The plays in this volume demonstrate the extraordinary skill and versatility Coward's writing achieved in the late 1920s. The volume contains his best-loved classic, Private Lives, which was an immeditate hit when it was first staged in 1930. Coward's sparkling dialogue and repartee have ensured the play's popularity ever since. Of Bitter-Sweet in 1929 Noël Coward wrote that it was "a musical that gave me more complete satisfaction than anything else I had yet written. Not especially on acount of its dialogue or its lyrics or its music or its production but as a whole." The Marquise is an "eighteenth century comedy" filled with maids and duels, whilst Post-Mortem is a vilification of war that contains some of Coward's most powerful writing.

This is the eighth volume of plays in the Coward collection.

Blithe Spirit is a comic play by Noël Coward, described by the author as "an improbable farce in three acts". The play concerns the socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant Madame Arcati to his house to conduct a séance, hoping to gather material for his next book.

I am shirking off the chains that have shackled me for so long – I have suddenly come to realise that I am a woman – a living, passionate, pulsating woman – it never occurred to me before. Janet Ebony and her best friend, Peter Chelsworth, are innocently sharing a sleeping compartment when their train to Paris is involved in a disastrous railway accident. Outrage and scandal ensue as Janet's husband, Paul, and her fearsome mother-in-law accuse Janet and Peter of adultery. Aghast at their families' accusations, Janet and Peter decide to take revenge by inventing an adulterous affair ... Written with Noël Coward's trademark wit and insight, Home Chat is a distinctly modern comedy about female sexuality and fidelity in a society rigidly governed by decorum and reputation. This edition was published to coincide with the first revival of the play since its premiere in 1927.

I will ever be grateful for the almost psychic gift that enabled me to write Blithe Spirit in five days during one of the darkest years of the war.' Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for three decades thereafter. Plotted around the central role of one of Coward's best loved characters, a spirit medium Madame Arcati (originally performed by Margaret Rutherford) Coward's play is an escapist comedy about a man whose two previous wives return to haunt him. "A minor comic masterpiece of the lighter sort" Professor Allardyce Nicoll

The love and friendship between two married couples and best friends are put to the test when a postcard arrives with a picture of Capri on one side, and on the other, news of the imminent arrival of a certain handsome Frenchman.

"This 1925 comedy of manners that's funny yet also unorthodox and unsettling... a celebration of abnormality and at the same time a disquieting study of both the pleasures and the pains of not being able to restrain oneself." - Evening Standard When four guests, all invited by different members of the Bliss family, arrive for a weekend at their country house near Maidenhead, they're expecting a idyllic retreat. But this peaceful promise is quickly trounced when the self-absorbed eccentricities of the Blisses are trained on the guests, who leave the country mansion humiliated and embarrassed. First produced in 1925, Hay Fever is a technical masterpiece, seamlessly combining high farce with a comedy of manners, and delivering Coward his first major commercial success. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 125th anniversary of Coward's birth and features a new introduction by Michael Billington.

"Copyright in renewal 1973 by Noèel Coward"--Title page verso.