Almost a thousand years ago, the North American continent was dominated by the great civilization known as Cahokia, which ruled a wide swath of land from the Great Lakes to the Gulf of Mexico. Cahokian settlements and Cahokian traders carried the people and the culture far and wide. But this magnificent expansion, like the empire of Rome, did not happen without conflict and battle. In Copper Falcon by co-authors W. Michael Gear and Kathleen O'Neal Gear, a young warrior, Flint Knife, and his father travel to the legendary capitol city, ruled by the living god known as the Morning Star, to ask for military aid to drive back the barbarians. Flint Knife is amazed at the great city's awe-inspiring palaces and temples, the buzzing activity of its hundreds of thousands of residents. What should be a simple errand becomes a bewildering and frightening experience when Flint Knife learns that his father is hiding a dark secret that will change his life--and his son's life--forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Before best-selling author Helen Macdonald told the story of the goshawk in H Is for Hawk, she told the story of the falcon, in a cultural history of the masterful creature that can “cut the sky in two” with the “perfectly aerodynamic profile of a raindrop,” as she so incisively puts it. In talon-sharp prose she explores the spell the falcon has had over her and, by extension, all of us, whether we’ve seen them “through binoculars, framed on gallery walls, versified by poets, flown as hunting birds, through Manhattan windows, sewn on flags, stamped on badges, or winnowing through the clouds over abandoned arctic radar stations.” Macdonald dives through centuries and careens around the globe to tell the story of the falcon as it has flown in the wild skies of the natural world and those of our imagination. Mixing history, myth, and legend, she explores the long history of the sport of falconry in many human cultures—from Japan to Abu Dhabi to Oxford; she analyzes the falcon’s talismanic power as a symbol in art, politics, and business; and she addresses the ways we have both endangered and protected it. Along the way we discover how falcons were mobilized in secret military projects; their links with espionage, the Third Reich, the Holy Roman Empire, and space programs; and how they have figured in countless stories of heroism and, of course, the erotic. Best of all, Macdonald has given us something fresh: a new introduction that draws on all her experience to even further invigorate her cherished subject. The result is a deeply informed book written with the same astonishing lyrical grace that has captivated readers and had everyone talking about this writer-cum-falconer.

The end of the Ice Age: A time of melting glaciers, mass extinctions, unpredictable dangers...and young heroes Though only twelve summers old, Twig is a talented Dreamer. Sometimes she has spirit dreams—dreams that come true. But her mother has always discouraged Twig from exploring her powers for fear that they would turn her strange, like the reclusive witch-woman Cobia. When Twig begins to have recurring nightmares about a green light exploding from the sky and causing widespread destruction, she must find the courage to defy her mother and learn to become a Spirit Dreamer. Helping Twig on her quest are her best friend, Greyhawk, and Screech Owl, a shaman who has been banished from the village. Together, they must persuade their people to leave the land of their ancestors and journey to the mysterious Duskland, far from only home they've ever known. Can Twig convince the Elders that she is a true Spirit Dreamer—before it's too late? Set 13,000 years ago in what is now the northeastern United States and Ontario, Canada, Children of the Dawnland is an unforgettable adventure about a visionary girl by internationally-bestselling authors and archaeologists Kathleen O'Neal Gear and W. Michael Gear. In writing and researching this book, the Gears visited the archaeological sites in New York, Ontario, Ohio, and Pennsylvania that play a role in the story. By allowing us to see through the eyes of prehistoric cultures, the Gears hope we can learn from them at a time of similar environmental change. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A dynamic account of ornithological history in America’s heartland. Today, more than fifty million Americans traipse through wetlands at dawn, endure clouds of mosquitoes, and brave freezing autumn winds just to catch a glimpse of a bird. The human desire to connect with winged creatures defies age and generation. In the Midwest, humans and birds have lived together for more than twelve thousand years. Taking Flight explores how and why people have worshipped, feared, studied, hunted, eaten, and protected the birds that surrounded them. Author and birder Michael Edmonds has combed archaeological reports, missionaries’ journals, travelers’ letters, early scientific treatises, the memoirs of American Indian elders, and the folklore of hunters, farmers, and formerly enslaved people throughout the Midwest to reveal how our ancestors thought about the very same birds we see today. Whether you’re a casual bird-watcher, a hard-core life-lister, or simply someone who loves the outdoors, you’ll look at birds differently after reading this book.

Miskwabik, Metal of Ritual examines the thousands of beautiful and intricate ritual works of art—from ceremonial weaponry to delicate copper pendants and ear ornaments—created in eastern North America before the arrival of Europeans. The first comprehensive examination of this 3,000-year-old metallurgical tradition, the book provides unique insight into the motivation of the artisans and the significance of these objects, and highlights the brilliance and sophistication of the early civilizations of the Americas.Comparing the ritual architecture and metallurgy of the original Americans with the ethnological record, Amelia M. Trevelyan begins to unravel the mystery of the significance of the objects as well as their special functions within the societies that created them. The book includes dozens of striking color and black and white photographs.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.