Late legendary couturiers of modern fashion speaking eloquently about life, design, and inspiration. Vionnet, Chanel, Dior, Saint Laurent, McQueen—these names define haute couture, and long after the designers have passed away, their influence on fashion continues to be profound. In an exceptional compilation of the original words of these couturiers, Couture Confessions provides a unique and in-depth look at the lives and work of these fashion icons. In this engaging, beautifully designed book, Pamela Golbin, acclaimed chief curator of twentieth-century fashion and textiles at Paris’s Musée des Arts Décoratifs, has ingeniously constructed conversations in the designers’ own words that highlight their compelling personal stories as well as essential fashion "moments"—from designers Paul Poiret, Cristóbal Balenciaga, Madame Grès, Alexander McQueen, Madeleine Vionnet, and Gabrielle Chanel to Elsa Schiaparelli, Yves Saint Laurent, Jeanne Lanvin, Pierre Balmain, and Christian Dior.Featuring striking illustrations by internationally recognized illustrator Yann Legendre, each "interview" asks the questions every fashion lover has always wanted to ask, making these legends approachable, human, and ever more inspiring.

A style and shoes-obsessed American girl with all the right press passes spends Fashion Week in Paris in a funny, charming tale reminiscent of Confessions of a Shopaholic. Alexandra Simons, a fashion correspondent for The Weekly magazine, thought she would never live down her very public, very literal run-in with a six-foot model at the Chanel haute couture show in Paris. Things only start looking up when she attends an avant-garde show at a trendy new dive and finds both a love interest and perhaps the hottest new designer in town! But are things too good to be true? Though Nick Snow, an American consultant working in Paris, makes Alex feel like a supermodel, she gets the feeling that he’s hiding something from her. And Luis-Heinz, the Esperanto-speaking recluse of a fashion genius? He’s nowhere to be found. Following her big scoop— and her heart—Alex embarks on a wild goose chase through the streets of Paris that tests her definition of reality. In between playing detective and finding the perfect accessories for a stakeout, will our intrepid heroine finally get her story—and her man?

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton’s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton’s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers—such as Takashi Murakami, Richard Prince, and Stephen Sprouse—as well as designing a line of highly successful and desired clothing for the company. By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.

You know him. He's the funny, sweet guy with the great eyes who asks you a million questions and seems mesmerized by every reply. He takes you on the greatest, longest date of your life. He swears he loves cats and cuddling. And his apartment is so clean. He just might be the One. Then he doesn't call, doesn't write. He sees you coming down the street and he hides behind a tree. He's a cad. And this is his story. After all the girl's guides to sex in the city, here - at last - is the view from the other side of the bed. In Cad: Confessions of a Toxic Bachelor, Rick Marin offers himself up for an in-depth look at man's superficial nature. In this rollicking, frequently insensitive and ultimately poignant memoir, Marin proves a master of the light touch even in his darkest hours. Part Hugh Hefner, part Hugh Grant, his tale is a rake's progress (in spite of himself) from incorrigible cad to reconstructed romantic. It is one man's story but many men will read it as their own. And for any woman who has ever wondered What was he thinking? This is what he was thinking. Laugh out loud funny' ElleMove over Bridget Jones' The Week'A very good, intelligent and funny book' Evening Standard

