In a medieval cookbook in a special-collections library, near-future London, jaded food and drink authority Nick Kippax finds an alluring stain next to a recipe for the mythical crandolin. He tastes it, ravishing the page. Then he disappears...So begins an 'adwentour' that quantum-leapfrogs from Central Asia in the Middle Ages to Russia under Gorbachev, from the secrets of confectionery to the agonies of making a truly great moustache, from maidens in towers to tiffs between cosmic forces. Food, music, science, fruitloopery, superstition, railways, bladder-pipes and birth-marked Soviet statesmen; all are present in an extraordinary novel that is truly 'for the adwentoursomme'.

The highly-anticipated fantasy debut from Aurealis and Ditmar Award-winning author Thoraiya Dyer, set in a giant mythical rainforest controlled by living gods. Now in trade paperback. Unar dreams of greatness. Determined but destitute, she escapes her parents’ plot to sell her into slavery. Now she serves in the Garden of the goddess Audblayin, ruler of growth and fertility. But when Audblayin dies, Unar sees her opportunity for glory – at the risk of descending into the unknown dangers of Understorey to look for a reincarnated newborn god. In its depths, she discovers new forms of magic, lost family connections, and murmurs of a revolution that could cost Unar her chance...or grant it by destroying the home she loves. “I am majorly impressed with Thoraiya Dyer's Crossroads of Canopy. A unique, gorgeous, and dangerous world, a stubborn female hero, and a writer to watch!”—Tamora Pierce At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Dadaoism is the first anthology from Chomu Press. Editors Justin Isis and Quentin S. Crisp have selected twenty-six novellas, short stories and poems setting out an aesthetic manifesto of rich and stimulating prose style, explosively unhindered imagination and anarchic experimentation. From Reggie Oliver's 'Portrait of a Chair', in which consciousness is explored from the point of view of furniture, to John Cairns' 'Instance', a nano-second by nano-second account of a high-speed telepathic conversation, to Julie Sokolow's 'The Lobster Kaleidoscope' in which naive wordplay acts as a foundation for existentialist philosophy in a story of inter-species love; from those such as Michael Cisco, with growing followings, to unexpected new voices such as Katherine Khorey, Dadaoism sets out to present a mystery tour of the literary imagination and to demonstrate that outside of exhausted mainstream realism and uninspired genre tropes, contemporary English-language writing is thriving and creatively vital."

A collection of obsessive and yet crystalline stories set in contemporary Japan, written with savvy that is flawlessly streetwise, literary and metaphysically profound all at once. Futuristic in outlook, up-to-the-minute in setting and sophisticated in influence, these are stories for those who feel that literature has not caught up with the 21st century.

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirtieth Annual Collection the very best SF authors explore ideas of a new world through their short stories. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre. The multiple Locus Award-winning annual compilation of the year's best science fiction stories

All a captain wanted was a little chill time, a few tunes, and quality barbecue.Woe to those blocking her groove.Commandeer one piece of out-of-this-world tech that allows travel to anyplace at anytime and suddenly you have an evil billionaire and a corporate queenpin on your ass to get it back, factions scrabbling at the power grab to end all power grabs, and an AI of unknown power working behind the scenes. Four women; One machine goddess; Humanity's future in the balance. Mix in a Hellbilly, Saharan elves, and the baddest Pacific Octopus this side of Atlantis?and it's not just a job, it's the whole-ass adventure.

"Mike was a hawler, although he would have spelt it differently had he known the word at all. At this stage, it was unclear what a hawler was-or what a hawler did. But Mike knew he was one and probably knew what one was and what one did, even if he didn't know the name itself." Nemonymous Night is a tale of magic and dream. A rich collage of the British townscape and psyche. A spiral of details, mundane things imbued with significance and significant things that feel mundane. More outsider art than portrait. Missing children and angel wine - ocean liners and helicopters - and a drill vehicle bound for the core of the earth. DF Lewis's remarkable novel is brought back into print again, for the first time in hardcover.

In the stories of I Am a Magical Teenage Princess, Luke Geddes reexamines 1960s and contemporary popular culture with wit, insight, and pathos. A book for the magical teenage princess in all of us, this debut short story collection welcomes a unique and surprisingly wise voice to the world of letters.

Self-reflective mirrors looking for their own reflections. Towns that migrate to the moon. Prisoners of elaborate dungeons and gigantic miniature solar systems. Robots, ghosts, rascals, explorers, troubadours, apemen and yetis. All are present in the multiverse of inversion and invention that is Link Arms with Toads! Rhys Hughes is a unique figure in contemporary fiction whose speculative whimsicality is not so much balanced as trampolined by tensile prose and puckish pensiveness. Link Arms with Toads! forms the ideal introduction to his work.

A pre-internet Second Life, the business of Chance Company is to offer clients a vacation from their own lives in other, fabricated lives. In this labyrinth of identities, real or assumed, Agnes Darshel searches for her errant father, a search that involves her in the internal conflicts of Chance Company's creation myth and history. Against a dark, atmospheric background of Europe, the USA, South America and North Africa, themes of exile, real and self-imposed, and the consequences of being on the losing side politically are played out in a shifting underworld where mysteries and crime are never far from the surface.