Almost right from the introduction of baseball to Japan the sport was regarded as qualitatively different from the original American model. This vision of Japanese baseball associates the sport with steadfast devotion (magokoro) and the values of the samurai class in the code of Bushidō, in which greatness is achieved through hard work under the tutelage of a selfless master. In Contesting the Myths of Samurai Baseball Keaveney analyzes the persistent appeal of such mythologizing, arguing that the sport has been serving as a repository for traditional values, to which the Japanese have returned time and again in epochs of uncertainty and change. Baseball and modern culture emerged and developed side by side in Japan, giving cultural representations of this national pastime special insights into Japanese values and their contortions from the late nineteenth century to the present day. Keaveney explains the origins of the cultural construct “Samurai baseball” and reflects on the recurrences of these essentialist discourses at critical junctures in Japan’s modern history. Since the early modern period, writers, filmmakers, and manga artists have alternately affirmed and debunked these popular myths of baseball. This study presents an overview of these cultural products, beginning with Masaoka Shiki’s pioneering baseball writings, then moves on to the long history of baseball films and the venerable tradition of baseball fiction, and finally considers the substantial body of baseball manga and anime. Perhaps what is most striking is the continuous relevance of baseball and its values as a point of cultural reference for the Japanese people; their engagement with baseball is a genuine national love affair. “A fascinating study of samurai baseball and the culture it represents viewed through historical and contemporary literature, poetry, manga, and movies. An important, original work that is full of insights. Christopher Keaveney has put enormous effort into researching this book and he is to be congratulated. I learned a lot by reading it.” —Robert Whiting, author of You Gotta Have Wa and The Meaning of Ichiro “Keaveney’s book offers a nuanced introduction to the Japanese model of samurai baseball along with an analysis of many of the works that treat the guiding principles of that model. A fresh look at Japan’s national pastime.” —Bobby Valentine, former MLB player and manager and former manager of the Chiba Lotte Marines of Nippon Professional Baseball “Christopher Keaveney effortlessly combines a thorough knowledge of Japanese baseball—its players, managers, fans—with the cultural productions surrounding it. The result is a nostalgic trip through history and an edifying survey of literature, film, and manga.” —David Desser, professor emeritus, University of Illinois at Urbana-Champaign

Almost right from the introduction of baseball to Japan the sport was regarded as qualitatively different from the original American model. This vision of Japanese baseball associates the sport with steadfast devotion (magokoro) and the values of the samurai class in the code of Bushidō, in which greatness is achieved through hard work under the tutelage of a selfless master. In Contesting the Myths of Samurai Baseball Keaveney analyzes the persistent appeal of such mythologizing, arguing that the sport has been serving as a repository for traditional values, to which the Japanese have returne.

Baseball has been called America’s true melting pot, a game that unites us as a people. Issei Baseball is the story of the pioneers of Japanese American baseball, Harry Saisho, Ken Kitsuse, Tom Uyeda, Tozan Masko, Kiichi Suzuki, and others—young men who came to the United States to start a new life but found bigotry and discrimination. In 1905 they formed a baseball club in Los Angeles and began playing local amateur teams. Inspired by the Waseda University baseball team’s 1905 visit to the West Coast, they became the first Japanese professional baseball club on either side of the Pacific and barnstormed across the American Midwest in 1906 and 1911. Tens of thousands came to see “how the minions of the Mikado played the national pastime.” As they played, the Japanese earned the respect of their opponents and fans, breaking down racial stereotypes. Baseball became a bridge between the two cultures, bringing Japanese and Americans together through the shared love of the game. Issei Baseball focuses on the small group of men who formed the first professional and semiprofessional Japanese baseball clubs. These players’ story tells the history of early Japanese American baseball, including the placement of Saisho, Kitsuse, and their families in relocation camps during World War II and the Japanese immigrant experience.

Organized by theme, this comprehensive encyclopedia examines all aspects of life in Japan, from geography and government to food and etiquette and much more. Japan, or the "Land of the Rising Sun," is home to more than 126 million people, nearly 10 million of whom live in Tokyo alone. How did this tiny island nation become such a powerhouse in the 21st century, and where will it go from here? Modern Japan examines history and contemporary life through thematic entries organized into chapters covering such topics as geography; history; government and politics; economy; religion and thought; social classes and ethnicity; gender, marriage, and sexuality; education; language; etiquette; literature and drama; art and architecture; music and dance; food; leisure and sports; and media and popular culture. Each chapter contains an overview of the topic and alphabetized entries on examples of each theme. A chronology covers from prehistoric times to the present, and special appendices offer profiles of a typical day in the life of representative members of Japanese society, key facts and figures about Japan, and a holiday chart. This volume is ideal for students researching Japan, as well as general readers interested in learning more about the country.

