This book argues that literary and historiographical works written by Iberian Christians between the twelfth and sixteenth centuries promoted contradictory representations of Muslims in order to advocate for their colonization through the affirmation of Christian supremacy. Ambivalent depictions of cultural difference are essential for colonizers to promote their own superiority, as explained by postcolonial critics and observed in medieval and early modern texts in Castilian, Catalan, and Portuguese, such as the Cantar de mio Cid, Cantigas de Santa Maria, Llibre dels fets, Estoria de España, Crónica geral de 1344, Tirant lo Blanch, and Os Lusíadas. In all these works, the contradictions of Muslim enemies, allies, and subjects allow Christian leaders to prevail and profit through their opposition and collaboration with them. Such colonial dynamics of simultaneous belligerence and assimilation determined the ways in which Portugal, Spain, and later European powers interacted with non-Christians in Africa, Asia, and even the Americas.

To Live Like a Moor traces the many shifts in Christian perceptions of Islam-associated ways of life which took place across the centuries between early Reconquista efforts of the eleventh century and the final expulsions of Spain's converted yet poorly assimilated Morisco population in the seventeenth.

The essays in this interdisciplinary volume examine the social and cultural interaction of Christians, Muslims, and Jews in Spain during the medieval and early modern periods. Together, the essays provide a unique comparative perspective on compelling problems of ethnoreligious relations. Christians, Muslims, and Jews in Medieval and Early Modern Spain considers how certain social and political conditions fostered fruitful cultural interchange, while others promoted mutual hostility and aversion. The volume examines the factors that enabled one religious minority to maintain its cultural integrity and identity more effectively than another in the same sociopolitical setting. This volume provides an enriched understanding of how Christians, Muslims, and Jews encountered ideological antagonism and negotiated the theological and social boundaries that separated them.

Memories of Colonisation in Medieval and Modern Castile: Rereading and Refashioning al-Andalus traces the evolving memory of a dominant al-Andalus in medieval Castilian and, later, modern Spanish literature, and its overlap with contemporary formations of collective identity, race, and nation. It presents a series of close readings of neomedievalist literary works that look back to the socioeconomic apogee of al-Andalus, the tenth-century Umayyad Caliphate of Cordoba, from the thirteenth to the nineteenth century. These works rewrite what has become known as the story of the siete infantes de Lara, although it is their Andalusi half-brother, Mudarra, who takes centre stage from the early modern period on. In its earliest form, it is a story of a weak, conflictual county of Castile, dependent socioeconomically and morally upon Andalusi intervention. This book therefore traces how a story of Castilian weakness is repeatedly rewritten once the reverse colonial dynamic had taken hold and Castile had begun conquering al-Andalus. Memories of Colonisation asks why Mudarra and the infantes continue to reappear in medieval chronicles, from the Estoria de España to lesser-known regional historiography, early modern ballads, comedias, and nineteenth-century Romantic poetry and prose. By examining how each of these texts remember tenth century Iberia's fluid geographical and interracial boundaries, it explores how they support or challenge dominant contemporary discourses of collective identity, race, and nation; from the neogothic aspirations of thirteenth-century Castile to the antisemitism of fifteenth-century Toledo, expansion in the Mediterranean, the Islamophobia of the morisco expulsion, and the partisan manipulation of al-Andalus under nineteenth century liberalism. As the first study of the development of Spanish neomedievalism, it explores how this serves as a productive, prescient discourse of cultural memory through which chroniclers, poets, playwrights, and authors can look forward. It questions the inevitability of Christian-Castilian colonial hegemony by invoking a narrative of Christian Iberia's own subjugation by a superior Umayyad Caliphate. It also explores how each text exposes the task of reconstructing historical memory in the present and thereby challenges the notion of a stable, incontestable past for Castile and Spain.

A finalist for World Magazine's Book of the Year! Scholars, journalists, and even politicians uphold Muslim-ruled medieval Spain—"al-Andalus"—as a multicultural paradise, a place where Muslims, Christians, and Jews lived in harmony. There is only one problem with this widely accepted account: it is a myth. In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden history by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed. This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate's conquest of Spain. Far from a land of religious tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life and the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities. The Myth of the Andalusian Paradise provides a desperately needed reassessment of medieval Spain. As professors, politicians, and pundits continue to celebrate Islamic Spain for its "multiculturalism" and "diversity," Fernández-Morera sets the historical record straight—showing that a politically useful myth is a myth nonetheless.

