As long as there has been culture, there has been counterculture. At times it moves deep below the surface of things, a stealth mode of being all but invisible to the dominant paradigm; at other times it’s in plain sight, challenging the status quo; and at still other times it erupts in a fiery burst of creative–or destructive–energy to change the world forever. But until now the countercultural phenomenon has been one of history’s great blind spots. Individual countercultures have been explored, but never before has a book set out to demonstrate the recurring nature of counterculturalism across all times and societies, and to illustrate its dynamic role in the continuous evolution of human values and cultures. Countercultural pundit and cyberguru R. U. Sirius brilliantly sets the record straight in this colorful, anecdotal, and wide-ranging study based on ideas developed by the late Timothy Leary with Dan Joy. With a distinctive mix of scholarly erudition and gonzo passion, Sirius and Joy identify the distinguishing characteristics of countercultures, delving into history and myth to establish beyond doubt that, for all their surface differences, countercultures share important underlying principles: individualism, anti-authoritarianism, and a belief in the possibility of personal and social transformation. Ranging from the Socratic counterculture of ancient Athens and the outsider movements of Judaism, which left indelible marks on Western culture, to the Taoist, Sufi, and Zen Buddhist countercultures, which were equally influential in the East, to the famous countercultural moments of the last century–Paris in the twenties, Haight-Ashbury in the sixties, Tropicalismo, women’s liberation, punk rock–to the cutting-edge countercultures of the twenty-first century, which combine science, art, music, technology, politics, and religion in astonishing (and sometimes disturbing) new ways, Counterculture Through the Ages is an indispensable guidebook to where we’ve been . . . and where we’re going.

In 1882 Oscar Wilde toured America as the "Apostle of Aestheticism". The nation was still shaken by the Civil War, and Wilde's message of regeneration through art and beauty seemed to open new horizons. In this first cultural history of the aesthetic movement in the U.S., Mary Blanchard provides an imaginative account of a neglected dimension of our history. 221 illustrations.

Follows Roy and Kate Dunfey's journey from humble beginners to entrepreneurial success highlighting their family's influence and diverse contributions. When LeRoy "Roy" Dunfey called out "Hey...Dunfey" in his fried clam restaurant in the 1940s, at least seven of his twelve children would turn around. Then he’d point to the one he needed without having to remember names. Roy and Catherine ‘Kate’ Manning had met and married thirty years earlier as teenage workers in Lowell, Massachusetts textile mills. With little formal education or resources, but with a store of humor, entrepreneurial zest, and spiritual roots, they collared the American dream starting out in 1915 with Dunfey’s Orchestra, a luncheonette, and a baby every two years through the Great Depression to the doorstep of World War II. Written by their twelfth child, this saga reveals the lasting influence her parents had on each of their dozen kids: around the kitchen table digesting political fare; over restaurant counters meeting a diverse world of people; into and out of convents serving as educators; on to Boston’s Parker House, Omni International Hotel boardrooms, and, for forty-five years, still around the table of the family’s not-for-profit Global Citizens Circle’s civil dialogues.

This book looks at daily life during a pivotal decade in American history: the 1960s. It covers the Vietnam War and the civil rights movement as well as counterculture and protest movements. The 1960s saw the assassination of a popular president; a confusing and unpopular war that claimed the lives of thousands of American combatants; the passage of a national civil rights act that mandated equal rights across all races; countless violent exchanges among Americans with polarized views on the Vietnam War and civil rights; and through it all, the rise of a counterculture movement that challenged long-established American social and cultural traditions. Daily Life in the 1960s Counterculture looks at the 1960s from the perspective of Americans who, despite their best efforts to live normal lives, could not escape the tension, conflict, and controversy that surrounded them. The war and the violence associated with protests of it came at great personal cost to many American families. This book looks those social and cultural changes, examining such topics as the sexual revolution; recreational drug culture; the roles of film, television, and music; and more.

