Most approaches to animal ethics ground the moral standing of nonhumans in some appeal to their capacities for intelligent autonomy or mental sentience. Corporal Compassion emphasizes the phenomenal and somatic commonality of living beings; a philosophy of body that seeks to displace any notion of anthropomorphic empathy in viewing the moral experiences of nonhuman living beings. Ralph R. Acampora employs phenomenology, hermeneutics, existentialism and deconstruction to connect and contest analytic treatments of animal rights and liberation theory. In doing so, he focuses on issues of being and value, and posits a felt nexus of bodily being, termed symphysis, to devise an interspecies ethos. Acampora uses this broad-based bioethic to engage in dialogue with other strains of environmental ethics and ecophilosophy. Corporal Compassion examines the practical applications of the somatic ethos in contexts such as laboratory experimentation and zoological exhibition and challenges practitioners to move past recent reforms and look to a future beyond exploitation or total noninterference—a posthumanist culture that advocates caring in a participatory approach.

Strangers to Nature challenges a reading public that has grown complacent with the standard framework of the animal ethics debate. Human influence on, and the control of, the natural world has greater consequences than ever, making the human impact on the lives of animals more evident. We cannot properly interrogate our conduct in the world without a deeper understanding of how our actions affect animals. It is crucial that the human-animal relationship become more central to ethical inquiry. This volume brings together many of the leading scholars who work to redefine and expand the discourse on animal ethics. The contributors examine the radical developments that change how we think about the status of non-human animals in our society and our moral obligations. Strangers to Nature will engage both scholars and lay-people by revealing the breadth of theorizing about current human/non-human animal relationships.

• Matthew Fox's comprehensive translation of Meister Eckhart's sermons is a meeting of true prophets across hundreds of years that results in a spirituality for the new millennium. • A brilliant interpretation of Eckhart's teachings on creation spirituality. Passion for Creation (formerly Breakthrough) is Matthew Fox's comprehensive translation of and original commentary on the critical German and Latin texts of 37 sermons by Meister Eckhart, the noted 14th-century Dominican priest, preacher, and mystic. The goodness of creation, the holiness of all things, the divine blood in each person, the need to let go and let be--these are among Eckhart's themes, themes that the best-selling author Matthew Fox brilliantly interprets and explains for today's reader. Passion for Creation will be embraced by theologians, students, and all seekers of truth. It will be especially welcomed by those interested in creation spirituality, which Eckhart advocated six centuries ago and which Matthew Fox has promoted as a spiritual path for the new millennium. Simply put, this book is a meeting of two prophets across hundreds of years. The outcome of that meeting is a fount of wisdom.

The first comprehensive collection of contemporary published reactions to the writing of William Faulkner from 1926 to 1962, these articles document the response of reviewers to specific works, and chronicle the development of Faulkner's reputation among the nation's book reviewers. It has often been assumed that a poor reception in the popular review publications contributed to Faulkner's lack of commercial success. The material presented here tends to refute that assumption, clarifying the development of Faulkner's literary career and providing a fuller understanding of the part played by book reviewing in the sales, promotion, and success of American literature.

Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance.

Empathy is a term used increasingly both in moral theory and animal ethics, with the suggestion that empathy enhances our moral ability and agency. Yet, its precise meaning is often left unexplored, together with the various obstacles and challenges met by an empathy-based ethic, such as those concerning the ways in which empathy is prone to bias and may also facilitate manipulation of others. These oversights render the contemporary discussion on empathy and animal ethics vulnerable to both conceptual confusion and moral simplicity. The book aims to tackle these problems by clarifying the different and even contradictory ways in which “empathy” can be defined, and by exploring the at times surprising implications the various definitions have from the viewpoint of moral agency. Its main question is: What types of empathy hinder moral ability, and what types enable us to become more morally capable in our dealings with the nonhuman world? During the contemporary era, when valuable forms of empathy are in decline, and the more hazardous, self-regarding and biased varieties of utilising empathy in the increase, this question is perhaps more important than ever.

