In the years following the Napoleonic Wars, a mysterious manuscript began to circulate among the dissatisfied noble elite of the Russian Empire. Entitled The History of the Rus', it became one of the most influential historical texts of the modern era. Attributed to an eighteenth-century Orthodox archbishop, it described the heroic struggles of the Ukrainian Cossacks. Alexander Pushkin read the book as a manifestation of Russian national spirit, but Taras Shevchenko interpreted it as a quest for Ukrainian national liberation, and it would inspire thousands of Ukrainians to fight for the freedom of their homeland. Serhii Plokhy tells the fascinating story of the text's discovery and dissemination, unravelling the mystery of its authorship and tracing its subsequent impact on Russian and Ukrainian historical and literary imagination. In so doing he brilliantly illuminates the relationship between history, myth, empire and nationhood from Napoleonic times to the fall of the Soviet Union.

In the spring of 1880, a group of American cowboys joined by a band of cossacks trek across the siberian wilderness to deliver cattle to a starving town.

In the middle of the seventeenth century, Bohdan Khmelnytsky was the legendary Cossack general who organized a rebellion that liberated the Eastern Ukraine from Polish rule. Consequently, he has been memorialized in the Ukraine as a God-given nation builder, cut in the model of George Washington. But in this campaign, the massacre of thousands of Jews perceived as Polish intermediaries was the collateral damage, and in order to secure the tentative independence, Khmelnytsky signed a treaty with Moscow, ultimately ceding the territory to the Russian tsar. So, was he a liberator or a villain? This volume examines drastically different narratives, from Ukrainian, Jewish, Russian, and Polish literature, that have sought to animate, deify, and vilify the seventeenth-century Cossack. Khmelnytsky's legacy, either as nation builder or as antagonist, has inhibited inter-ethnic and political rapprochement at key moments throughout history and, as we see in recent conflicts, continues to affect Ukrainian, Jewish, Polish, and Russian national identity.

Ukrainian Cossacks used icon painting to investigate their relationship not only with God but also their relationship with the Russian tsar. In this groundbreaking study, Serhii Plokhy examines the political and religious culture of Ukrainian Cossackdom, as reflected in the Cossack-era paintings, icons, and woodcuts.

The winner of the DSC Prize for South Asian Literature follows his debut Home Boy with“an unforgettable romp across love, life, and everything else” (Akhil Sharma, author of Family Life). Abdullah, bachelor and scion of a once prominent family, awakes on the morning of his seventieth birthday and considers launching himself over the balcony. Having spent years attempting to compile a “mythopoetic legacy” of his beloved Karachi, the cosmopolitan heart of Pakistan, Abdullah has lost his zeal. A surprise invitation for a night out from his old friend Felix Pinto snaps Abdullah out of his funk and saddles him with a ward—Pinto’s adolescent grandson Bosco. As Abdullah plays mentor to Bosco, he also attracts the romantic attentions of Jugnu, an enigmatic siren with links to the mob. All the while Abdullah’s brothers’ plot to evict him from the family estate. Now he must to try to save his home—or face losing his last connection to his familial past. Anarchic, erudite, and rollicking, with a septuagenarian protagonist like no other, The Selected Works of Abdullah the Cossack is a joyride of a story set against a kaleidoscopic portrait of one of the world’s most vibrant cities. “H.M. Naqvi’s remarkable Cossack is the Pakistani Falstaff, the Tristram Shandy of ‘Currachee,’ spinning yarns inside yarns, allusive, affirming, and grandly comic.”—Joshua Ferris, author of To Rise Again at a Decent Hour “Wild, wise, and tender . . . Every page in this book is a playground, and each sentence an absolute thrill and joy to read.”—Patricia Engel, author of The Veins of the Ocean “Completely original in form and sensibility.”—Ha Jin, winner of the National Book Award

In his new book The Strange Case of the Rickety Cossack, human paleoanthropologist Ian Tattersall argues that a long tradition of "human exceptionalism" in paleoanthropology has distorted the picture of human evolution. Drawing partly on his own career—from young scientist in awe of his elders to crotchety elder statesman—Tattersall offers an idiosyncratic look at the competitive world of paleoanthropology, beginning with Charles Darwin 150 years ago, and continuing through the Leakey dynasty in Africa, and concluding with the latest astonishing findings in the Caucasus. The book's title refers to the 1856 discovery of a clearly very old skull cap in Germany's Neander Valley. The possessor had a brain as large as a modern human, but a heavy low braincase with a prominent brow ridge. Scientists tried hard to explain away the inconvenient possibility that this was not actually our direct relative. One extreme interpretation suggested that the preserved leg bones were curved by both rickets, and by a life on horseback. The pain of the unfortunate individual's affliction had caused him to chronically furrow his brow in agony, leading to the excessive development of bone above the eye sockets. The subsequent history of human evolutionary studies is full of similarly fanciful interpretations. With tact and humor, Tattersall concludes that we are not the perfected products of natural processes, but instead the result of substantial doses of random happenstance.

Cowboys take cattle from Montana to Vladivostok, and Cossacks join them to drive the cattle across Siberia.