This book is a collection of selected essays presented at the International Symposium on «Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity» hosted by the Humanities Programme of Hong Kong Baptist University in September 2006. As «modernity» has been used to describe the cultural, economic and socio-political conditions in the Western worlds, the time in which we now live and the Asian countries where capitalistic transformation is extensively carried out are already articulating their own descriptions. The essays collected here discuss the notions of «contemporary», «Asia» and «modernities» as they relate to the global trend of adopting capitalism. They probe into questions related to modernity as well as global modernity, ranging from China in particular to Asia in general. As reflected in the pluriversal meanings in the title, the book endeavours to make critical inquiries into the concept of modernity/modernities from different perspectives.

A groundbreaking comparison of two contemporary Asian cultures which defines a space for Asian modernity without reference to Europe or the US. Based on John Clark's extensive primary research, Asian Modernities develops theoretical perspectives on genealogies of modernity and the twin phenomena of globalisation and transnational artistic identity. Highly illustrated throughout, this study combines critical examination with close attention to visual material.

The effect of Japan on the challenges and complexities of the modernisation process that globalisation has brought to the fore in Asia are the subject of this interdisciplinary volume by leading scholars in the field. Using fascinating examples drawn from current business and organisational practice in Asia, it focuses on the impact that Japanese modernity has made in Asia as a model to be imitated because of its apparent success in adopting western technologies while retaining its own cultural identity. At the same time, Japan itself is a dominant force in modernity in East and South East Asia, exporting its own type of modernisation, management and business practices, and models of 'traditional' social relations which do not necessarily correspond to the traditions of other Asian cultures.This adds another element to the conventional model of modernity as a dialogue between West and East; without considering Japan's special significance in the region, any critical assessment of the modernising process in Asia would not be possible. This emphasis is the special contribution of this innovative work which aims to show the extent to which the experiences of one non-Western modernity can influence others; to highlight the problems of cultural identity that must be faced by modernising societies; and, above all aims to contribute to the larger debates on intercultural communication that are vital for achieving genuine understanding between representatives of different cultures, traditions and world views.Besides Asian and Japanese Studies specialists, "Japan and Asian Modernities" is addressed to a larger audience of academics and specialists working in the areas of history of ideas, political science, the sociology and anthropology of business, comparative cultural studies and economics or other disciplines related to contemporary East and South-East Asia where the subject of alternative modernities is relevant.

This volume, the first major study in its field, offers an invaluable stepping-stone to a more informed understanding of the fundamental social changes taking place in Asia – defined as ‘a reconstruction of the intimate and public spheres’. Such changes are being observed worldwide, but previous studies relating to this phenomenon are largely based on Western experiences dating back to the 1970s. Developments in Asia, however, are manifesting both similarities and differences between the two regions. The book’s strongest appeal, therefore, lies in its theoretical orientation, seeking to define frameworks that are most relevant to the Asian reality. These frameworks include compressed and semi-compressed modernity, familialism, familialization policy, unsustainable society, the second demographic dividend, care diamonds, and the transnational public sphere. Such concepts are seen as essential in any discussion concerning the intimate and public spheres of contemporary Asia. Accordingly, Transformation of the Intimate and the Public in Asian Modernity can be seen as a valuable text as well as a work of reference and will be welcomed by social scientists and cultural anthropologists alike. The book comprises an in-depth introduction and ten chapters contributed by scholars from Japan, Korea, Thailand and Canada covering topics ranging from low fertility, changing life course, increasing non-regular employment, care provision, migrant workers, social policies, and family law, to the activities of transnational NGOs, with a special focus on distinctive features of Asian experiences.

Seventeen scholars from varying fields here consider the implications of Confucian concerns--self-cultivation, regulation of the family, social civility, moral education, well-being of the people, governance of the state, and universal peace--in industrial East Asia.

In Lost Modernities Alexander Woodside offers a probing revisionist overview of the bureaucratic politics of preindustrial China, Vietnam, and Korea. He focuses on the political and administrative theory of the three mandarinates and their long experimentation with governments recruited in part through meritocratic civil service examinations remarkable for their transparent procedures. The quest for merit-based bureaucracy stemmed from the idea that good politics could be established through the "development of people"--the training of people to be politically useful. Centuries before civil service examinations emerged in the Western world, these three Asian countries were basing bureaucratic advancement on examinations in addition to patronage. But the evolution of the mandarinates cannot be accommodated by our usual timetables of what is "modern." The history of China, Vietnam, and Korea suggests that the rationalization processes we think of as modern may occur independently of one another and separate from such landmarks as the growth of capitalism or the industrial revolution. A sophisticated examination of Asian political traditions, both their achievements and the associated risks, this book removes modernity from a standard Eurocentric understanding and offers a unique new perspective on the transnational nature of Asian history and on global historical time.

The conception of modernity as a radical rupture from the past runs parallel to the conception of Europe as the primary locus of global history. The essays in this volume contest the temporal and spatial divisions—between past and present, modernity and tradition, and Europe’s progress and Asia’s stasis—which the conventional narrative of modernity creates. Drawing on early modern Chinese and Indian history and culture instead, the authors of the book explore the provenance of modernity beyond the west to see it in a transcultural and pluralistic light. The central argument of this volume is that modernity does not have a singular core or essence—a causal centre. Its key features need to be disaggregated and new configurations and combinations imagined. By studying the Bhakti movement, Confucian democracy, and the maritime and agrarian economies of China and India, this book enlarges the terms of debate and revisits devalued terms and concepts like tradition, religion, authority, and rural as resources for modernity. This book will be of great interest to researchers and academicians working in the areas of history, Sociology, Cultural Studies, literature, geopolitics, South Asian and East Asian Studies.

The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. Key questions include: What is the nature of Japanese cultural power and influence in the region and how is it historically overdetermined? How is it similar to and different from "Americanization" and other Asian cultural sub-centers? What kinds of images and sense of intimacy and distance are perceived through the reception of Japanese youth dramas?

Demonstrates how new Islamic modernities are being negotiated and constructed through popular and visual culture in Indonesia.

Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.