Horror fiction. Graphic Novel. A horror graphic novel set on a rundown housing estate and featuring young offenders.

Millions of years ago, humans just happened. Accidents of environment and genetics contributed to the emergence of sentient beings like us. Today, however, people no longer "just happen"; they are created by the voluntary acts of other people. This book examines several questions about the ethics of human existence. Is it a good thing, for humans, that humans "happened"? Is it ethical to keep making new humans, now that reproduction is under our control? And given that a person exists (through no fault or choice of his own), is it immoral or irrational for him to refuse to live out his natural lifespan? Sarah Perry answers these questions in the negative--not out of misanthropy, but out of empathy for human suffering and respect for human autonomy. "Every Cradle Is a Grave undertakes a difficult task-to write on discomforting matters from a perspective that is socially unsanctioned. Strange as it may seem to some of us, there are scads of volumes that praise the abuses we endure in our lives. Such works have always been well thumbed, though they are only prayer-books for the purpose of worshiping misery. Sarah Perry is more honest and less perverse on the subject of suffering, treating pain as both a philosophical and a practical problem to which, it is admitted, there is no ultimate solution. Nonetheless, in her view there still remains intelligence and compassion as a means for confronting the insoluble. That is what makes this book as much a necessity as it is a rarity." --Thomas Ligotti, author of The Conspiracy against the Human Race Meaning. Value. Birth. Death. Sanctity. These subjects and others are reexamined through the lens of suicide rights and procreation ethics in Sarah Perry's Every Cradle Is a Grave. If you're at all fond of asking the truly Big Questions, this is the read you've been waiting for. Why are we here, and why do we stay? Prepare to have your assumptions dissected and turned on their heads. It's a bumpy ride, but then, so is this little journey we're on as we spin aimlessly around a sun that's destined to burn out, just as surely as each individual life will one day fall back down into the mud from which all life arises. Asking the hard questions is one thing, but hearing answers that might shake us to the core can be something else again. --Jim Crawford, author of Confessions of an Antinatalist "In this eminently rational, clear and serious book, Sarah Perry is courageous and strong enough to confront the forbidden truths of human life. Every Cradle Is a Grave should be mandatory reading for anyone who plans to have children." -Mikita Brottman, author of Thirteen Girls

Concentrating on technology, economics, labor, and social history, Cradle to Grave documents the full life cycle of one of America's great mineral ranges from the 1840s to the 1960s. Lankton examines the workers' world underground, but is equally concerned with the mining communities on the surface. For the first fifty years of development, these mining communities remained remarkably harmonious, even while new, large companies obliterated traditional forms of organization and work within the industry. By 1890, however, the Lake Superior copper industry of upper Michigan started facing many challenges, including strong economic competition and a declining profit margin; growing worker dissatisfaction with both living and working conditions; and erosion of the companies' hegemony in a district they once controlled. Lankton traces technological changes within the mines and provides a thorough investigation of mine accidents and safety. He then focuses on social and labor history, dealing especially with the issue of how company paternalism exerted social control over the work force. A social history of technology, Cradle to Grave will appeal to labor, social and business historians.

Year after year, one after another, the babies of Marybeth Tinning died - nine children in 14 years. Incredibly, neither police nor coroners, doctors, social workers or neighbours suspected anything. The vague verdicts of Sudden Infant Death Syndrome fooled even Marybeth's husband. On 4th February 1986, however, six weeks after the last baby's death, even he had to face the unthinkable - as his wife was charged with their murder. This book tells the story of Marybeth Tinning's children, her arrest and subsequent trial.

Is Gaia becoming Thanatia, a resource exhausted planet? For how long can our high-tech society be sustained in the light of declining mineral ore grades, heavy dependence on un-recycled critical metals and accelerated material dispersion? These are all root causes of future disruptions that need to be addressed today.This book presents a cradle-to-cradle view of the Earth's abiotic resources through a novel and rigorous approach based on the Second Law of Thermodynamics: heat dissipates and materials deteriorate and disperse. Quality is irreversibly lost. This allows for the assessment of such depletion and can be used to estimate the year where production of the main mineral commodities could reach its zenith. By postulating Thanatia, one acquires a sense of destiny and a concern for a unified global management of the planet's abiotic resource endowment.The book covers the core aspects of geology, geochemistry, mining, metallurgy, economics, the environment, thermodynamics and thermochemistry. It is supported by comprehensive databases related to mineral resources, including detailed compositions of the Earth's layers, thermochemical properties of over 300 substances, historical energy and mineral resource inventories, energy consumption and environmental impacts in the mining and metallurgical sector and world recycling rates of commodities.

Will Rees is adjusting to life on his Maine farm in 1797, but he's already hungering for the freedom of the road, and his chance to travel comes sooner than he expects. Lydia has just received a letter from her old friend Mouse, a soft-spoken and gentle woman who now lives in the Shaker community in Mount Unity, New York. To Lydia and Rees's astonishment, she's in trouble with the law. She's kidnapped five children, claiming that their mother, Maggie Whitney, is unfit to care for them. Despite the wintry weather and icy roads, Rees and Lydia set out for New York, where they sadly conclude that Mouse is probably right and the children would be better off with her. There's nothing they can do for Mouse legally, though, and they reluctantly set out for home. But before they've travelled very far, they receive more startling news: Maggie Whitney has been found murdered, and Mouse is the prime suspect. In Cradle to Grave, Eleanor Kuhns returns with the clever plotting, atmospheric historical detail, and complexly drawn characters that have delighted fans and critics in her previous books.

This book, Alcohol: Cradle to Grave, offers a compelling, day-in-the-life look at how the disease of alcoholism affects Great Falls, Montana in particular and the state of Montana in general. It's also what he terms "A microcosm of a national problem." Here, Newhouse offers us a compelling and comprehensive understanding of the complexity, magnitude and cost of alcohol abuse. It's an unflinching look at the largely unnoticed river of booze that flows through our towns, our communities and our daily lives. Book jacket.

These stories explore the trials of life from youth to old age, in a wide variety of writing styles, including black humour, satire, and compassionate and realistic observations of the follies and foibles of humankind. Authors such as Saki, Evelyn Waugh, Roald Dahl, Raymond Carver, and W Somerset Maugham look at youth, marriage, parenthood and new relationships in later life, in stories that each have a unique twist.

A manifesto for a radically different philosophy and practice of manufacture and environmentalism "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. But as this provocative, visionary book argues, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the Industrial Revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world? In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are). Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, William McDonough and Michael Braungart make an exciting and viable case for change.