For scholars working on almost any aspect of American thought, The Bloomsbury Encyclopedia to Philosophers in America presents an indispensable reference work. Selecting over 700 figures from the Dictionary of Early American Philosophers and the Dictionary of Modern American Philosophers, this condensed edition includes key contributors to philosophical thought. From 1600 to the present day, entries cover psychology, pedagogy, sociology, anthropology, education, theology and political science, before these disciplines came to be considered distinct from philosophy. Clear and accessible, each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, a bibliography of writings and suggestions for further reading. Featuring a new preface by the editor and a comprehensive introduction, The Bloomsbury Encyclopedia to Philosophers in America includes 30 new entries on twenty-first century thinkers including Martha Nussbaum and Patricia Churchland. With in-depth overviews of Waldo Emerson, Margaret Fuller, Noah Porter, Frederick Rauch, Benjamin Franklin, Thomas Paine and Thomas Jefferson, this is an invaluable one-stop research volume to understanding leading figures in American thought and the development of American intellectual history.

This 1862 novel, in a vibrant new translation by Peter Constantine, is Tolstoy' s semiautobiographical story of young Olenin, a wealthy, disaffected Muscovite who joins the Russian army and travels to the untamed frontier of the Caucasus in search of a more authentic life. While striving to adopt the rough and ready lifestyle of the local Cossacks, Olenin falls in love with a free-spirited girl whose fiancé turns out to be a formidable opponent. Showcasing the philosophical insight that would characterize Tolstoy' s later masterpieces, this long overdue translation is a revelation.

A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.

A brilliant examination of the enigmatic Russian revolutionary about whom Winston Churchill said "few men tried more, gave more, dared more and suffered more for the Russian people," and who remains a legendary and controversial figure in his homeland today. Although now largely forgotten outside Russia, Boris Savinkov was famous, and notorious, both at home and abroad during his lifetime, which spans the end of the Russian Empire and the establishment of the Soviet Union. A complex and conflicted individual, he was a paradoxically moral revolutionary terrorist, a scandalous novelist, a friend of epoch-defining artists like Modigliani and Diego Rivera, a government minister, a tireless fighter against Lenin and the Bolsheviks, and an advisor to Churchill. At the end of his life, Savinkov conspired to be captured by the Soviet secret police, and as the country’s most prized political prisoner made headlines around the world when he claimed that he accepted the Bolshevik state. But as this book argues, this was Savinkov’s final play as a gambler and he had staked his life on a secret plan to strike one last blow against the tyrannical regime. Neither a "Red" nor a "White," Savinkov lived an epic life that challenges many popular myths about the Russian Revolution, which was arguably the most important catalyst of twentieth-century world history. All of Savinkov’s efforts were directed at transforming his homeland into a uniquely democratic, humane and enlightened state. There are aspects of his violent legacy that will, and should, remain frozen in the past as part of the historical record. But the support he received from many of his countrymen suggests that the paths Russia took during the twentieth and twenty-first centuries--the tyranny of communism, the authoritarianism of Putin’s regime--were not the only ones written in her historical destiny. Savinkov's goals remain a poignant reminder of how things in Russia could have been, and how, perhaps, they may still become someday. Written with novelistic verve and filled with the triumphs, disasters, dramatic twists and contradictions that defined Savinkov's life, this book shines a light on an extraordinary man who tried to change Russian and world history.

The grandson of a Jew, whose Jewish relatives converted to Christianity, whose allies played down his Jewish origins just as fervently as his enemies played them up, V.I. Lenin makes for a fascinating case study of the many complexities associated with 'Jewish question' in Russia.

History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.

No work in modern literature, with the possible exception of Uncle Tom's Cabin, can compete with What Is to Be Done? in its effect on human lives and its power to make history. For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution.―The Southern Review Almost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution. Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.