" ... mosaics and meditations by Father Rupnik. Drawing from the religious traditions of both East and West, Rupnik's art and reflections provide a unique way to pray the Stations of the Cross."--Back cover.

That the Apocalypse of John is a “Revelation of Jesus Christ” (Rev 1:1) is a fact too often overlooked by interpreters of this last book of the Bible. As Msgr. A. Robert Nusca’s The Christ of the Apocalypse: Contemplating the Faces of Jesus in the Book of Revelation proposes, beyond predictions of earthquakes and falling stars, St. John articulates from start to finish a multifaceted and compelling portrait of Jesus Christ. Nusca offers an exegetical reading of selected verses of the Book of Revelation, incorporating rich spiritual and pastoral reflections. The Christ of the Apocalypse above all affirms that St. John’s God- and Christ-centered, symbolic universe offers our contemporary world a spiritual place to stand amid the shifting sands of postmodernity. As Cardinal Thomas Collins, Archbishop of Toronto, writes in his Foreword, “Now, as in the first century, Christians face martyrdom, and those who are not called to die for Christ are called to live for Christ in a world which in many ways rejects the Gospel. More than ever, we need the apocalyptic vision, to have our own vision of reality clarified, and to be strengthened in our evangelical witness.”

In Jesus the Bridegroom, Brant Pitre once again taps into the wells of Jewish Scripture and tradition, and unlocks the secrets of what is arguably the most well-known symbol of the Christian faith: the cross of Christ. In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul's teaching that Christ is the 'Bridegroom' and the Church is the 'Bride'. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the "great mystery" (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride--a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible--the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time--are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.

What does a Christian life lived "by the Spirit" look like? Bringing together Protestant scholars and practitioners of spiritual formation, this volume offers a distinctly evangelical consideration of the benefits of contemplation. Drawing on historical examples from the church—including John Calvin, Richard Baxter, Jonathan Edwards, and John Wesley—this book considers how contemplative prayer can shape Christian living today.

Southwestern Journal of Theology 2021 Book of the Year Award (Theological Studies) 2021 Book Award, The Gospel Coalition (Honorable Mention, Academic Theology) Following his well-received Interpreting Scripture with the Great Tradition, Craig Carter presents the biblical and theological foundations of trinitarian classical theism. Carter, a leading Christian theologian known for his provocative defenses of classical approaches to doctrine, critiques the recent trend toward modifying or rejecting classical theism in favor of modern "relational" understandings of God. The book includes a short history of trinitarian theology from its patristic origins to the modern period, and a concluding appendix provides a brief summary of classical trinitarian theology. Foreword by Carl R. Trueman.

"Includes the National Catholic Register's new guide to the rosary.

Recognized as a modern spiritual classic and perhaps Dietrich von Hildebrand's greatest work, this sublime and practical study gives a penetrating analysis of the true path to holiness for those who love Christ. The first requisite is the person's desire for change, and with that fundamental attitude in mind, von Hildebrand devotes a chapter to each of the successive spiritual attitudes necessary for those who strive for Christian perfection. The Beatitudes are treated with beauty and depth in an uncompromising challenge to every serious Christian to put into practice these teachings of Christ. "A magnificent treatise by a distinguished philosopher on the pursuit of spiritual perfection." -Publishers Weekly "A major contribution to the only important question: the transformation of our soul in Christ." -Archbishop Fulton Sheen "A masterpiece of modern spirituality: eminently practical and highly recommended." -Fr. John Hardon, S.J. "A solid and penetrating analysis of the Christian virtues, and their application in the struggle toward Christian perfection." -Library Journal

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

"Is it possible to "see God"? A close examination of the Bible suggests that answering this question is more complex-and interesting-than one might imagine. Following The Word of the Lord and The House of the Lord, this sweeping conclusion to the trilogy asks whether it is possible to see God. After properly framing the question and citing scriptural examples, author Steven C. Smith takes the reader on an epic journey into the literal and spiritual meanings of biblical interpretation. Smith's thesis is that the multiplicity of "senses" is a pathway and progression toward the face of the Lord. He leads the reader through five Old Testament theophany scenes, beginning with the patriarch Jacob "wrestling" with God and concluding with Job's contending with the Voice from the Whirlwind. These five encounters span all three parts of the Old Testament: the Law, the Prophets, and the Writings. A tour de force much like Smith's previous books, The Face of the Lord thoroughly examines each biblical episode from the standpoint of the Literal, Allegorical, Tropological (Moral), and Anagogical (Heavenly) senses. Smith engages all of the relevant literature-from ancient Jewish sources to Christian medieval masters to present-day theologians-without taking his eye off the central question: Can we see God? The result is a fresh, robust exploration of Sacred Scripture, drawing upon ancient, medieval, and contemporary exegesis in pursuit of this fascinating biblical question"--

Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.