Sixteen full-color peel-and-apply illustrations of cowboys and desperadoes in action promise young broncobusters lots of Western-style sticker fun.

37 detailed illustrations, informative captions.

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

Featuring updated information through the 2014 season, including the Cowboys' win in the playoffs over Detroit Every good Dallas Cowboys fan can tell you about the highlights from the franchise's half century of existence—including five Super Bowl victories and 14 players inducted into the Pro Football Hall of Fame. But how many know all the stories behind the names, games, and traditions of one of the NFL's most popular teams? 100 Things Cowboys Fans Should Know & Do Before They Die was created for everyone who cheers for pro football in Dallas. Both entertaining and enlightening, this must-have guide ranks and explains the essential information and can't-miss experiences every Cowboys fan needs. This book has it all: the star players—from Roger Staubach to Tony Romo; the larger-than-life coaches (Landry, Johnson, Switzer, and more); the biggest games, from the Ice Bowl to the eight Super Bowl appearances; even the landmarks, including the Cotton Bowl and the team's amazing new stadium. This edition has been updated with the 2008–2014 seasons, including the Cowboys' 12–4 2014 season.

For the first time ever, a collection of essays gives voice to what America thinks of the Dallas Cowboys. Bert Randolph Sugar, whom "The New Yorker" calls "the best kibitzer in New York", has assembled a group of noted contributors--including Kenny Stabler, Sonny Jurgensen, Irv Cross, and Steve Bartowski--who offer the reasons why they hate the Cowboys.

Create an exciting rodeo setting with the help of a canyonland backdrop and 33 sticker images of cowboys and cowgirls roping calves, wrestling steers, and more.

The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.

This ambitious interdisciplinary study is the first to examine the interlinked economic uses and cultural practices and beliefs surrounding cattle in Western Amazonia, where cattle raising is at the center of debates about economic development and environ Winner, Brazil Section Book Award, Latin American Studies Association, 2016 The opening of the Amazon to colonization in the 1970s brought cattle, land conflict, and widespread deforestation. In the remote state of Acre, Brazil, rubber tappers fought against migrant ranchers to preserve the forest they relied on, and in the process, these “forest guardians” showed the world that it was possible to unite forest livelihoods and environmental preservation. Nowadays, many rubber tappers and their children are turning away from the forest-based lifestyle they once sought to protect and are becoming cattle-raisers or even caubois (cowboys). Rainforest Cowboys is the first book to examine the social and cultural forces driving the expansion of Amazonian cattle raising in all of their complexity. Drawing on eighteen months of fieldwork, Jeffrey Hoelle shows how cattle raising is about much more than beef production or deforestation in Acre, even among “carnivorous” environmentalists, vilified ranchers, and urbanites with no land or cattle. He contextualizes the rise of ranching in relation to political economic structures and broader meanings to understand the spread of “cattle culture.” This cattle-centered vision of rural life builds on local experiences and influences from across the Americas and even resembles East African cultural practices. Written in a broadly accessible and interdisciplinary style, Rainforest Cowboys is essential reading for a global audience interested in understanding the economic and cultural features of cattle raising, deforestation, and the continuing tensions between conservation and development in the Amazon.