This volume continues to explore the life of Nigel Quiney during the decade of the nineteen-seventies. Both his companies - Nigel Quiney Designs, and Ridley Quiney & Co Ltd - are successful and expanding. By then the decade of the 'sixties and Swinging London was maturing and London had become an extremely popular tourist destination drawn to the creativity of the theatre, music, fashion, designs and the arts generally. It was in this decade that Nigel began to explore the Far East as a source for new products and suppliers for the family business of RQ and Hong Kong was the first of many destinations that he explored. Later in 1976, having accepted one of the official invitations to visit China he flew the tortuous journey to Peking and then by train to Dairen and then Tientsin. In Dairen he was privileged to be shown the underground tunnels and excavations which took many years to create and were part of a defence system should the Russians invade. Back in Peking he was wandering around filming in Tiananmen Square which was packed with people and giant wreaths out to commemorate the death of Chou En-Lai. He was ushered away by his Chinese interpreter just before the authorities swooped and confiscated all film and arrested the few foreigners who were later jailed. He had escaped by just minutes. The same year Nigel was introduced to the amazing aspects of Bombay and touring Rajasthan by car. There he stayed at several palaces that had only just been turned into hotels where he and his two friends were the only guests. In the latter part of this decade Nigel explored Singapore, Malaysia, Thailand, The Philippines, Indonesia and South Korea looking for new suppliers which culminated in Ridley Quiney being the first importer of throw-away thin carrier bags into the UK. This memoir also records the love affair between Nigel and an American pop singer which sadly failed even after trips to Moscow and Ibiza. Later another affair, was also doomed. This was also the decade when industrial unrest in coal mining, steel production and manufacturing was producing strikes as the demand and competition from abroad threatened their survival. Also the decade when our various governments seemed unable to deal with these problems to the point that the UK was likened to a Banana Republic.Nigelaas love affair with America blossomed and in this period he took on the share of a flat in New York previously used by his friend, the musician and composer, Richard Rodney Bennett. In this exciting city Nigel promoted his Nigel Quiney Design products by taking space annually at trade shows and when not working took full advantage of the cityaas varied gay life. In Los Angeles, Nigel continued his close relationship with Edward and Gillian Thorpe and introduced his widowed mother to these trips where she became very much part of the entourage.

Father Goriot, today considered one of Balzac’s most important works, is part of his novel sequence The Human Comedy. It’s the first of Balzac’s novels to feature recurring characters, a technique that he famously developed in his subsequent novels. Set in Paris during the Bourbon Restoration of the early 1800s, Father Goriot follows Eugène de Rastignac, a student born to noble roots but little means, as he tries to climb the social ladder in Paris. The impoverished Goriot is staying at the same boardinghouse as Rastignac—and Rastignac sees opportunity in Goriot’s richly-married and elegant daughters. The novel has been widely praised for its realist portrayal of Parisian life of various social classes, and its deep influence on French literature is still felt today. While it had chapter breaks when it was initially serialized, Balzac removed them when compiling his definitive edition of The Human Comedy, a change that is preserved in this edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Late legendary couturiers of modern fashion speaking eloquently about life, design, and inspiration. Vionnet, Chanel, Dior, Saint Laurent, McQueen—these names define haute couture, and long after the designers have passed away, their influence on fashion continues to be profound. In an exceptional compilation of the original words of these couturiers, Couture Confessions provides a unique and in-depth look at the lives and work of these fashion icons. In this engaging, beautifully designed book, Pamela Golbin, acclaimed chief curator of twentieth-century fashion and textiles at Paris’s Musée des Arts Décoratifs, has ingeniously constructed conversations in the designers’ own words that highlight their compelling personal stories as well as essential fashion "moments"—from designers Paul Poiret, Cristóbal Balenciaga, Madame Grès, Alexander McQueen, Madeleine Vionnet, and Gabrielle Chanel to Elsa Schiaparelli, Yves Saint Laurent, Jeanne Lanvin, Pierre Balmain, and Christian Dior. Featuring striking illustrations by internationally recognized illustrator Yann Legendre, each "interview" asks the questions every fashion lover has always wanted to ask, making these legends approachable, human, and ever more inspiring.

The art of window dressing is explored in this book illustrated with 200 full-color photos.

"I think you left these behind," I said, handing them to her. This happens all the time when women try to return bags they’ve used. Tampons, lipstick, coins, Tic Tacs, and condoms are the top treasures found. 'Greasy' let out a sigh, as if I were the problem. "I was just trying my things in it. I really don't see what the problem is here. It's none of your business what I keep in my handbag." It is when my commission is at stake! I'm not your Designer Handbag Rental Service! My name is not BagBorrowOrSteal.com! Enter Freeman Hall, an aspiring screenwriter who sets out to realize his Hollywood dream, but instead plunges into the seventh circle of Retail Hell when the rent comes due, selling animal-hide Hobos and overpriced clutches to Lookie-Loos and Picky Bitches--but always with a sunshiny smile. Freeman toils in the handbag (that's handbag, NOT purse) department of the Big Fancy department store, where he sees, hears, smells (and unfortunately, feels) it all! Here, he provides a true--and truly shocking--account of life from the other side of the handbag display. From early-morning RA-RA RALLIES to the craziest crazy-lady customers, Freeman's horrific and hilarious workday tales redefine Juicy Couture. As Freeman begins to plots his escape, he realizes that despite the Big Fancy's lax return policy, for him, there really may be no returns . . . no exchanges . . . no way out.