This book is a study of English conversion narratives between 1580 and 1660. Focusing on the formal, stylistic properties of these texts, it argues that there is a direct correspondence between the spiritual and rhetorical turn. Furthermore, by focusing on a comparatively early period in the history of the conversion narrative the book charts for the first time writers’ experimentation and engagement with rhetorical theory before the genre’s relative stabilization in the 1650s. A cross confessional study analyzing work by both Protestant and Catholic writers, this book explores conversion’s relationship with reading; the links between conversion, eloquence, translation and trope; the conflation of spiritual movement with literal travel; and the use of the body as a site for spiritual knowledge and proof.

In 1322, a Jewish doctor named Abner entered a synagogue in the Castilian city of Burgos and began to weep in prayer. Falling asleep, he dreamed of a "great man" who urged him to awaken from his slumber. Shortly thereafter, he converted to Christianity and wrote a number of works attacking his old faith. Abner tells the story in fantastic detail in the opening to his Hebrew-language but anti-Jewish polemical treatise, Teacher of Righteousness. In the religiously plural context of the medieval Western Mediterranean, religious conversion played an important role as a marker of social boundaries and individual identity. The writers of medieval religious polemics such as Teacher of Righteousness often began by giving a brief, first-person account of the rejection of their old faith and their embrace of the new. In such accounts, Ryan Szpiech argues, the narrative form plays an important role in dramatizing the transition from infidelity to faith. Szpiech draws on a wide body of sources from Christian, Jewish, and Muslim polemics to investigate the place of narrative in the representation of conversion. Making a firm distinction between stories told about conversion and the experience of religious change, his book is not a history of conversion itself but a comparative study of how and why it was presented in narrative form within the context of religious disputation. He argues that between the twelfth and fifteenth centuries, conversion narratives were needed to represent communal notions of history and authority in allegorical, dramatic terms. After considering the late antique paradigms on which medieval Christian conversion narratives were based, Szpiech juxtaposes Christian stories with contemporary accounts of conversion to Islam and Judaism. He emphasizes that polemical conflict between Abrahamic religions in the medieval Mediterranean centered on competing visions of history and salvation. By seeing conversion not as an individual experience but as a public narrative, Conversion and Narrative provides a new, interdisciplinary perspective on medieval writing about religious disputes.

Using the Christian conversion narrative as a primary example, this book examines how people deal with emotional conflict through language.

In the seventeenth and eighteenth centuries, thousands of ordinary women and men experienced evangelical conversion and turned to a certain form of spiritual autobiography to make sense of their lives. This book traces the rise and progress of conversion narrative as a unique form of spiritual autobiography in early modern England. After outlining the emergence of the genre in the seventeenth century and the revival of the form in the journals of the leaders of the Evangelical Revival, the central chapters of the book examine extensive archival sources to show the subtly different forms of narrative identity that appeared among Wesleyan Methodists, Moravians, Anglicans, Baptists, and others. Attentive to the unique voices of pastors and laypeople, women and men, Western and non-Western peoples, the book establishes the cultural conditions under which the genre proliferated.

Because Victorian authors rarely discuss conversion experiences separately from the modes in which they are narrated, Emily Walker Heady argues that the conversion narrative became, in effect, a form of literary criticism. Literary conventions, in turn, served the reciprocal function as a means of discussing the nature of what Heady calls the 'heart-change.' Heady reads canonical authors such as John Henry Newman, Charles Dickens, Charlotte Brontë, George Eliot, and Oscar Wilde through a dual lens of literary history and post-liberal theology. As Heady shows, these authors question the ability of realism to contain the emotionally freighted and often jarring plot lines that characterize conversion. In so doing, they explore the limits of narrative form while also shedding light on the ways in which conversion narratives address and often disrupt the reading communities in which they occur.

While Islam has become a controversial topic in the West, a growing number of Westerners find powerful meaning in Islam. Becoming Muslim is an ethnographic study based on in-depth interviews with Swedish and American women who have converted to Islam.

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The experiences of two families—one in seventeenth-century Holland, the other in America today—and how they coped when a family member changed religions. This powerful and innovative work by a gifted cultural historian explores the effects of religious conversion on family relationships, showing how the challenges of the Reformation can offer insight to families facing similarly divisive situations today. Craig Harline begins with the story of young Jacob Rolandus, the son of a Dutch Reformed preacher, who converted to Catholicism in 1654 and ran away from home, causing his family to disown him. In the companion story, Michael Sunbloom, a young American, leaves his family’s religion in 1973 to convert to Mormonism, similarly upsetting his distraught parents. The modern twist to Michael’s story is his realization that he is gay, causing him to leave his new church, and upsetting his parents again—but this time the family reconciles. Recounting these stories in short, alternating chapters, Harline underscores the parallel aspects of the two far-flung families. Despite different outcomes and forms, their situations involve nearly identical dynamics and heart-wrenching choices. Through the author's deeply informed imagination, the experiences of a seventeenth-century European family are transformed into immediately recognizable terms. “A beautiful and moving book. Harline is a master at narrative and at making the most painstaking research look effortless.” —Carlos Eire, Yale University “An absorbing, creative book . . . it will definitely become a go-to book for readers interested in the history and psychology of conversion.” —Lauren Winner, author of Girl Meets God: A Memoir “An unexpected joy. . . . A compelling, insightful examination. . . . Conversions is a journey well worth taking.” —Gerald S. Argetsinger, Affirmation.org

The Transformative Power of Faith examines how and why some people, particularly those coming out of highly self-destructive, violent, and antisocial backgrounds who appear beyond repair, experience profound personal transformation through conversion to strong faith. Illustrated by stories of converts who came out of serious drug addiction, gangs, and poverty through adherence to a demanding faith, Erin Dufault-Hunter argues for a narrative approach to conversion. This holistic theoretical perspective offers an alternative epistemological stance to reductionistic models sometimes perpetuated among social scientists and religious ethicists alike. In this study, the narrative lens gives vision of the religious "Other" a depth and complexity too often lacking. Such an approach allows a deeper understanding of the dynamics of personal transformation in ways that make sense of psychological and social factors without ignoring so-called "spiritual" ones.

August Hermann Francke described his conversion to Pietism in gripping terms that included intense spiritual struggle, weeping, falling to his knees, and a decisive moment in which his doubt suddenly disappeared and he was “overwhelmed as with a stream of joy.” His account came to exemplify Pietist conversion in the historical imagination around Pietism and religious awakening. Jonathan Strom’s new interpretation challenges the paradigmatic nature of Francke’s narrative and seeks to uncover the more varied, complex, and problematic character that conversion experiences posed for Pietists in the seventeenth and eighteenth centuries. Grounded in archival research, German Pietism and the Problem of Conversion traces the way that accounts of conversion developed and were disseminated among Pietists. Strom examines members’ relationship to the pious stories of the “last hours,” the growth of conversion narratives in popular Pietist periodicals, controversies over the Busskampf model of conversion, the Dargun revival movement, and the popular, if gruesome, genre of execution conversion narratives. Interrogating a wide variety of sources and examining nuance in the language used to define conversion throughout history, Strom explains how these experiences were received and why many Pietists had an uneasy relationship to conversions and the practice of narrating them. A learned, insightful work by one of the world’s leading scholars of Pietism, this volume sheds new light on Pietist conversion and the development of piety and modern evangelical narratives of religious experience.