James Fenimore Cooper's Leather-Stocking tales, published between 1823 and 1841, are generally regarded as America's first major works of fiction. Here, Geoffrey Rans provides not simply a new reading of the five novels that comprise the series but also a new way of reading them. Rans analyzes each of the five novels (The Pioneers, The Last of the Mohicans, The Prairie, The Pathfinder, and The Deerslayer) in the order in which they were originally composed, an achronological sequence in terms of the stories they tell. As events in early written novels interact with those in later ones, the reader is compelled to construct political meanings different from Cooper's ideological preferences. This approach effectively precludes reading these works as Natty Bumppo's life story, or as an aspect of Cooper's. Rans presents the series as a text that faithfully reproduces the conflicts Cooper faced, both at the time when he wrote the novels and in the history that the novels contemplate. Cooper emerges as a composer of richly problematical texts for which no aesthetic resolution is possible and in which every idealization, political or poetic, is relentlessly subjected to the gaze of historical reality. The tension between potential and practice, which is apparent in the final two volumes of the tales, is present, Rans contends, from the inception of the series. Because the problems of racism and greed that Cooper addresses remained as unresolved for us as for him, Rans concludes that this reading of the Leather-Stocking tales reinforces both Cooper's central canonical position and his value as an articulator of political conflict. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Early Writings about exploration and settlement of America, and discussion of the careers and writings of Edwards, Franklin, Paine, Jefferson, Taylor, Wigglesworth, the Mathers, Byrd, Hamilton, Brown, Freneau, Irving, Cooper, Bryant, and many others. The book traces the progress from writings about America by foreign observers to the emergence of belletristic literature by native Americans.

This text rethinks American literary history by focusing on the non-human, environmental agents that have shaped its development.

Michigan in Literature is a guide to more than one thousand literary and dramatic works set in Michigan from its pre-territorial days to the present. Imaginative, narrative, dramatic, and lyrical creations that have Michigan settings, characters, subjects, and themes are organized into sixteen chapters on topics such as Indians in Michigan, settlers who came to Michigan, diversity in the state, the timber industry, the Great Lakes, crime in Michigan literature, Detroit, and Michigan poetry. In this most complete work to date, Clarence Andrews has assembled the literary reputation of a state. He illustrates, with a wide variety of literary works, that Michigan is more than just a builder of automobiles, a producer of apples and cherries, a supplier of copper and lumber, and the home of great athletes. It is also a state that has played—and continues to play—an important role in the production of American literature. To qualify for inclusion, a work or a significant part of it has to be set in Michigan. Andrews shows how novelists, dramatists, poets, and short story writers have created their particular images of Michigan by using and interpreting the history of the state—its land and waters, people, events, ideas, philosophies, and policies—sometimes factually, sometimes modified or distorted, and sometimes fancied or imagined. Biographical information is featured about authors, editors, and compilers, who range in fame from Ernest Hemingway and Elmore Leonard to persons long forgotten. The published opinions and judgments of reputable critics and scholars are also presented.