was not the only family that has gone through a divorce, and I know there are millions of kids who went through divorce without a scratch. I am not blaming any of my failures as a man on the pitfalls of divorce, but I can clearly see now that my "character flaws" were a direct hit stemming from the casualties of my parents divorce. I did not ask to be me, and I certainly did not ask or expect to be stuck on stupid for almost three tenths of a century. It was what it was! If I would have known their divorce would eventually effect me which I believe set the wheels in motion that turned towards me turning out the way I have, I would have started Praying that night. But I had no idea it would, and neither did they. I can only imagine how beautiful my life would have been if their marriage was meant to be, but it was not about me. Brooke!

"Adaptations: Critical and Primary Sources is a three-volume reference resource that brings together over 80 landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by plotting the 'prehistory' of the field, beginning with Vachel Lindsay's classic Art of the Moving Picture (1915), through Virginia Woolf's classic essay on 'The Cinema' through to some of the most important critical and theoretical interventions up until the 1990s when the area really emerges as a critical force in the academy. Volume Two collects essays from the last 25 years, showing how the scholarly legacy laid out in Volume One still has a profound impact on adaptation studies today, while charting the process of critical and theoretical maturation. This volume shows how adaptations studies has outgrown its contested place 'in the gap' of film and literary studies and how its interventions transcend disciplinary perspectives across the arts and humanities. Volume Three covers key case studies, such as Christine Geraghty's take on adapting Westerns, Ian Inglis' understanding of the transformation of music into movies, and Eckart Voigts' concept on Jane Austen and participatory culture. With topics ranging from the limitations of the novel to adapting stage to screen, contributions from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. Cartmell and Whelehan introduce each excerpt and offer a critical overview of the collected work, the rationale for its inclusion and suggestions for further reading."--

This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness

Explores the alternative radio that refuses to succumb to the big business that monopolizes the airwaves Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull? Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived. Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers established broadcasters have erected to ensure their dominance. Using lively anecdotes drawn from firsthand interviews, Walker chronicles the story of the unsung heroes of American radio who, despite those barriers, carved out spaces for themselves in the spectrum, sometimes legally and sometimes not. Walker's engaging, meticulous account is the first comprehensive history of alternative radio in the United States. From the unlicensed amateurs who invented broadcasting to the community radio movement of the 1960s and 1970s, from the early days of FM to today's micro radio movement, Walker lays bare the hidden history of broadcasting. Above all, Rebels on the Air is the story of the pirate broadcasters who shook up radio in the 1990sand of the new sorts of radio we can expect in the next century, as the microbroadcasters crossbreed with the even newer field of Internet broadcasting.

The Detroit Tigers came out of the womb scratching and snarling. Early owner James D. Burns orchestrated the only known arrest of a journalist while covering a game. It's the only Major League franchise to sign a star player out of prison, which happened twice. Ex-Tigers have done time for crimes ranging from armed robbery to racketeering-and worse. One tried to burn and dismember a group of men after they kidnapped his mother. Another threatened to blow up a cruise ship unless he was paid a sizeable ransom. And Detroit legend Ty Cobb ran afoul of the law several times during his brilliant, tumultuous and often mischaracterized career. Join Detroit News writer George Hunter on a foray into the darkest, unruliest and sometimes funniest moments in Tigers history.