Using the framework of Edward Said’s Orientalism, this work examines how Western rock and pop artists—particularly during the age of album rock from the 1970s through the 1990s—perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.

"Sometimes sports mirrors society, sometimes it allows us to understand the larger society a little better. But mostly, it is a world of entertainment of talented and driven young men and women who do certain things with both skill and passion." --David Halberstam David Halberstam was a distinguished journalist and historian of American politics. He was also a sports writer. Everything They Had brings together for the first time his articles from newspapers and magazines, a wide-ranging collection edited by Glenn Stout, selected over the full scope of Halberstam's five decades as one of America's most honored journalists. These are dazzling portraits of some of the most compelling sports figures of our era, the superstars of popular sports like basketball, football, and baseball, but also fishing, soccer, and rowing, and the amateur athletes who play for the love of the game. In "My Dinner with Theodore," Halberstam recounts his long anticipated--and unforgettable--meeting with Red Sox legend Ted Williams. Against the backdrop of 1960s Nashville, he beautifully recounts a lifelong love of football in "How I Fell in Love with the NFL." And "Men Without Women," set on a fishing expedition in Patagonia, is more than a hunt for giant brown trout--it is a story of fishing, friendship, and fellowship. These and many more stories exemplify the breadth and depth of David Halberstam's devotion to diverse sports and his respect and fascination for the men and women who play them so well. The result is an intimate and personal collection that reveals the issues and the ideals David Halberstam cared about--racial equality, friendship, loyalty, and character--and creates a vivid and unforgettable portrait of the author himself. Everything They Had takes its rightful place alongside Halberstam's bestselling sports titles, which include The Breaks of the Game, The Amateurs, Summer of '49, and The Education of a Coach.

Beyond Brushtalk explores interactions between Japanese and Chinese writers during the golden age of such exchange, 1919 to 1937. During this period, there were unprecedented opportunities for exchange between writers, which was made possible by the ease of travel between Japan and China during these years and the educational background of Chinese writers as students in Japan. Although the salubrious interaction that developed during that period was destined not to last, it nevertheless was significant as a courageous essay at cultural interaction. This book will appeal not only to those interested in Sino-Japanese studies, an increasingly important field of study in its own right, but will also appeal to scholars of both Japanese literature and Chinese literature and researchers whose areas of interest correspond to the major writers included in this work such as Lu Xun and Zhou Zuoren on the Chinese side and Tanizaki Jun'ichirō and Hayashi Fumiko on the Japanese side. The relations and resulting literary works involving these major writers are often relatively neglected aspects of their total output and will draw interest from scholars of their work. This book will be accessible to both Sinologists and Japanologists with little background in the corresponding field, and to the generalist possessing an interest in literary exchange.

"Drawing on archival research, oral history interviews, and participant observation, this examination of the adoption and adaptation of Mod style across geographic space also maps its various interpretations over time, from the early 1960s to the present. The book traces the Mod youth culture from its genesis in the dimly lit clubs of London's Soho. where it began as a way for young people to reconfigure modernity after the chaos of World War II, to its contemporary, country-specific expressions. By examining Mod culture in the United States, Germany, and Japan alongside the United Kingdom, "We Are the Mods" contrasts the postwar development of Mod in those countries that lost the war with those that won. The book illuminates the culture's fashion, music, iconography, and gender aesthetics, to create a compelling portrait of a transnational subculture." --Book Jacket.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Marie Bashkirtseff's diary is one of the great journals of all time: a Russian girl, transplanted to France, begins a little diary at the age of fourteen. Eleven years later, upon her death, she has written thousands and thousands of pages, creating an obsessively detailed monument to her own life. "...because I hope that I will be read...I am absolutely sincere. If this hook is not the exact, absolute, strict truth, it has no reason to be". But Bashkirtseff was betrayed by her own family. The diary, published posthumously in 1887, was expurgated, sanitized, and denuded. Marie's mother made sure that none of her daughter's more radical opinions - and more importantly, their strange family history - appeared in the diary's pages. Even so, it was hailed as the true portrait of a woman by the French press, and Bashkirtseff was alternately canonized as a misunderstood genius and damned as a self-absorbed misfit. Now, in this new translation, Phyllis Howard Kernberger has returned to the original text - Marie's notebooks, held in the Bibliotheque Nationale. Her scrupulous, decades-long research has unearthed the true self-portrait that Marie Bashkirtseff hoped to reveal. Marie was enraptured with her own beauty, enraged by the constraints of society (especially for women), and determined to achieve success and fame at any cost, and her diary is a vivid portrait of a free-thinking woman born before her time. Working straight from the source, Kernberger has revived the honest image of Marie - in a seductively funny, warmly personal, and thoroughly mesmerizing account of a life lived to its fullest.