For more than 25 years the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions under the editorial and artistic direction of Mayanist Ian Graham. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world. Each volume in the series consists of three fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement of monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings. The text of each volume presents descriptive information about the sites and monuments and their associated artifacts. -- Publisher's description.

For more than 25 years the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions under the editorial and artistic direction of Mayanist Ian Graham. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world. Each volume in the series consists of three fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement of monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings. The text of each volume presents descriptive information about the sites and monuments and their associated artifacts. -- Publisher's description.

For more than 25 years the Peabody Museum has been publishing The Corpus of Maya Hieroglyphic Inscriptions under the editorial and artistic direction of Mayanist Ian Graham. The goal of this unique series of folio volumes is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world. Each volume in the series consists of three fascicles, which examine an individual site or group of neighboring sites and include maps of site location and plans indicating the placement of monuments within each site. Each inscription is reproduced in its entirety in both photographs and line drawings. The text of each volume presents descriptive information about the sites and monuments and their associated artifacts. -- Publisher's description.

From the tombs of the elite to the graves of commoners, mortuary remains offer rich insights into Classic Maya society. In Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul, the anthropological archaeologist and bioarchaeologist Andrew K. Scherer explores the broad range of burial practices among the Maya of the Classic period (AD 250–900), integrating information gleaned from his own fieldwork with insights from the fields of iconography, epigraphy, and ethnography to illuminate this society’s rich funerary traditions. Scherer’s study of burials along the Usumacinta River at the Mexican-Guatemalan border and in the Central Petén region of Guatemala—areas that include Piedras Negras, El Kinel, Tecolote, El Zotz, and Yaxha—reveals commonalities and differences among royal, elite, and commoner mortuary practices. By analyzing skeletons containing dental and cranial modifications, as well as the adornments of interred bodies, Scherer probes Classic Maya conceptions of body, wellness, and the afterlife. Scherer also moves beyond the body to look at the spatial orientation of the burials and their integration into the architecture of Maya communities. Taking a unique interdisciplinary approach, the author examines how Classic Maya deathways can expand our understanding of this society’s beliefs and traditions, making Mortuary Landscapes of the Classic Maya an important step forward in Mesoamerican archeology.

"The purpose of this handbook is to provide an introduction to the study of Maya hieroglyphs and is designed to be used in conjunction with Maya hierglyphic workshops"--Page 4.

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