On the last day of the Vietnam War, nine-year-old Hung jumped on a leaking prawn trawler on the Saigon River, somehow cheating death to become one of the first Vietnamese boat people to arrive Australia, a land where a young man's potential is limited only by his imagination - that is unless you're Hung Le. Defying the stereotype, Hung wasn't a math or computer whizz, he had no doctoring or lawyering abilities, spoke Vietnamese with an Australian accent, and couldn't even play the violin. But what he was blessed with was funny bones, and through winning Red Faces on Hey Hey It's Saturday he managed to make an international career playing the violin out of tune. The Crappiest Refugee is an hilarious and endearing memoir about a boat person who never found his land legs, but who has always seen the funny side.

The bestselling, laugh-out-loud, reach for your hanky story of one of Australia's best-loved comedians.

The award-winning, #1 New York Times bestselling novel from Alan Gratz tells the timely--and timeless--story of three different kids seeking refuge. A New York Times bestseller! JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world... ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America... MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he and his family begin a long trek toward Europe... All three kids go on harrowing journeys in search of refuge. All will face unimaginable dangers -- from drownings to bombings to betrayals. But there is always the hope of tomorrow. And although Josef, Isabel, and Mahmoud are separated by continents and decades, shocking connections will tie their stories together in the end. As powerful and poignant as it is action-packed and page-turning, this highly acclaimed novel has been on the New York Times bestseller list for more than four years and continues to change readers' lives with its meaningful takes on survival, courage, and the quest for home.

On the last day of the Vietnam War, nine-year-old Hung jumped on a leaking prawn trawler on the Saigon River, somehow cheating death to become one of the first Vietnamese boat people to arrive Australia, a land where a young man's potential is limited only by his imagination - that is unless you're Hung Le. Defying the stereotype, Hung wasn't a math or computer whizz, he had no doctoring or lawyering abilities, spoke Vietnamese with an Australian accent, and couldn't even play the violin. But what he was blessed with was funny bones, and through winning Red Faces on Hey Hey It's Saturday he managed to make an international career playing the violin out of tune. The Crappiest Refugee is an hilarious and endearing memoir about a boat person who never found his land legs, but who has always seen the funny side.

“Beautiful and heartrending” fiction set in Vietnam and America from the Pulitzer Prize–winning author of The Sympathizer (Joyce Carol Oates, The New Yorker) In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Viet Thanh Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. This incisive collection by the National Book Award finalist and celebrated author of The Committed gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her with a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. “Terrific.” —Chicago Tribune “An important and incisive book.” —The Washington Post “An urgent, wonderful collection.” —NPR

America's Arab Refugees is a timely examination of the world's worst refugee crisis since World War II. Tracing the history of Middle Eastern wars—especially the U.S. military interventions in Iraq and Afghanistan—to the current refugee crisis, Marcia C. Inhorn examines how refugees fare once resettled in America. In the U.S., Arabs are challenged by discrimination, poverty, and various forms of vulnerability. Inhorn shines a spotlight on the plight of resettled Arab refugees in the ethnic enclave community of "Arab Detroit," Michigan. Sharing in the poverty of Detroit's Black communities, Arab refugees struggle to find employment and to rebuild their lives. Iraqi and Lebanese refugees who have fled from war zones also face several serious health challenges. Uncovering the depths of these challenges, Inhorn's ethnography follows refugees in Detroit suffering reproductive health problems requiring in vitro fertilization (IVF). Without money to afford costly IVF services, Arab refugee couples are caught in a state of "reproductive exile"—unable to return to war-torn countries with shattered healthcare systems, but unable to access affordable IVF services in America. America's Arab Refugees questions America's responsibility for, and commitment to, Arab refugees, mounting a powerful call to end the violence in the Middle East, assist war orphans and uprooted families, take better care of Arab refugees in this country, and provide them with equitable and affordable healthcare services.

A touching, timely and tender exploration of refugees and migration for the youngest readers.

How should we respond to the worst refugee crisis since the World War II? What are our duties towards refugees, and how should we distribute these duties among those at the receiving end of the refugee flow? What are the relevant political solutions? Are some states more responsible for creating the current refugee situation, and if so, should they also carry a larger burden on solving this situation? Is people smuggling always morally wrong? Are some groups, for example children, owed more than others, and should we thus take active measures to remove them from conflict zones? How are the existing refugee regimes, in Europe, North-America, or Australia, challenged by the current crisis? Are some of their measures more justified than others? Refugee Crisis: The Borders of Human Mobility discusses the various ethical dilemmas and potential political solutions to the ongoing refugee crisis, providing both theoretical and practical reflections on the current crisis, as well as the ways in which this crisis has been handled in public debate. The contributors to the volume include some of the most prominent political theorists and experts on the current refugee situation, as well as some of the upcoming young scholars working on the theme. This book was originally published as a special issue of the Journal of Global Ethics.

A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence.” —The New York Times Book Review "Nayeri weaves her empowering personal story with those of the ‘feared swarms’ . . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart–rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive.” —Star–Tribune (Minneapolis) Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel–turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis. “A writer who confronts issues that are key to the refugee experience.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer and The Refugees

A heartbreaking, full-color graphic novel of the refugee drama In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images—by turns shocking, infuriating, wry, and heartbreaking. Accompanying the story of Kate’s time spent among the refugees—the insights acquired and the lives recounted—is the harsh counterpoint of prejudice and scapegoating arising from the political right. Threads addresses one of the most pressing issues of modern times to make a compelling case, through intimate evidence, for the compassionate treatment of refugees and the free movement of peoples. Evans’s creativity and passion as an artist, activist, and mother shine through.