Skeletal specters. A red-eyed wild man. Devilish witches. Ghost stories abound in almost every town, and Texas towns are no exception. Cotton Bales, Goatmen & Witches: Legends from the Heart of Texas put vivid photographs with the region's old ghost stories into a beautiful 146-page hardcover coffee table book. These legends and myths, compiled by Bradley T. Turner and accompanied by photographs from Mark Burdine, bring to life the whispered stories and forgotten secrets that illuminate the darkest recesses of the Texas psyche from the distant past to the present day.

As a seventh-generation Wacoan, Bradley T. Turner wrote and collected historical essays of early Waco, Texas. The authors uncovered a history so colorful, it's only fitting to put the stories together in one volume. The book's title points the way to Waco's past, full of tragic and sometimes violent tales. All served to make Waco in McLennan County, Texas, what it is today. Take a ride with an early circuit rider or find out about the duel fought over Baylor University or how the world's oldest profession thrived in early Waco. This isn't a book for just those in Waco. It's for those who ever passed through its corridors or those who love to read of the Texas spirit that honed this land to the thriving area it is today.

#1 INTERNATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction Featuring a new afterword by David Mitchell and a new introduction by Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

Shug Akins is a lonely, overweight thirteen-year-old boy. His mother, Glenda, is the one person who loves him -- she calls him Sweet Mister and attempts to boost his confidence and give him hope for his future. Shuggie's purported father, Red, is a brutal man with a short fuse who mocks and despises the boy. Into this small-town Ozarks mix comes Jimmy Vin Pearce, with his shiny green T-bird and his smart city clothes. When he and Glenda begin a torrid affair, a series of violent events is inevitably set in motion. The outcome will break your heart. "This is Daniel Woodrell's third book set in the Ozarks and, like the other two, Give Us a Kiss and Tomato Red, it peels back the layers from lives already made bare by poverty and petty crime."-Otto Penzler, Penzler Pick, 2001

In spring of 2001, across the South, padlocks and logging chains bind the doors of silent mills, and it seems a miracle to blue-collar people in Jacksonville, Alabama, that their mill survived. In these real-life stories, Pulitzer Prize winner Bragg brilliantly evokes the hardscrabble lives of those who lived and died by an American cotton mill.

In the clubs, ballrooms, and barbecue joints of neighborhoods such as Third Ward, Frenchtown, Sunnyside, and Double Bayou, Houston's African American community birthed a vibrant and unique slice of the blues. Ranging from the down-home sounds of Lightnin' Hopkins to the more refined orchestrations of the Duke-Peacock recording empire and beyond, Houston blues was and is the voice of a working-class community, an ongoing conversation about good times and hard times, smokin' Saturday nights and Blue Mondays. Since 1995, Roger Wood and James Fraher have been gathering the story of the blues in Houston. In this book, they draw on dozens of interviews with blues musicians, club owners, audience members, and music producers, as well as dramatic black-and-white photographs of performers and venues, to present a lovingly detailed portrait of the Houston blues scene, past and present. Going back to the early days with Lightnin' Hopkins, they follow the blues from the streets of Houston's Third and Fifth Wards to its impact on the wider American blues scene. Along the way, they remember the vigorous blues community that sprang up after World War II, mourn its decline in the Civil Rights era, and celebrate the lively, if sometimes overlooked, blues culture that still calls Houston home. Wood and Fraher conclude the book with an unforgettable reunion of Houston blues legends that they held on January 3, 1998.