WINNER OF THE 2011 THEATRE BOOK PRIZE Shakespeare's greatest play, directed by the most experienced and acclaimed director in the land, starring one of our very finest actors at the very peak of his powers... What could possibly go wrong? The stage is set for what promises to be one of the greatest tours in the history of theatre. Take a front row seat as a whole host of stars led by Sir Ian McKellen and Sir Trevor Nunn set off to take the world by storm with their new production of King Lear only to endure injuries, critical backlash and almost constant controversy. As understudy to the King himself, Weston's frank and funny account takes us right through from the London rehearsals to the historical Stratford Season, back to the glittering West End, and then out across the globe. Punctuated with hilarious celebrity anecdotes, insightful travelling tales, and lessons for any aspiring thespian, Weston deftly lifts the curtain the on Royal Shakespeare Company's much heralded tour and reveals the chaos underneath.

David Weston has spent a lifetime acting in Shakespeare’s plays, and has been directed by the likes of Sir Peter Hall, Trevor Nunn and Michael Croft. Chosen as Ian McKellen’s understudy in the RSC’s King Lear, David toured the world and recorded his experiences in his diary, which became the award-winning Covering McKellen: An Understudy’s Tale, called ‘Salty, evocative and informative’ by the Daily Mail. It went on to win the prestigious S.T.R. Theatre Book of the Year Prize for 2011. In Covering Shakespeare Weston goes even further, tracing his sixty-two year association with the Bard. He has appeared in twenty-nine of the thirty-seven plays, many several times, and has worked with all the major companies to the outmost limits of the Fringe, from Hollywood to Hong Kong, with the great, the mediocre and the forgotten. He has stories and reminiscences about them all, as well as advice for young actors written in his inimitable style. The book also contains a synopsis of each play and table outlining the total number of lines per character in each of Shakespeare’s plays, rediscovered from an 1889 edition of Evenings with Shakespeare: A Handbook to the Study of His Works. Shortlisted for the Sheridan Morley Prize for Theatre Biography 2015

This book is a companion to Clinical Ethics on Film and deals specifically with the myriad of healthcare ethics dilemmas. While Clinical Ethics on Film focuses on bedside ethics dilemmas that affect the healthcare provider-patient relationship, Healthcare Ethics on Film provides a wider lens on ethics dilemmas that interfere with healthcare delivery, such as healthcare access, discrimination, organizational ethics, or resource allocation. The book features detailed and comprehensive chapters on the Tuskegee Study, AIDS, medical assistance in dying, the U.S. healthcare system, reproductive justice, transplant ethics, pandemic ethics and more. Healthcare Ethics on Film is the perfect tool for remote or live teaching. It’s designed for medical educators and healthcare professionals teaching any aspect of bioethics, healthcare ethics or the health sciences, including medical humanities, history of medicine and health law. It is also useful to the crossover market of film buffs and other readers involved in healthcare or bioethics.

This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.

The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuality and race continue to flourish in systems of knowledge, faith and power which are relevant to a new generation of queer and trans feminist performers today. The guiding question for the Handbook is: How do queer and trans feminist theories enhance our understanding of developments in feminist performance today, and will this discussion give rise to new ways of theorizing contemporary performance? As such, the volume will survey a new generation of performers and theorists, as well as senior scholars, who engage and redefine the limits of performance. The chapters will demonstrate how intersectional, queer and trans feminist theoretical tools support new analyses of performance with a global focus. The primary audience will be students of theatre/ performance studies as well as queer /gender studies. The volume’s contents suggest close links between the formation of queer feminist identities alongside recent key political developments with transnational resonances. Furthermore, the emergence of new queer and trans feminist epistemologies prompts a reorientation regarding performance and identities in a 21st-century context.

The TLA Video and DVD Guide 2005 is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see. Unlike some of the other mass market guides that tend to be clogged with unenlightening entries on even more unenlightening films, TLA focuses on independent, foreign, and the best of Hollywood to bring the cineaste an opinionated guide that is both fun and useful. The guide includes: -Reviews of more than 10,000 films -Four detailed indexes--by star, directory, country of origin, and theme -More than 300 photos throughout -A listing of all the major film awards of the past quarter-century, as well as TLA Bests and recommended films -A comprehensive selection of cinema from more than 50 countries Now published annually, the TLA Video and DVD Guide is one of the most respected guides from one of the finest names in video retailing, perfect for anyone with an eclectic taste in cinema.

This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

NEW More than 16,000 capsule movie reviews, with more than 300 new entries NEW More than 13,000 DVD and 13,000 video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard's personal list of fifty notable debut features Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2013 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. • Date of release, running time, director, stars, MPAA ratings, color or black and white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVD s, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos

Part 1. Rhetorical dimensions of drama: the classical context: The enthymeme and the invention of troping in Greek drama / August W. Staub. Theorizing the spectacle: a rhetorical analysis of tragic recognition / Tom Heeney. Exile and the kingdom: reason as nightmare in the Aeschylean vision / John Arthos -- Part 2. The rhetorical in renaissance and neoclassical drama: Epideictic pastoral: rhetorical tensions in the staging of Torquato Tasso's Aminta / Maria Galli Stampino. Shakespeare's rhetoric versus the ideology of Ian McKellen's Richard III / George L. Geckle. And now for application: Venice preserv'd and the rhetoric of textual application / Odai Johnson -- Part 3. War, politics, and the drama: Federalist and republican theatre in the 1790s / Steve Wilmer. Uncle Tom's Cabin and the rhetoric of gradualism / Charles Wilbanks. Dario Fo's angry farce / Stanley Vincent Longman -- Part 4. Contemporary culture: Stain upon the silence: Samuel Beckett's deconstructive inventions / Leigh Anne Howard. Still angry after all these years: performing the language of HIV and the marked body in The normal heart and The destiny of me / Peter Michael Pober.