What is contemporary jewelry? What makes it unique? What distinguishes these objects and practices from other visual arts? Contemporary Jewelry in Perspective provides clear definitions, concise history, and cultural context for the form, along with abundant illustrations of an amazing range of work. Featuring notable contributors from around the world, it offers fascinating discussions on creating, collecting, exhibiting, selling, and wearing these pieces, as well as individual essays that present a global perspective on the art over the past 30 to 40 years. Jewelers, designers, students, collectors, and historians will find this essential reading. The book is a joint venture between the Art Jewelry Forum (artjewelryforum.org) and Lark Jewelry & Beading.

In a response to the sleek forms and perfect angles of most late twentieth century design objects, many of today's artists and designers are returning to handmade work such as hand lettering, hand drawing, and hand sewing. By Hand features an international collection of the most noteworthy artists and shows their work in detailed photography and insightful texts. From books to pillows to T-shirts to toys, the pieces in this volume define an alternative view of contemporary design. Personal craft is emphasized over perfection and the personality of the artist is put forth as a key element of the finished product. From Kiki Smith's lovingly etched birds to Barb Hunt's knitted land mines to dynamo-ville's one-of-a-kind puppets to Evil Twin's hand-stitched publications, today's art revels in the care and consideration of craft.

The vast medium of jewelry and fashion artefact design continues to be a central pillar of fashion luxury goods industries and artistic practice, but there is a lack of discussions on the researches, value and roles of it. Design is an expression of values and attitudes, and a tangible form of guiding the thoughts and desires of individuals and members of society. In the contemporary society, when science, technology and craftsmanship reach a stage, whether products and services become luxurious or not, its quality, uniqueness, artistry and rarity are all achieved through design. This book represents the articles from 20 outstanding design researchers from 11 countries, including many works from international designers, who are engaging with and pushing the boundaries of the medium. It contributes to these international debates on contemporary fashion and jewelry design while providing an accessible overview and a concise reference book.

Contemporary Jewellery Art presents the work of more than forty of the best and brightest young jewelry designers around the world. Their work is not about luxury or even permanence. Rather, the works within focus on the most creative use of common, inexpensive materials. The book is organized according to the materials used, including metal, ceramics, stone, wood, fur, textiles, plastic, soap, and rubber. The aesthetic of each piece, whether simple or sculpturally intricate, balances the designers unique perspective with the constraints and possibilities of each medium from the elasticity of plastic to the solid weight of stone, silver, and iron. Interviews with each designer illuminating the concept and creative work process renders this book a useful guide for everyone from the established jewelry designer to the independent crafter hoping to break into the industry. Designers featured include Hanna Hedman, Helfried Kodr, Mari Ishikawa, Iris Bodemer, Karl Fritsch, Marina Messone, Annika Pettersson, Maria Cristina Bellucci, Mirla Fernandes, and Timothy McMahon.

An illustrated survey of comtemporary jewellery and its developments since 1960. It has three major elements. Firstly, it has a display of the jewellery itself, photographed in colour. Secondly, it provides a critical history, tracing the first challenges to traditional forms of jewellery as early as the 1930s but focusing on the inspired use of new tools, new materials and new ideas since 1960. Finally, it has a reference section correcting previous information on the subject, including biographies of over a hundred makers.

Featuring 200 examples of the very finest work by more than 50 contemporary Japanese artists, this book is indispensable to anyone interested in modern developments in jewellery-making, and of great appeal to the broader craft and design community.

The institutionalization of contemporary art, seen on a global scale, has only just begun. Despite an increase in global art production, and in the number of biennials, contemporary art has yet to find its footing in the museums outside the West-a phenomenon likely to affect the future of the museum. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. While migration is the issue in artist's circles, public museums as local institutions are confronted with the challenge of globalization.The reciprocal impact of contemporary non-Western art and local museums all over the world is the main focal point of this book. It assembles a group of art critics, anthropologists, and museum curators who address the identity of the museum and its change from a variety of viewpoints that reflect their different backgrounds. The critical essays were written for two international conferences, while other texts were chosen for their significance as exemplary analyses for the present situation.

A reflective book about international contemporary art jewellery that aims to open up new points of view about what art jewellery is or can be.

A History of Contemporary Jewellery in Australia and New Zealand: Place and Adornment tells the remarkable story of how two countries, far from the jewellery centres of Europe and North America, have managed to contribute to an international art form, transforming jewellery from an imitation of European taste into an original expression of place.

In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewelers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewelers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewelry contributed to the raucous, contradictory, and enthusiastic clamor for a new kind of society that made the 1960s and 1970s so extraordinary.