If it could be said that a personal relationship can be developed between a human being and an impersonal spirit guide, then author Dr. C. Norman Shealy accomplished this with G. They established a type of communication that was intense, at times personal, but also productive with G providing Shealy a view of what human beings could heal if their consciousness would only break free or break through of its illusions. In Conversations with G, Shealy not only offers an overview of his life and his successful medical career and healing advancements, but he shares conversations with his spirit guide, G, who has been a part of his life for more than thirty years. A story that inspires the spirit as much as expands the mind, Conversations with G narrates a personal journey of mystical encounters with angelic teachers and materialization and dematerialism which have led to numerous medical- and health-enhancing discoveries.

Biography -- Literary Criticism Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists. From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato. The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University. Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor. In interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer. The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it. Theodore G. Ammon is chair of the philosophy department at Millsaps College in Jackson, Miss. His work has appeared in such publications as Romance Notes, Arachne, College Mathematics, and the Journal of Aesthetic Education.

Margaret Atwood talks to a host of interviewees, including Joyce Carol Oates and Graeme Gibson, about a range of subjects. She discusses feminism, Canadian literature, the differences between novels and poetry, how she started writing and who it is she feels she writes for.

ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.

Conversations with Jeremiah on the Magic of Counseling by Geoffrey G. Yager, Ph.D.: A non-traditional introduction to counseling with a special focus on counselor self-care. Conversations with Jeremiah on the Magic of Counseling is not a typical textbook. It is a unique approach to teaching, written in a conversational and casual style in order to engage students. The book describes the weekly meetings of two young counseling graduate students and their mysterious mentor over the course of the academic year. The mentor answers the questions of his protgs using thirty illustrative stories. The underlying themes of the stories encompass the crucial components of counseling relationships, and the topics cover the concerns most commonly voiced by students during their early experiences with actual clients. The issues addressed include counselor self-care, the nature of counseling, empathy, perfectionism, ethics, and, of course, the magic of counseling! Although the text is written from a counseling point of view, it will prove useful to any clinical class in a closely related field, such as counseling psychology, clinical psychology, clinical social work, health promotion, or psychiatric nursing. The text will also be beneficial to counselor trainees, experienced counselors interested in a refresher on basic skills, and potential clients who want to know more about counseling before they start seeing a counselor.

Collected interviews with the creator of American Splendor, the longest-running autobiographical comic book series produced in America

Suppose you could ask God any question and get an answer. What would it be? Young people all over the world have been asking those questions. So Neale Donald Walsch, author of the internationally bestselling Conversations with God series had another conversation. Conversations with God for Teens is a simple, clear, straight-to-the-point dialogue that answers teens questions about God, money, sex, love, and more. Conversations with God for Teens reads like a rap session at a church youth group, where teenagers discuss everything they ever wanted to know about life but were too afraid to ask God. Walsch acts as the verbal conduit, showing teenagers how easy it is to converse with the divine. When Claudia, age 16, from Perth, Australia, asks, "Why can't I just have sex with everybody? What's the big deal?", the answer God offers her is: "Nothing you do will ever be okay with everybody. 'Everybody' is a large word. The real question is can you have sex and have it be okay with you?" There's no doubt that the casual question-and-answer format will help make God feel welcoming and accessible to teens. Conversations with God for Teens is the perfect gift purchase for parents, grandparents, and anyone else who wants to provide accessible spiritual content for the teen(s) in their lives.

In a series of death row interviews done shortly before his execution, infamous serial killer Ted Bundy gave a third-person "confession" of his many murders. This definitive book on Bundy was recently made into a Netflix documentary. What goes on in the mind of a serial killer? Drawn from more than 150 hours of exclusive tape-recorded interviews with the handsome, charismastic Bundy, whose grisly killing spree left at least 30 young women dead across seven states between 1974 and 1978, this chilling exposé provides a shocking self-portrait of one of the most savage sex murderers in history. Speaking eerily in the third person, Bundy reveals appalling details about his crimes, discloses how he attracted his victims, explains how he methodically disguised his acts, and recounts his two daring jailbreaks. Bundy also offers his thoughts on other infamous serial killers, including John Wayne Gacy and Son of Sam.

Marion Shilling began her career as a silent film ingenue for MGM and went on to play heroines in Westerns of the 1930s. Stage actress Esther Muir made the transition from Broadway to Hollywood just as talkies became popular. Hugh Allan was a leading man in the last years of the silents only to leave the film business in 1930 because of the uncertainty surrounding his transition to sound films and his disgust with studio politics. These three performers and thirteen others (Barbara Barondess, Thomas Beck, Mary Brian, Pauline Curley, Billie Dove, Edith Fellows, Rose Hobart, William Janney, Marcia Mae Jones, Barbara Kent, Anita Page, Lupita Tovar, and Barbara Weeks) reminisce here about Hollywood and the movie business as it made the transition.

This reader has been assembled by Doris Lessing herself, and it provides a representative introduction to both her fiction and non-fiction. The book enables the reader to see her ideas evolve over the years as they recur and develop throughout her work.