"This is an academic look at the contribution of popular culture to the loss if innocence in today's children."--Publisher.

For over forty years, John Hawkes has created fictions remarkable for their stylistic beauty and narrative experimentation. Rita Ferrari's Innocence, Power, and the Novels of John Hawkes is an unprecedented exploration of Hawkes's sixteen novels and novellas.

A new angle on the globalisation debate, which celebrates successful resistance as well as exploring the dangers. As languages and local cultures are swept away by the market-driven monoculture, Jeremy Seabrook looks at the threat to cultural diversity and integrity all around the globe, including in western societies. Amongst the disappearing cultures, Seabrook finds that resistance is breaking out as people rediscover the imprtance of the local and the value of community.

How We Are Governed explores interdisciplinary relations between communication and politics. It brings together diverse perspectives from the field of Communication and Media Studies, focusing on formal arenas of politics and public policy as well as politics in the broad sense of an informal negotiation of social relations of power between people. The book deals with questions about governing across many different domains, paying particular attention to communicative practices and technologies. Each chapter focuses on some empirical instance or instances of media–politics and media–democracy relations, on how these have been or are being exercised in shaping the limits of possible action, and on how they are being interrogated and reinvented. A persistent theme is whether the arrangements detailed in each instance can best be described as democratic, or otherwise. Chapters focus on arguments about media regulation; the guardianship of public life; the Leveson Inquiry; Web 2.0 communication in German elections; new media and citizen participation in politics; reality TV and the formation of economic literacy; online participation in the “illiberal democracy” of Singapore; citizenship and market formation in online safety education programs; mining taxes and market populism; and public broadcasting and soft diplomacy.

"Providing the first fundamental reform of its kind for the adversarial legal system, The Plea of Innocence introduces a new method through which to free innocent people from prison, a search for truth through the discovery of exonerating facts"--

Much has been written about the Walt Disney Company's productions, but the focus has largely been on animation and feature film created by Disney. In this essay collection, the attention is turned to The Disney Channel and the programs it presents for a largely tween audience. Since its emergence as a market category in the 1980s, the tween demographic has commanded purchasing power and cultural influence, and the impressionability and social development of the age group makes it an important range of people to study. Presenting both a groundbreaking view of The Disney Channel's programming by the numbers and a deep focus on many of the best-known programs and characters of the 2000s--shows like The Wizards of Waverly Place, That's So Raven and Hannah Montana--this collection asks the simple questions, "What does The Disney Channel Universe look and sound like? Who are the stories about? Who matters on The Disney Channel?"

It's spring 1964, and Fleur-de-Lys Records is sending its Soul Cavalcade around the country: 20 cities in 24 days, a couple dozen singers and musicians all squashed on one bus. Then there's Esme Hunter— the newest member of the troupe, a singer with an astonishing secret that will soon spin the Cavalcade upside-down. A comedy with Shakespearean tones, a wild romp with blistering music, an always fascinating story with tinges of tragedy, this book gets to the heart of American soul music.

The "Happiest Place on Earth" opened in 1955 during a trying time in American life--the Cold War. Disneyland was envisioned as a utopian resort where families could play together and escape the tension of the "real world." Since its construction, the park has continually been updated to reflect changing American culture. The park's themed features are based on familiar Disney stories and American history and folklore. They reflect the hopes of a society trying to understand itself in the wake of World War II. This second edition expands its perspective in response to, among other things, the cultural shifts brought on by the Covid-19 pandemic. New and updated chapters endeavor to hold Disney accountable: not accountability for misdeeds, but its accountability to include everyone, as American mythmakers and cultural titans.

This book considers the largely under-recognised contribution that young writers have made to life writing genres such as memoir, letter writing and diaries, as well as their innovative use of independent and social media. The authors argue that these contributions have been historically silenced, subsumed within other literary genres, culturally marginalised or co-opted for political ends. Furthermore, the book considers how life narrative is an important means for youth agency and cultural participation. By engaging in private and public modes of self-representation, young people have contested public discourses around the representation of youth, including media, health and welfare, and legal discourses, and found means for re-engaging and re-appropriating self-images and representations. Locating their research within broader theoretical debates from childhood and youth studies: youth creative practice and associated cultural implications; youth citizenship and autonomy; the rights of the child; generations and power relationships, Poletti and Douglas also position their inquiry within life narrative scholarship and wider discussions of self-representation from the margins, representations of conflict and trauma, and theories of ethical scholarship.

The unqualified victory of consumerism in America was not a foregone conclusion. The United States has traditionally been the home of the most aggressive and often thoughtful criticism of consumption, including Puritanism, Prohibition, the simplicity movement, the '60s hippies, and the consumer rights movement. But at the dawn of the twenty-first century, not only has American consumerism triumphed, there isn't even an "ism" left to challenge it. An All-Consuming Century is a rich history of how market goods came to dominate American life over that remarkable hundred years between 1900 and 2000 and why for the first time in history there are no practical limits to consumerism. By 1930 a distinct consumer society had emerged in the United States in which the taste, speed, control, and comfort of goods offered new meanings of freedom, thus laying the groundwork for a full-scale ideology of consumer's democracy after World War II. From the introduction of Henry Ford's Model T ("so low in price that no man making a good salary will be unable to own one") and the innovations in selling that arrived with the department store (window displays, self service, the installment plan) to the development of new arenas for spending (amusement parks, penny arcades, baseball parks, and dance halls), Americans embraced the new culture of commercialism—with reservations. However, Gary Cross shows that even the Depression, the counterculture of the 1960s, and the inflation of the 1970s made Americans more materialistic, opening new channels of desire and offering opportunities for more innovative and aggressive marketing. The conservative upsurge of the 1980s and '90s indulged in its own brand of self-aggrandizement by promoting unrestricted markets. The consumerism of today, thriving and largely unchecked, no longer brings families and communities together; instead, it increasingly divides and isolates Americans. Consumer culture has provided affluent societies with peaceful alternatives to tribalism and class war, Cross writes, and it has fueled extraordinary economic growth. The challenge for the future is to find ways to revive the still valid portion of the culture of constraint and control the overpowering success of the all-consuming twentieth century.