Praise for the previous edition: ...an excellent first-stop resource for research on animal rights...well organized, clearly written, and a great starting point for research...Recommended.-Choice...comprehensive...invaluable for reports on a popular current topic.-VOYA... a] very complete research guide that will be most useful at the high school and college level.-American Reference Books AnnualThe treatment of animals has become a controversial issue over the years, with many questioning an animal's fundamental rights. For some, the issue of animal rights is merely an attempt to improve conditions of animals used for clothing, food, and other products, while others believe animals should be granted the same legal rights afforded to humans. Animal Rights, Revised Edition provides an overview of the history of the animal rights movement and reactions to it, as well as the issues of animal experimentation, conditions on factory farms, laboratory animals, animals in entertainment, hunting, and the actions of those involved in the animal rights debate. New content includes such documents as the Animal Enterprise Terrorism Act of 2006 and contemporary court cases such as Animal Legal Defense Fund v. Glickman. These documents provide both past and present perspectives on the issue and plot a course for future debate about animal rights. A comprehensive and up-to-date overview essay, capsule biographies, a large annotated bibliography, a chronology of significant events, organization and agency listings, and a glossary all combine to make this an ideal first-stop reference to animal rights.Coverage includes: Whether medical testing performed on animals is ethicalWhether animals should be banned from circuses and other forms of entertainmentHow threats against investors in companies that participate in animal drug testing should be handle

Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with animals that characterized every medieval milieu from palace to village. The animal encounters of medieval literature reveal their full meaning only when we recover the living animal's place within the written animal. The grip of a certain humanism was strong in medieval Britain, as it is today: the humanism that conceives animals in diametrical opposition to humankind. Yet medieval writing was far from univocal in this regard. Latin and vernacular works abound in other ways of thinking about animals that invite the saint, the scholar, and the knight to explore how bodies and minds interpenetrate across species lines. Crane brings these other ways of thinking to light in her readings of the beast fable, the hunting treatise, the saint's life, the bestiary, and other genres. Her substantial contribution to the field of animal studies investigates how animals and people interact in culture making, how conceiving the animal is integral to conceiving the human, and how cross-species encounters transform both their animal and their human participants.

Humans are animals who fictionalize other animals to asse their "humanness." We are philosophical animals who philosophize about our humanity by projecting images onto a mirror about other animals. Spanning literature, philosophy, and ethics, the thread uniting The Philosophical Animal is the bestiary and how it continues to inform our imaginings. Beginning with an exploration of animals and women in the literary work of Coetzee, famous for his book on the Lives of Animals, Eduardo Mendieta then dives into the genre of bestiaries in order to investigate the relation between humanity and animality. From there he approaches the works of Derrida and Habermas from the standpoint of genetic engineering and animal studies. While we have intensely modified many species genetically, we have not done this to ourselves. Why? Finally, Mendieta deals with the political and ethical implications suggested by this question before ending on an autobiographical note about growing up around so-called animals, and in particular horses.

An enlightening examination of the ways our capitalist system depends on three corrupt principles: greed, hatred and ignorance. After exploring in Free to be Human the ways the mass media distorts our understanding of many personal, ethical and spiritual issues to make us willing to accept the irrational values of corporate consumerism, political writer David Edwards is back with another powerful read. In The Compassionate Revolution, David builds on his argument, showing how our capitalist system is dependent on the promotion of the three Buddhist Poisons of Greed, Hatred and Ignorance: greed for profit at any cost in terms of human suffering; hatred of foreign obstacles to profit; ignorance of the cosy link between Western corporations and Third World dictators, helping to protect Western profits. Western activists need to recognise the truly revolutionary potential of the Buddhist conviction that compassion is the basis of all happiness. The antidote to exploitative social systems is rational awareness rooted in unconditional kindness and compassion for all. By marrying the political arguments of activists like Noam Chomsky and Howard Zinn with the compassionate awareness of Buddhist writers such as Aryasura, Geshe Gyeltsen and Stephen Batchelor, David shows how we can instigate a compassionate revolution in which the only enemies and casualties are greed, hatred and ignorance.