This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation

Power in the Portrayal unveils a fresh and vital perspective on power relations in eleventh- and twelfth-century Muslim Spain as reflected in historical and literary texts of the period. Employing the methods of the new historical literary study in looking at a range of texts, Ross Brann reveals the paradoxical relations between the Andalusi Muslim and Jewish elites in an era when long periods of tolerance and respect were punctuated by outbreaks of tension and hostility. The examined Arabic texts reveal a fragmented perception of the Jew in eleventh-century al-Andalus. They depict seemingly contradictory figures at whose poles are an intelligent, skilled, and noble Jew deserving of homage and a vile, stupid, and fiendish enemy of God and Islam. For their part, the Hebrew and Judeo-Arabic texts display a deep-seated reluctance to portray Muslims in any light at all. Brann cogently demonstrates that these representations of Jews and Muslims--each of which is concerned with issues of sovereignty and the exercise of power--reflect the shifting, fluctuating, and ambivalent relations between elite members of two of the ethno-religious communities of al-Andalus. Brann's accessible prose is enriched by his splendid translations; the original texts are also included. This book is the first to study the construction of social meaning in Andalusi Arabic, Judeo-Arabic, and Hebrew literary texts and historical chronicles. The novel approach illuminates nuances of respect, disinterest, contempt, and hatred reflected in the relationship between Muslims and Jews in medieval Spain.

This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.

"This collection will be welcomed by anyone working on the interactions of the Muslim and Christian worlds in the Middle Ages--and the more casual reader will be struck by the persistence of stereotypes on both sides of the divide."--Medium Aevum LXXIX "The essays explore what, from the ninth to the fourteenth century, Western Christian clerks and kings, monks and abbots, friars and bishops, and scholars and poets wrote about Muslims and Islam. . . . Tolan's book is among the best in the field."--Journal of Religion "Considers such examples as portrayals of Muhammad in thirteenth-century Spain, Saladin in the medieval European imagination, and Saracen philosophers who secretly deride Islam. . . . Tolan is an engaging writer, accessible to the general as well as the scholarly reader."--Book News "Tolan has a talent for unraveling often tangled threads and subplots in a complex and intriguing story."--Religion and the Arts "Tolan's writing distinguishes itself by being insightful, nuanced, and magnificently lucid as well as highly accessible. Certain chapters will particularly enthrall: the chapter on Saladin will be one favorite; the chapter on the floating coffin of prophet Muhammad--a rhetorical masterpiece--will delight and fascinate. Every chapter is illuminating."--Geraldine Heng, University of Texas The Bible and the Qur'ân agree that the Arabs were the descendants of Ishmael, son of Abraham and Hagar. To many medieval Christians, the description of Ishmael in Genesis ("a wild man; his hand will be against every man and every man's hand against him") was a prophecy of the violence and enmity between Ishmael's progeny and the Christians--spiritual descendants of his half-brother Isaac. John Tolan, one of the world's foremost authorities on early Christian/Muslim interactions, offers ten essays that explore the history of conflict and convergence between Latin Christendom and the Arab Muslim world during the Middle Ages, deepening our understanding of the roots of current stereotypes of Muslims and Arabs in Western Culture. John V. Tolan, professor of history at the University of Nantes, is the author of numerous articles and books, including the acclaimed Saracens: Islam in the Medieval European Imagination.

A magisterial, myth-dispelling history of Islamic Spain spanning the millennium between the founding of Islam in the seventh century and the final expulsion of Spain's Muslims in the seventeenth In Kingdoms of Faith, award-winning historian Brian A. Catlos rewrites the history of Islamic Spain from the ground up, evoking the cultural splendor of al-Andalus, while offering an authoritative new interpretation of the forces that shaped it. Prior accounts have portrayed Islamic Spain as a paradise of enlightened tolerance or the site where civilizations clashed. Catlos taps a wide array of primary sources to paint a more complex portrait, showing how Muslims, Christians, and Jews together built a sophisticated civilization that transformed the Western world, even as they waged relentless war against each other and their coreligionists. Religion was often the language of conflict, but seldom its cause -- a lesson we would do well to learn in our own time.