Revised and updated, with a new chapter on the refugee crisis. Welcome to the front lines. Everywhere we turn, battle lines are being drawn—traditional marriage vs. gay marriage, pro-life vs. pro-choice, personal freedom vs. governmental protection. Seemingly overnight, culture has shifted to the point where right and wrong are no longer measured by universal truth but by popular opinion. And as difficult conversations about homosexuality, abortion, and religious liberty continue to inject themselves into our workplaces, our churches, our schools, and our homes, Christians everywhere are asking the same question: How are we supposed to respond to all this? In Counter Culture, New York Times bestselling author David Platt shows Christians how to actively take a stand on such issues as poverty, sex trafficking, marriage, abortion, racism, and religious liberty—and challenges us to become passionate, unwavering voices for Christ. Drawing on compelling personal accounts from around the world, Platt presents an unapologetic yet winsome call for Christians to faithfully follow Christ into the cultural battlefield in ways that will prove both costly and rewarding. The lines have been drawn. The moment has come for Christians to rise up and deliver a gospel message that’s more radical than even the most controversial issues of our day.

Looks at advertising during the 1960s, focusing on the relationship between the counterculture movement and commerce.

The counterculture of the 60s and 70s has been viewed as everything from naive to hedonistic. However, most of these views were formed by observing the movement from the outside. "Memoirs of an Ex-Hippie" offers a vastly different perspective, one developed from within. After graduating college in 1968, Robert Roskind hit the road for seven years. Roskind's travels lead him into the heart of the counterculture--to Esalen Institute, Tassajara Hot Springs, Big Sur, Vancouver Island, the communes of Oregon and North Carolina, Altamont Pop Festival, Mt. Shasta, the Haight-Ashbury and the "motherland"--Northern California. His personal odyssey, sometimes profane and funny, sometimes profound and serious, reveals this tumultuous era as a cultural and spiritual renaissance that birthed many of the solutions to problems humanity now faces. About the AuthorRobert Roskind is a writer and speaker. His ten books include "Rasta Heart: A Journey into One Love," "In the Spirit of Business," and "In the Spirit of Marriage," all traching unconditional love. He lives in the Blue Ridge Mountains of North Carolna with his wife, Julia, and their daughter, Alicia.

For those who eagerly awaited its periodic appearance, it was more than a publication: it was a way of life. The Whole Earth Catalog billed itself as "Access to Tools," and it grew from a Bay Area blip to a national phenomenon catering to hippies, do-it-yourselfers, and anyone interested in self-sufficiency independent of mainstream America. In recovering the history of the Catalog's unique brand of environmentalism, Andrew Kirk recounts how San Francisco's Stewart Brand and his counterculture cohorts in the Point Foundation promoted a philosophy of pragmatic environmentalism that celebrated technological achievement, human ingenuity, and sustainable living. By piecing together the social, cultural, material, environmental, and technological history of that philosophy's incarnation in the Catalog, Kirk reveals the driving forces behind it, tells the story of the appropriate technology movement it espoused, and assesses its fate. This book takes a fresh look at the many individuals and organizations who worked in the 1950s, 1960s, and 1970s to construct this philosophy of pragmatic environmentalism. At a time when many of these ideas were seen as heretical to a predominantly wilderness-based movement, Whole Earth became a critical forum for environmental alternatives and a model for how complicated ecological ideas could be presented in a hopeful and even humorous way. It also enabled later environmental advocates like Al Gore to explain our current "inconvenient truth," and the actions of Brand's Point Foundation demonstrated that the epistemology of Whole Earth could be put into action in meaningful ways that might foster an environmental optimism distinctly different from the jeremiads that became the stock in trade of American environmentalism. Kirk shows us that Whole Earth was more than a mere counterculture fad. In an era of political protest, it suggested that staying home and modifying your toilet or installing a solar collector could make a more significant contribution than taking to the streets to shout down establishment misdeeds. Given its visible legacy in the current views of Al Gore and others, the subtle environmental heresies of Whole Earth continue to resonate today, which makes Kirk's lucid and lively tale an extremely timely one as well.

Originally published in 1989. Richard Goldstein, journalist with The Village Voice since the 1960s, has carefully selected some of his pieces for this book. Covering a varied range of topics (among the rock concerts, experimental theatre, political trials and cultural experiments) he has created a vivid cultural retrospective of a unique period. An introductory essay gives context to the articles and offers an assessment of the "new journalism" that sprang up in the 60s, and the role that journalism played in the social and cultural revolutions of the time.

A must-have for anyone who loves diners and coffee shops. Taylor travels more than 26,000 miles throughout the United States collecting stories of lifer waitresses. Their compelling stories are complemented by Taylor's striking color photographs of them at work.