This collection, selected from more than 140 interviews Gardner granted, presents a wealth of information on the life and art of one of America's foremost novelists. These interviews show him as a novelist, a charismatic teacher of creative writing, and a widely published scholar who has vast knowledge and who generated much literary information in his lectures and interviews. After the publication of such popular and critical successes as Grendel (1971) and The Sunlight Dialogues (1972), this philosophical writer with an enviable talent for storytelling was regarded as ""a major contemporary writer."" After Gardner had demonstrated that he was one of America's most prolific, versatile, and imaginative authors, he became one of its most controversial when he attacked the literary establishment in his book On Moral Fiction and in his interviews. These candid conversations reveal a man of contrasts and contradictions, a writer who, as one of his interviewers remarks, ""brought to everything he did a passion that at times bordered on madness.

“Fearless, illuminating” criticism from a New York Times–bestselling author and legendary teacher, “proving . . . that true art is moral and not trivial” (Los Angeles Times). Novelist John Gardner’s thesis in On Moral Fiction is simple: “True art is by its nature moral.” It is also an audacious statement, as Gardner asserts an inherent value in life and in art. Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality. On Moral Fiction is an essential read in which Gardner presents his thoughtfully developed criteria for the elements he believes are essential to art and its creation. This ebook features an illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.

“The only stability possible is stability in motion.”—John William Gardner In his classic treatise Self-Renewal, John W. Gardner examines why great societies thrive and die. He argues that it is dynamism, not decay, that is dramatically altering the landscape of American society. The twentieth century has brought about change more rapidly than any previous era, and with that came advancements, challenges, and often destruction. Gardner cautions that “a society must court the kinds of change that will enrich and strengthen it, rather than the kind of change that will fragment and destroy it.” A society’s ability to renew itself hinges upon its individuals. Gardner reasons that it is the waning of the heart and spirit—not a lack of material might—that threatens American society. Young countries, businesses, and humans have several key commonalities: they are flexible, eager, open, curious, unafraid, and willing to take risks. These conditions lead to success. However, as time passes, so too comes complacency, apathy, and rigidity, causing motivation to plummet. It is at this junction that great civilizations fall, businesses go bankrupt, and life stagnates. Gardner asserts that the individual’s role in social renewal requires each person to face and look beyond imminent threats. Ultimately, we need a vision that there is something worth saving. Through this vision, Gardner argues, society will begin to renew itself, not permanently, but past its average lifespan, and it will at once become enriched and rejuvenated.

This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic. "An extraordinary achievement."—New York Times The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."

A searching examination of leadership as it is practiced, or malpracticed, in America today. Includes the elements of motivation, shared values, social cohesion, and institutional renewal.

A detailed portrait of one of the twentieth century's most controversial American authors describes John Gardner's turbulent and contradictory life, including his prodigious writing talents and literary success, chaotic personal life, contempt for convention, charisma, drinking problems, and tragic death in a motorcycle accident at the age of forty-nine.

Ava Gardner was one of the most glamorous and famous stars in Hollywood in the 1940s and 1950s. Her list of films includes The Killers, Showboat and Mogambo, for which she was nominated for an Academy Award for best actress, and her co-stars included Clark Gable, Gregory Peck, Burt Lancaster, Humphrey Bogart, Charlton Heston, and Richard Burton - the A-list of male Hollywood stars. Married three times - to Mickey Rooney, Artie Shaw, and Frank Sinatra - the first two lasted only about a year each whilst her marriage to Sinatra lasted several. She had a long-running affair with Howard Hughes, and a briefer one with George C. Scott, among others. In Ava Gardner, she has much to say about her husbands and lovers, and some of her co-stars,all of whom get Gardner's unflinchingly honest treatment. Ava Gardner is irresistibly candid and surprising. She began the book because, as she told Evans, 'it's either write the book or sell the jewels and I'm kinda fond of the jewels.' At the time of their collaboration Gardner was living in London, where she had lived for decades, smoking and drinking heavily. Having suffered a stroke that damaged the left side of her face and her left arm she had trouble sleeping and was often depressed - the glamorous wardrobes replaced by grey. Her story could itself have been depressing except for her wit and wickedness, which are on full display in this book. This book tells the story of her life as she wanted to tell it. Ava Gardner is the autobiography that Ava Gardner began with writer Peter Evans in 1988. She never finished it and decided against publishing it because of its frankness. She later collaborated on a tamer autobiography, which was published at her death in 1990. After Gardner's death, her estate authorised the book to be published much as she and Evans had originally conceived it.

These conversations with the femme fatale of The Killers, Mogambo, The Barefoot Contessa, Show Boat, and Night of the Iguana, and one of the world's great beauties, are startlingly candid. Two years before she died, Ava Gardner asked Lawrence Grobel to work with her on her memoir. The reclusive actress opened up about her three volatile marriages to Mickey Rooney, Artie Shaw and Frank Sinatra ("I loved them all; I just couldn't live with them. I'm not going to try and whitewash them anymore"). She tells about Howard Hughes' 15-year pursuit of her ("As soon as I got divorced from Mickey, Howard entered my life and I couldn't get rid of him, no matter who I was with or who I married"). She reveals how George C. Scott was so crazily in love with her that he beat her up on three occasions and once stuck a broken bottle in her face ("I was frightened for my life"). She talks about her tomboy childhood as a tobacco farmer's daughter in North Carolina. She goes into detail about how she was "discovered" and became a contract player at MGM ("white slavery"); her friendships with Hemingway, Dominguin, and Brando; and of working with her favorite director, John Huston. She admits to her struggles with alcohol ("I don't give a damn what time of the day it is, I just drink too much"). And she speaks intimately about the debilitating stroke she suffered toward the end of her life ("I felt this dark cloud that wouldn't go away. I just wanted to lie in bed and drink brandy").

Introduces readers to the imagination of a popular & prolific American writer.

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