Conversations With Landscape moves beyond the conventional dualisms associated with landscape, exploring notions of landscape and its relation with humans through the metaphor of conversation. Such an approach conceives of landscape as an actor in the ongoing communication that is inherent in any perception, recognising the often-ignored mutuality of encounters between human and non-human actors. With contributions drawn from a variety of disciplines, including anthropology, geography, archaeology, philosophy, literature and the visual arts, this book explores the affects and emotions engendered in the conversations between landscape and humans. Offering scope for an original and coherent approach to the study of landscape, this book will appeal to scholars and researchers across a range of social sciences and humanities.

Conversations With Landscape moves beyond the conventional dualisms associated with landscape, exploring notions of landscape and its relation with humans through the metaphor of conversation. Such an approach conceives of landscape as an actor in the ongoing communication that is inherent in any perception, recognising the often-ignored mutuality of encounters between human and non-human actors. With contributions drawn from a variety of disciplines, including anthropology, geography, archaeology, philosophy, literature and the visual arts, this book explores the affects and emotions engendered in the conversations between landscape and humans. Offering scope for an original and coherent approach to the study of landscape, this book will appeal to scholars and researchers across a range of social sciences and humanities.

This book explores the work of landscape architects in Australia since the 1960s. It describes how landscape architects are, as contemporary Australians, listening more closely to the language of the landscape and how they are designing new landscapes in

Conversations With Landscape moves beyond the conventional dualisms associated with landscape, exploring notions of landscape and its relation with humans through the metaphor of conversation. Such an approach conceives of landscape as an actor in the ongoing communication that is inherent in any perception, recognising the often-ignored mutuality of encounters between human and non-human actors With contributions drawn from a variety of disciplines, including anthropology, geography, archaeology, philosophy, literature and the visual arts, this book explores the affects and emotions engendered in the conversations between landscape and humans. Offering scope for an original and coherent approach to the study of landscape, this book will appeal to scholars and researchers across a range of social sciences and humanities. The central theme is clear and persuasive, the focus on northern landscapes fascinating throughout. Conversations With Landscape offers a consistently excellent set of essays which will be welcomed and widely read by anthropologists, cultural geographers, visual and aesthetic theorists, and, in particular, the wide interdisciplinary community of landscape scholars and students John Wylie, University of Exeter, UK Collectively the essays of Conversations With Landscape create an innovative landscape of their own, refusing to take landscape and human engagement with it for granted. Indeed, there is much to explore. These are fascinating tales - theoretical, ethnographic, and historical - about the moving landscape. Not only is it forever changing, it touches people in a variety of ways Gisli Palsson, University of Iceland, Iceland

A sequel to the award-winning The Black Composer Speaks (Scarecrow Press, 1978), this exploration of the creative world of African American composers traces the lives and careers of 40 talented individuals and, in their own words, provides perspectives on a world that has been slow to recognize their remarkable contributions to classical music. The discussion places the music of these composers within the greater context of Western art music, but analyzes it through the lenses of sociology, Western concepts of art and taste, and vernacular musical forms, including spirituals, blues, jazz, and contemporary popular music. Each chapter is devoted to an individual composer, who discusses his or her musical training, compositional techniques and style, and the composer's personal philosophy as reflected in his or her music. A selected list of compositions for each composer is included, as well as a photo and sample of the composer's "hand." Banfield offers unprecedented insight into the history and influence of the African American composer with this documentary, which will appeal to everyone from the music scholar to the general reader.

Conversations with Nature is designed to be an illuminating guide to a classic medium and the most popular, universal subject: landscape painting. Most importantly, this book will teach you how to see as an artist. You'll learn to create alluring landscapes bathed with light, engulfed in air, and presented from nature's own shapes, patterns,and colors. Plein air paintingImpressionismOil PaintingLandscape paintingOil painting suppliesKevin MacphersonNatureArtistFine ArtistLandscapesArt BookInstructional Art Book

One of the legendary figures in twentieth-century landscape design, Ian McHarg transformed the fields of landscape architecture and planning through his personal methodology, his unique curriculum at the University of Pennsylvania, and his own inspired writing. In classic texts such as his landmark 1969 book Design with Nature, McHarg painted an incredibly rich and exuberant picture of the organic world while conjuring up a vision of a more wholesome and productive metropolis. In this new entry in the popular Conversations with Students series, we are proud to make McHarg's never-before-in-print lecture "Collaboration with Nature" available for the first time. Captured on tape in the 1970s, the lecture is the sequel to Design with Nature. This is a must-read for anyone in the fields of landscape architecture, environmental science, and urban planning.

Nietzsche's friend, the philosopher Paul Rée, once said that Nietzsche was more important for his letters than for his books, and even more important for his conversations than for his letters. In Conversations with Nietzsche, Sander Gilman and David Parent present a fascinating selection of eighty-seven memoirs, anecdotes, and informal recollections by friends and acquaintances of Nietzsche. Translated from the definitive German collection, Begegnungen mit Nietzsche, these biographical pieces--some of which have never before appeared in English--cover the entire span of Nietzsche's life: his boyhood friendships, his arrival at the University of Bonn, his appointment to professor at Basel at age twenty-four, the impact of The Birth of Tragedy, his friendship with Wagner, his life in Italy, his confinement at the Jena Sanatorium, and his death. They present the philosopher in dialogue with friends and acquaintances, and provide new insights into him as a thinker and as a commentator on his times, recounting his views on some of the greats of history, including Burckhardt, Goethe, Kant, Dostoevsky, Napoleon, and numerous others. In his selections, Gilman has carefully balanced documents concerning Nietzsche's personal life with others on his intellectual development, resulting in an entertaining and informative book that will appeal to a wide audience of educated readers.

A lexicon and guide for discovering the essence of landscape.

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.