The cowboy, America’s most popular folk hero, appeals to millions of readers of novels, histories, biographies, and folk tales. Cowboys command a vast audience on country radio, television, and at the movies, but what exactly is a cowboy? Authors Joe B. Frantz and Julian Ernest Choate, Jr., reveal the real, dyed-in-the-wool cowboy as a heroic being from the American past, who richly deserves to be understood in terms of reality, instead of myth. Here, then, is the definitive portrait of the American cowboy—in frontier history and in literature—reexamined, revitalized, and set in the proper perspective. Many exciting accounts of cowboy life have been presented by such talented writers as J. Evetts Haley, J. Frank Dobie, Wayne Gard, Walter Prescott Webb, Edward Everett Dale, Helena Huntington Smith, Ramon F. Adams, and C. L. Sonnichsen. But Frantz and Choate see the cowboy in relation to the entire panorama of western history and as part of a continuing tradition: “The American cowboy has carved a niche—niche nothing, it’s a gorge—in American affection as a folk hero, and in this role we have surveyed him.” The American Cowboy: The Myth and the Reality is illustrated with sixteen pages of the great cowboy photographs made more than a century ago by Erwin E. Smith.

For an element so firmly fixed in American culture, the frontier myth is surprisingly flexible. How else to explain its having taken two such different guises in the twentieth century—the progressive, forward-looking politics of Rough Rider president Teddy Roosevelt and the conservative, old-fashioned character and Cold War politics of Ronald Reagan? This is the conundrum at the heart of Cowboy Presidents, which explores the deployment and consequent transformation of the frontier myth by four U.S. presidents: Theodore Roosevelt, Lyndon B. Johnson, Ronald Reagan, and George W. Bush. Behind the shape-shifting of this myth, historian David A. Smith finds major events in American and world history that have made various aspects of the “Old West” frontier more relevant, and more useful, for promoting radically different political ideologies and agendas. And these divergent adaptations of frontier symbolism have altered the frontier myth. Theodore Roosevelt, with his vigorous pursuit of an activist federal government, helped establish a version of the frontier myth that today would be considered liberal. But then, Smith shows, a series of events from the Lyndon Johnson through Jimmy Carter presidencies—including Vietnam, race riots, and stagflation—seemed to give the lie to the progressive frontier myth. In the wake of these crises, Smith’s analysis reveals, the entire structure and popular representation of frontier symbols and images in American politics shifted dramatically from left to right, and from liberal to conservative, with profound implications for the history of American thought and presidential politics. The now popular idea that “frontier American” leaders and politicians are naturally Republicans with conservative ideals flows directly from the Reagan era. Cowboy Presidents gives us a new, clarifying perspective on how Americans shape and understand their national identity and sense of purpose; at the same time, reflecting on the essential mutability of a quintessentially national myth, the book suggests that the next iteration of the frontier myth may well be on the horizon.

This book is about the real Old West. The research presented here comes from what I've found during my more than forty-five years of researching American history, but especially what I've learned in regards to the other side of the myths and legends of the Old West. In 2010, I started a blog, The American Cowboy Chronicles, to share what I've learned and celebrate the virtues of America. My articles on the Old West have never been meant to dispel the myths or attack legends but to simply explain what I've found after taking a hard look, an honest look, an objective look, at the evidence that's available. Since evidence proves or disproves what we've all been told about the Old West by Hollywood and writers who are not objective researchers, this is my attempt at taking a fresh look at Wyatt Earp, Tom Horn, and others. But mostly, this book is about why the American Cowboy became America's quintessential role model. This book looks at why the American Cowboy represents American toughness, independence, and resilience to the rest of the World.

A short handbook depicting the cowboy as a part of the whole Western panorama. Looks at the cowboy solemnly and reflectively with relation to his role in frontier history and as he appears in literature.

Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.

The Greatest Cowboy Stories Ever Told includes twenty-three exciting stories from a variety of contributors, such as Mark Twain, Karl May, Ned Buttline, O. Henry, Bret Harte, Stephan Krane, Frederic Remington, Zane Grey, Max Brand, and Owen Webster.

Lavishly illustrated with photographs, paintings, and movie stills, this Western Heritage Award-winning book explores what life was actually like for the working cowboy in North America. "If you read only one book on cowboys, read this one".--Journal of the Southwest.